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Virginia Woolf’s groundbreaking novel, in a lushly illustrated hardcover edition with illuminating commentary from a brilliant young Oxford scholar and critic. “Mrs. Dalloway said she would buy the flowers herself.” So begins Virginia Woolf’s much-beloved fourth novel. First published in 1925, Mrs. Dalloway has long been viewed not only as Woolf’s masterpiece, but as a pivotal work of literary modernism and one of the most significant and influential novels of the twentieth century. In this visually powerful annotated edition, acclaimed Oxford don and literary critic Merve Emre gives us an authoritative version of this landmark novel, supporting it with generous commentary that reveals Woolf’s aesthetic and political ambitions—in Mrs. Dalloway and beyond—as never before. Mrs. Dalloway famously takes place over the course of a single day in late June, its plot centering on the upper-class Londoner Clarissa Dalloway, who is preparing to throw a party that evening for the nation’s elite. But the novel is complicated by Woolf’s satire of the English social system, and by her groundbreaking representation of consciousness. The events of the novel flow through the minds and thoughts of Clarissa and her former lover Peter Walsh and others in their circle, but also through shopkeepers and servants, among others. Together Woolf’s characters—each a jumble of memories and perceptions—create a broad portrait of a city and society transformed by the Great War in ways subtle but profound ways. No figure has been more directly shaped by the conflict than the disturbed veteran Septimus Smith, who is plagued by hallucinations of a friend who died in battle, and who becomes the unexpected second hinge of the novel, alongside Clarissa, even though—in one of Woolf’s many radical decisions—the two never meet. Emre’s extensive introduction and annotations follow the evolution of Clarissa Dalloway—based on an apparently conventional but actually quite complex acquaintance of Woolf’s—and Septimus Smith from earlier short stories and drafts of Mrs. Dalloway to their emergence into the distinctive forms devoted readers of the novel know so well. For Clarissa, Septimus, and her other creations, Woolf relied on the skill of “character reading,” her technique for bridging the gap between life and fiction, reality and representation. As Emre writes, Woolf’s “approach to representing character involved burrowing deep into the processes of consciousness, and, so submerged, illuminating the infinite variety of sensation and perception concealed therein. From these depths, she extracted an unlimited capacity for life.” It is in Woolf’s characters, fundamentally unknowable but fundamentally alive, that the enduring achievement of her art is most apparent. For decades, Woolf’s rapturous style and vision of individual consciousness have challenged and inspired readers, novelists, and scholars alike. The Annotated Mrs. Dalloway, featuring 150 illustrations, draws on decades of Woolf scholarship as well as countless primary sources, including Woolf’s private diaries and notes on writing. The result is not only a transporting edition of Mrs. Dalloway, but an essential volume for Woolf devotees and an incomparable gift to all lovers of literature.
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A renegade bishop and aristocratic revolutionary, he helped make and break the power of Napoleon. With bravura he then dominated the Congress of Vienna which re-shaped Europe, but soon discovered that the Bourbons had, in his own words, 'learned nothing and forgotten nothing'. Disgrace followed. The Revolution of July 1830 finally brought a renewal of Talleyrand's former influence. So, in his late seventies, he arrived as ambassador in London, where he and his beautiful companion, the duchesse de Dino, dazzled and captivated British society. At the end, his famous death-bed reconciliation with the Catholic Church created almost as great a scandal as his notorious early life. In this authoritative new biography, Talleyrand emerges as always ahead of his times. He urged the advantages of peace, while Europe was racked by war; he consistently advocated political moderation, a free press and a liberal constitution; he was a forceful proponent of Anglo-French entente; he understood the importance of free trade as the route to national prosperity; and he foresaw the rise of America as a great power. Robin Harris depicts a statesman of truly world-class stature.
When you cross an Oxford graduate with a young man seeking gold and adventure in the remote wilderness, the result is Nahanni Journals. In this fascinating account of Raymond Patterson, a Londoner who finds his destiny in the Nahanni and Flat Rivers region of the Northwest Territories, Richard C. Davis reveals to us an extraordinary life. Patterson's adventures are as swift and unpredictable as the river he canoes. Outdoor enthusiasts, historians, lovers of travel, and anyone interested in captivating stories will enjoy accompanying Patterson for the ride. Foreword by Justin Trudeau.