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'Aware of the architect's declining influence on architecture Jorn Utzon felt that his "Logbook" series would be of value to people interested in the architect's role and its importance in society. Based on his own experience and a carefully edited selection of drawings from his archives, the Logbooks offer unique access to the process of working out architecture in the interest of the wellbeing of people' - Torsten Blondal. Completed in 1982, the Kuwait National Assembly remains one of the outstanding modern buildings completed in the Middle East by a European architect. A tour de force of precast concrete construction, Jorn Utzon's design also represents the culmination of themes that had preoccupied him throughout his work, notably ways of combining ideas derived from traditional cultures with the 'additive' principles of cellular growth found in nature. This beautifully produced book, the latest addition to Edition Blondal's acclaimed "Utzon Logbook" series, was developed in close collaboration with Utzon and presents an exceptionally comprehensive account of the Kuwait project through photographs, original drawings and the recollections of key contributors - Utzon's staff, consulting engineers and contractor, and an extended interview with Utzon himself.
This book introduces and defines the burgeoning concepts of transculturalism and essentialism and how they relate to one another, as articulated with reference to the work of Jørn Utzon. It introduces critical contemporary perspectives of the design thinking and career of this renowned Danish architect, internationally recognised for his competition-winning, iconic design for the Sydney Opera House – an outstanding exemplar of transcultural essentialism in architecture. Transcultural essentialism is analysed through the lens of critical regionalism and architectural phenomenology, with emphasis on the sense of place and tectonics in Utzon’s architectural works. It provides a new understanding of the Danish architect as an early proponent of a still emergent and increasingly relevant direction in architecture. Going beyond biographical studies, it presents a more comprehensive understanding of the broad range of transcultural influences that formed his thinking. The volume includes numerous previously unpublished photographs, drawings, and interviews with Utzon’s family members, former students, and colleagues, offering a significant contribution to the existing body of knowledge for any architecture scholar interested in Utzon’s work and design principles. The book also comprises a Foreword by eminent architecture theorist Juhani Pallasmaa in which he provides insights into the wider architectural and cultural context of Utzon’s worldview.
"His work will live as long as architecture is valued, and his ultimate legacy is ethical, not formal: a way of working, not a repertoire of form." The Sydney Opera House is the most celebrated modern building in the world yet it’s architect has always shunned publicity and remain the least well known of the major modern architects. Richard Weston’s book, subtitled "Inspiration - Vision - Architecture", finally opens the door to Utzon’s techniques and creative processes. Observations and anecdotes by Utzon, supplemented with a wealth of sketches and drawings from his personal archives, draws the reader into the amazing visionary world of one of the greatest living architects.
In recent years architectural discourse has witnessed a renewed interest in materiality under the guise of such familiar tropes as 'material honesty,' 'form finding,' or 'digital materiality.' Motivated in part by the development of new materials and an increasing integration of designers in fabricating architecture, a proliferation of recent publications from both practice and academia explore the pragmatics of materiality and its role as a protagonist of architectural form. Yet, as the ethos of material pragmatism gains more popularity, theorizations about the poetic imagination of architecture continue to recede. Compared to an emphasis on the design of visual form in architectural practice, the material imagination is employed when the architect 'thinks matter, dreams in it, lives in it, or, in other words, materializes the imaginary.' As an alternative to a formal approach in architectural design, this book challenges readers to rethink the reverie of materials in architecture through an examination of historical precedent, architectural practice, literary sources, philosophical analyses and everyday experience. Focusing on matter as the premise of an architect’s imagination, each chapter identifies and graphically illustrates how material imagination defines the conceptual premises for making architecture.
Jørn Utzon is best known as the architect of the Sydney Opera House, probably the world's most famous modern building and arguably the 20th-century's boldest, most important and impressive work of architecture. All his works – both the large and famous and the small and private – with their brilliant simplicity and honest originality, are masterpieces of 20th-century architecture.This book presents all of Utzon's buildings in more than 400 outstanding color photographs taken by architecture photographer Per Nagel over a period of 25 years. Architect Vibe Udsen reviews each building and architecture critic Henrik Sten Møller presents a portrait of Jørn Utzen the man and the architect. Photographer Per Nagel has collaborated with architect Vibe Udsen for many years in publishing the architectural annual Living Architecture, which is distributed worldwide.