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Includes Guadalupe Rivera Marín´s voice. Mesmerized for days outside Posada´s shop, watching as the master gave form to his figures, the boy Diego Rivera was invited in by the artist himself, to see how he worked. Since that moment, Rivera recognized Posada as one of his greatest teachers. In this book, an homage to the mexican engraver, we present a text in which Rivera the muralist speaks passionately about influence that Posada the lithographer and caricaturist had on his work: “Surely no bourgeoisie has been as unlucky as Mexico, to have a rapporteour who meted out justice upon their fashions, their actions, their comings and goings, like the brilliant and incomparable José Guadalupe Posada”, he writes.
273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.
Diego Rivera offers young readers unique insight into the life and artwork of the famous Mexican painter and muralist. The book follows Rivera's career, looking at his influences and tracing the evolution of his style. His work often called attention to the culture and struggles of the Mexican working class. Believing that art should be for the people, he created public murals in both the United States and Mexico, examples of which are included. The book contains a list of museums where you can see Rivera's art, a historical note, a glossary, and a bibliography. Praise for Diego Rivera: An Artist for the People STARRED REVIEWS "With engaging prose that is beautifully illustrated with Diego Rivera's paintings and murals, this spacious volume introduces the great Mexican artist to young people. Accompanied by crisply reproduced color images of both the bright, minutely detailed murals as well as archival photos of the artist at work, the accessible account discusses how Diego constructed his art..." --Booklist, starred review "The stunning illustrations include images of Rivera's murals, his "cartoon" drawings, reproductions of art that he found influential, and photographs. The design, with scrollwork along the top and bottom and an unusual placement of page numbers, exudes style. The text is clearly written, straightforward, and attention-grabbing, with a good number of quotes interspersed throughout." --School Library Journal, starred review "A carefully researched, cogently argued and handsomely produced appreciation." --Kirkus Reviews "There is life to these pages, and breadth to its subject. Short enough to reward a wary reader but with enough context and clarity to bring Diego to life, Rubin takes a tricky guy for kids to know about and makes him precisely what he was: bigger than life." --School Library Journal, Fuse 8 Blog "Enhanced by gorgeously reproduced photos and artwork, Rubin's account follows the Mexican artist from his early drawings -- as a small child, he was given free rein in a room "covered with black canvas as high as he could reach" -- through his eventful, productive life." --The Washington Post "Rubin traces Rivera's life from his emergent boyhood talent, through the formal studio education that left him restless and professionally unsatisfied, to realizing his calling to create massive public artworks for the common people, celebrating the dignity of their labor." --Bulletin of the Center for Children's Books Award School Library Journal Best Book of 2013 Best Multicultural Children's Books 2013 (Center for the Study of Multicultural Children's Literature) Notable Children's Books from ALSC 2014 Notable Books for a Global Society Book Award 2014
From the introduction by Pru Devon: “There are various ways of assembling a song collection. The most common procedure seems to be that of gathering together the most familiar and therefore the slightly hackneyed ones in the belief that since they are so well-known it follows they must be the best. Another and far more challenging approach is to collect a great many song from a broad assortment of areas, to evaluate carefully each one, finally selecting a group that gives a truly cross-sectional representation. This is obviously how Elena Paz has succeeded in gathering together this excellent collection of songs. . . . They are the sort of songs that people actually sing. Many have proved their strength and merit by having endured in the people’s hearts for many generations while others, equally representative are actually “living folkmusic”. Lullabies and children’s songs are usually immigrants that came with the colonists from the “old country”, such as A la Nanita Nana. These have wide dispersal and are sung in slightly differing ways from the Rio Grande to Tierra del Fuego. Others reflect episodes in the evolution of a republic, such as the various songs that grew out of the Mexican revolution. They run a fine gamut of expression and mood and offer a just and attractive sampling of the wealth of Latin American music.
Chronicles the life of Mexican artist Diego Rivera and discusses the artists who influenced him, his involvement in Communism, his family life, and other related topics.
Ilan Stavans’s collection of essays on kitsch and high art in the Americas makes a return with thirteen new colorful conversations that deliver Stavans’s trademark wit and provocative analysis. “A Dream Act Deferred” discusses an issue that is at once and always topical in the dialogue of Hispanic popular culture: immigration. This essay generated a vociferous response when first published in The Chronicle of Higher Education as the issue of immigration was contested in states like Arizona, and is included here as a new addition that adds a rich layer to Stavans’s vibrant discourse. Fitting in this reconfiguration of his analytical conversations on Hispanic popular culture is Stavans’s “Arrival: Notes from an Interloper,” which recounts his origins as a social critic and provides the reader with interactive insight into the mind behind the matter. Once again delightfully humorous and perceptive, Stavans delivers an expanded collection that has the power to go even further beyond common assumptions and helps us understand Mexican popular culture and its counterparts in the United States.
Poems that capture the life and work of artist Diego Rivera.
The customs, myths, folklore, traditions, beliefs, fiestas, dances, and songs of the Mexican people.
Jose Guadalupe Posada is one of the most important graphic artists of modern Mexico. This book offers a close examination of his extensive broadsheet work in its original context: the murders, disasters, revolts, and popular heroes that engaged the attention of the public in Mexico City in the declining years of Porfirio Diaz's dictatorship. Patrick Frank analyzes the sources of Posada's style in Mexican and European prints and cartoons and shows how he altered them to fill his illustrations with vigor and life. Frank shows that Posada's outlook was that of the working class and that he depicted the stories of his day from a vantage point belonging neither to the defenders of the regime nor to its organized opposition. This book brings fresh insights to the work of a major figure in Mexican art history.
Critical study ranges from pre-Columbian times through the 20th century to explore Mexico's intrinsic association between art and religion; the role of iconography in Mexican art; and the return to native values. Unabridged reprint of the classic 1929 edition. 118 black-and-white illustrations.