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The life of Phoenix Smalls spins horrifically out of control as a long-dead music legend chooses her to continue his legacy, in this historical novel—part love story, part ghost story—from acclaimed horror novelist Tananarive Due. When Phoenix Smalls was ten, she nearly died at her parents' jazz club when she was crushed by a turn-of-the-century piano. Now twenty-four, Phoenix is launching a career as an R&B singer. She's living out her dreams and seems destined for fame and fortune. But a chance visit to a historical site in St. Louis ignites a series of bizarre, erotic encounters with a spirit who may be the King of Ragtime, Scott Joplin. The sound of Scott Joplin is strange enough to the ears of the hip-hop generation. But the idea that these antique sounds are being channeled through Phoenix? Her life is suddenly hanging in the balance. How will she find her true voice and calling? Can the power of her own inner song give Phoenix the strength to fight to live out her own future? Or will she be forever trapped in Scott Joplin's doomed, tragic past? Stunningly original, Joplin's Ghost is a novel filled with art and intrigue—and is sure to bring music to readers' ears.
From Native American societies to the Civil War to the crime spree of Bonnie and Clyde, Joplin’s history leaves spirited legends in its wake . . . The barrier between Joplin’s boisterous past and its present is as flimsy as a swinging saloon door. Lisa Livingston-Martin kicks it wide open in this ghostly history. In her expert company, tour a hotel with a reputation made from equal parts opulence and tragedy. Visit that house of horrors, the Stefflebeck Bordello, where guests regularly got the axe and were disposed of in mine shafts. Navigate through angry lynch mobs and vengeful patrols of Civil War spirits. Catch a glimpse of Bonnie and Clyde. Keep your wits about you—it’s haunted Joplin. Includes photos! “There may be as many non-living residents of Joplin as there are live ones, according to Haunted Joplin.” —The Morning Sun
This book revives and revitalises the literary Gothic in the hands of contemporary women writers. It makes a scholarly, lively and convincing case that the Gothic makes horror respectable, and establishes contemporary women’s Gothic fictions in and against traditional Gothic. The book provides new, engaging perspectives on established contemporary women Gothic writers, with a particular focus on Angela Carter, Margaret Atwood and Toni Morrison. It explores how the Gothic is malleable in their hands and is used to demythologise oppressions based on difference in gender and ethnicity. The study presents new Gothic work and new nuances, critiques of dangerous complacency and radical questionings of what is safe and conformist in works as diverse as Twilight (Stephenie Meyer) and A Girl Walks Home Alone (Ana Lily Amirpur), as well as by Anne Rice and Poppy Brite. It also introduces and critically explores postcolonial, vampire and neohistorical Gothic and women’s ghost stories.
This book offers new insights on socially and culturally engaged Gothic ghost stories by twentieth century and contemporary female writers; including Shirley Jackson, Angela Carter, Toni Morrison, Ali Smith, Susan Hill, Catherine Lim, Kate Mosse, Daphne du Maurier, Helen Dunmore, Michele Roberts, and Zheng Cho. Through the ghostly body, possessions and visitations, women’s ghost stories expose links between the political and personal, genocides and domestic tyrannies, providing unceasing reminders of violence and violations. Women, like ghosts, have historically lurked in the background, incarcerated in domestic spaces and roles by familial and hereditary norms. They have been disenfranchised legally and politically, sold on dreams of romance and domesticity. Like unquiet spirits that cannot be silenced, women’s ghost stories speak the unspeakable, revealing these contradictions and oppressions. Wisker’s book demonstrates that in terms of women’s ghost stories, there is much to point the spectral finger at and much to speak out about.
Stories of vampires, werewolves, zombies, witches, goblins, mummies, and other supernatural creatures have existed for time immemorial, and scary stories are among the earliest types of fiction ever recorded. Historical Dictionary of Horror Literature is an invaluable aid in studying horror literature, including influential authors, texts, terms, subgenres, and literary movements. This book contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 400 cross-referenced entries covering authors, subgenres, tropes, awards, organizations, and important terms related to horror. Historical Dictionary of Horror Literature is an excellent resource for students, researchers, and anyone wanting to know more about horror literature.
Now in paperback, this blockbuster story collection further cements Tananarive Due’s status as a leading innovator in Black horror and Afrofuturism; featuring two new stories —Includes “Incident at Bear Creek Lodge,” winner of the World Fantasy Award —Selected for the Locus Magazine 2023 Recommended Reading List —“Rumpus Room” selected as finalist for a 2023 Bram Stoker Award for Long Fiction "[A] master class in horror fiction and sci-fi written by one of the very best in the genre." —Joe Hill, NPR's Weekend Edition "The Wishing Pool . . . is a major treat, full of major scares. Due excels at twist endings but also brilliantly creates an atmosphere of creeping dread in which you know something terrible is coming . . . Due shows just how much territory she can cover in one short book and just how versatile terrifying tales can be." —Washington Post "Holy hell: These fourteen stories from author and film historian Due might scare even the most dauntless horror fans to death . . . A patchwork of stories that somehow manages to be both graceful and alarming, putting fresh eyes to the unspeakable." —Kirkus Reviews, starred review AMERICAN BOOK AWARD–WINNING AUTHOR TANANARIVE DUE's second collection of stories includes offerings of horror, science fiction, and suspense—all genres she wields masterfully. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due's stories all share a sense of dread and fear balanced with heart and hope. In some of these stories, the monster is racism itself; others address the monster within, each set against the supernatural or surreal. All are written with Due's trademark attention to detail and deeply drawn characters. The story "Incident at Bear Creek Lodge" is a World Fantasy Award finalist, and this paperback reissue includes two new stories.
The first monograph to investigate the poetics and politics of haunting in African diaspora literature, Ghosts of the African Diaspora: Re-Visioning History, Memory, and Identity examines literary works by five contemporary writers - Fred D'Aguiar, Gloria Naylor, Paule Marshall, Michelle Cliff, and Toni Morrison. Joanne Chassot argues that reading these texts through the lens of the ghost does cultural, theoretical, and political work crucial to the writers' engagement with issues of identity, memory, and history. Drawing on memory and trauma studies, postcolonial studies, and queer theory, this truly interdisciplinary volume makes an important contribution to the fast-growing field of spectrality studies.
This comprehensive handbook will guide readers through the process of publishing their research. It helps readers to establish successful writing practices and habits which will enable them to write well, complete their work to a high standard and have their work published. Drawing on her experience as a writer, editor and supervisor, Gina Wisker covers the practicalities of writing and provides tried-and-tested techniques for managing time, overcoming writer's block and developing a confident academic voice. This book is ideal for postgraduates, academics, researchers and professionals wishing to write effectively and share their work with others through academic publication.
This book explores the history of women’s engagement with writing experimentally. Women writers have long used different narratives and modes of writing as a way of critiquing worlds and stories that they find themselves at odds with, but at the same time, as a way to participate in such spaces. Experimentation—of style, mode, voice, genre and language—has enabled women writers to be simultaneously creative and critical, engaged in and yet apart from stories and cultures that have so often seen them as ‘other’. This collection shows that women writers in English over the past 400 years have challenged those ideas not only through explicit polemic and alternative representations but through disrupting the very modes of representation and story itself.
The Carnivalesque Defunto explores the representations of death and the dead in Brazil’s collective and literary imagination. The recurring stereotype of Brazil as the land of samba, soccer, and sandy beaches overlooks a more complex cultural heritage in which, since colonial times, a relationship of proximity and reciprocity has been cultivated between the living and the dead. Robert H. Moser details the emergence of a prominent motif in modern Brazilian literature, namely the carnivalesque defunto (the dead) that, in the form of a protagonist or narrator, returns to beseech, instruct, chastise, or even seduce the living. Drawing upon the works of esteemed Brazilian writers such as Machado de Assis, Érico Veríssimo, and Jorge Amado, Moser demonstrates how the defunto, through its mocking laughter and Dionysian resurrection, simultaneously subverts and inverts the status quo, thereby exposing underlying points of tension within Brazilian social and political history. Incorporating elements of both a celestial advocate and an untrustworthy specter, the defunto also serves as a metaphor for one of modern Brazil’s greatest dilemmas: reconciling the past with the present. The Carnivalesque Defunto offers a comparative framework by juxtaposing the Brazilian literary ghost with other Latin American, Caribbean, and North American examples. It also presents a cross-disciplinary approach toward understanding the complex relationship forged between Brazil’s spiritual traditions and literary expressions.