Download Free Joseph Addisons Sociable Animal Book in PDF and EPUB Free Download. You can read online Joseph Addisons Sociable Animal and write the review.

Joseph Addison: Tercentenary Essays is a collection of fifteen essays by a team of internationally recognized experts specially commissioned to commemorate the three hundredth anniversary of Addison's death in 2019. Almost exclusively known now as the inventor and main author of The Spectator, probably the most widely read and imitated prose work of the eighteenth century, Addison also produced important and influential work across a broad gamut of other literary modes—poems, verse translations, literary criticism, periodical journalism, drama, opera, travel writing. Much of this work is little known nowadays even in specialist academic circles; Addison is often described as the most neglected of the eighteenth century's major writers. This volume is the first collection to address the full range and variety of Addison's career and writings. Its fifteen chapters fall into three groupings: the first set study Addison's work in modes other than the literary periodical (poetry, translation, travel writing, drama); the second set address The Spectator from a variety of disciplinary perspectives (literary-critical, sociological and political, bibliographical); and the final set explore Addison's reception within several cultural spheres (philosophy, horticulture, art history), by individual writers or across larger historical periods (the Romantic age, the Victorian age), and in Britain and Europe, especially France. The volume provides an overdue and appropriately diverse memorial to one of the dominant men of letters of the Georgian era.
The name Joseph Addison was once synonymous with the finest of English prose. Eminent writers from Voltaire to Lord Macaulay to John Steinbeck considered him a consummate master to be studied and emulated. According to Benjamin Franklin, Addison’s writings "contributed more to the improvement of the minds of the British nation, and polishing their manner, than those of any other English pen whatever." While his influence lives on in the sound and style of English today, the fame of this literary role model has faded from popular awareness. The Addisonian spirit, which ushered in an exceptional era of domestic peace in Britain and provided inspiration for the French and American Revolutions, coded many of the constitutional, political, and social agreements we continue to live with today. This book, the first comprehensive monograph of Addison in half a century, considers Addison’s contribution through an in-depth exploration of his writings, political work, social life, and theatrical stagings.
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Landscape, Literature and English Religious Culture, 1660-1800 offers a powerful revisionist account of the intellectual significance of landscape descriptions during the 'long' Eighteenth-century. Landscape has long been a major arena for debate about the nature of Eighteenth-century English culture; this book surveys those debates and offers a provocative new account. Mayhew shows that describing landscape was a religiously contested practice, and that different theological positions led differing authors to different descriptive approaches. Landscape description, then, shows English intellectual life still in the grips of a Christian and classical mentality in the 'long' Eighteenth-century.
Helps scholars and students form an understanding of the contribution made by the coffee-house to British and even American history and culture. This book attempts to make an intervention in debates about the nature of the public sphere and the culture of politeness. It is intended for historians and scholars of literature, science, and medicine.
Reveals how England's eighteenth-century theatre dramatized anti-imperial protest, and gave voice to oppressed groups.
This comprehensive and versatile reference source will be a most important tool for anyone wishing to seek out information on virtually any aspect of British affairs, life and culture. The resources of a detailed bibliography, directory and journals listing are combined in this single volume, forming a unique guide to a multitude of diverse topics - British politics, government, society, literature, thought, arts, economics, history and geography. Academic subjects as taught in British colleges and universities are covered, with extensive reading lists of books and journals and sources of information for each discipline, making this an invaluable manual.
James Arbuckle (c.1700–1742), poet and essayist, was born in Belfast to a Presbyterian merchant family of Scottish origin and educated at Glasgow University (1717–1723). In Glasgow, his poetry, influenced by Pope and the Latin classics, won praise from leading members of Scotland’s literary and political establishment, including Allan Ramsay. In 1723 he moved to Dublin, producing under the name “Hibernicus” Ireland’s first literary journal, in collaboration with a group of young Whig intellectuals forming the “Molesworth circle”. Heaimed at first to avoid politics, but in the highly politicized Dublin of Dean Swift that proved impossible. He was satirized by members of Swift’s circle and responded with the ironic Panegyric on the Rev Dean Swift. His later work, especially The Tribune, developed a radical and anticlerical critique of contemporary Ireland, in which Swift was represented more as Church Tory than Irish patriot.Arbuckle was well-known in his day, but his work has not been published since the end of the eighteenth century. He has often been discussed in modern scholarly work across a range of disciplines: on Swift and Pope; Scottish poetry and especially Allan Ramsay; Francis Hutcheson and the early Scottish Enlightenment; the background to the United Irishmen of 1798; the history of Irish presbyterians. Arbuckle himself has not been the focus of detailed scholarly inquiry until now. This edition presents an annotated selection of Arbuckle’s work in poetry and prose. It begins with a substantial introduction dealing with his biography and political and literary context. It is then divided into three parts. The first, on his Scottish period, includes the annotated texts of his two principal poems, Snuff and Glotta. The second presents a selection of the “Hibernicus” essays, grouped by four themes: literary (which will include a selection of his Horace translations); philosophical (responding principally to Francis Hutcheson); political (placing him in the contemporary varieties of Whiggism, and especially the dispute between Walpole and “Opposition” Whigs); religious (the focus here is on his writing on toleration). The final section deals with his response to Swift’s Irish writing, as demonstrated in selected essays from The Tribune and in A Panegyric.
Enlightenment studies are currently in a state of flux, with unresolved arguments among its adherents about its dates, its locations, and the contents of the 'movement'. This book cuts the Gordian knot. There are many books claiming to explain the Enlightenment, but most assume that it was a thing. J. C. D. Clark shows what it actually was, namely a historiographical concept. Currently 'the Enlightenment' is a term widely accepted across popular culture and in a variety of academic disciplines, notably history, philosophy, political theory, political science, literary studies, and theology; Clark calls for a fundamental reconsideration in each. The Enlightenment: An Idea and Its History provides a critical historical analysis of the Enlightenment in England, Scotland, France, Germany, and the United States from c. 1650 to the present. It argues that the degree of commonality between social and intellectual movements in each--and, more broadly, between the five societies--has been overstated for polemical purposes. Clark shows that the concept of 'the Enlightenment' was not widely adopted in those societies until the mid-twentieth century; indeed, that it was unknown in the eighteenth. Without the concept, people at the time were unable to act in ways that would have created the Enlightenment as a coherent movement. Since the conventional account has held that the Enlightenment was a phenomenon, the idea could be used as a component of what has been called a 'civil religion': a summing up of the myths of origin, aims, and essential values of a society from which dissent is not permitted. An appreciation that it was instead a historiographical concept undermines, in turn, the idea that there was any great transition to what came to be called 'modernity'.