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Reproduction of the original.
Draws on discoveries made in the past three decades to paint a new portrait of the satirist, speculating on his parentage, love life, and relationships while claiming that the public image he projected was intentionally misleading.
Jonathan Swift's first major work, 'A Tale of a Tub' was arguably his most difficult satire and perhaps his most masterly. The tale is a prose parody divided into sections each delving into the morals and ethics of English. It was first published in the year 1704.
An authoritative scholarly 2010 edition of Swift's satiric masterpiece, with full textual apparatus and annotation.
The Fringes of Belief is the first literary study of freethinking and religious skepticism in the English Enlightenment. Ellenzweig aims to redress this scholarly lacuna, arguing that a literature of English freethinking has been overlooked because it unexpectedly supported aspects of institutional religion. Analyzing works by John Wilmot, Earl of Rochester, Aphra Behn, Jonathan Swift, and Alexander Pope, she foregrounds a strand of the English freethinking tradition that was suspicious of revealed religion yet often strongly opposed to the open denigration of Anglican Christianity and its laws. By exposing the contradictory and volatile status of categories like belief and doubt this book participates in the larger argument in Enlightenment studies—as well as in current scholarship on the condition of modernity more generally—-that religion is not so simply left behind in the shift from the pre-modern to the modern world.
It is the aim of this biography to offer a new, comprehensive view of Swift and his writings. For years, biographies of the Dean were bedeviled by legends of his madness and by romantic mysteries surrounding his relationship. Post-war scholarship has swept all this away, and has provided a factual basis for a much clearer understanding of both his life and work. Dr. Nokes presents a portrait of Swift in his multifarious roles as satirist, politician, churchman, and friend. In particular, he seeks to re-establish a proper balance between Swift's public and private lives. -- From publisher's description.
This definitive Companion provides a critical overview of literary culture in the period from John Milton to William Blake. Its broad chronological range responds to recent reshapings of the canon and identifies new directions of study. The Companion is composed of over fifty contributions from leading scholars in the field, its essays offer students a comprehensive and accessible survey of the field from a wide range of perspectives. It also, however, gives researchers and faculty the opportunity to update their acquaintance with new critical and scholarly work. The volume meets the needs of an intellectual world increasingly given over to inter-disciplinary and multi-disciplinary study by covering philosophical, political, cultural and historical writing, as well as literary writing. Unlike other similar volumes, the main body of the Companion consists of readings of individual texts, both those commonly and less commonly studied.