Download Free Jonathan Edwards Samuel Taylor Coleridge And The Supernatural Will In American Literature Book in PDF and EPUB Free Download. You can read online Jonathan Edwards Samuel Taylor Coleridge And The Supernatural Will In American Literature and write the review.

In a work that will be of interest to students and scholars of American Literature, Romanticism, Transcendentalism, the History of Ideas,and Religious Studies, Brad Bannon examines Samuel Taylor Coleridge’s engagement with the philosophical theology of Jonathan Edwards. A closer look at Coleridge’s response to Edwards clarifies the important influence that both thinkers had on seminal works of the nineteenth century, ranging from the antebellum period to the aftermath of the American Civil War—from Poe’s fiction and Emerson’s essays to Melville’s Billy Budd and Crane’s The Red Badge of Courage. Similarly, Coleridge’s early espousal of an abolitionist theology that had evolved from Edwards and been shaped by John Woolman and Olaudah Equiano sheds light on the way that American Romantics later worked to affirm a philosophy of supernatural self-determination. Ultimately, what Coleridge offered the American Romantics was a supernatural modification of Edwards’ theological determinism, a compromise that provided Emerson and other nineteenth-century thinkers with an acceptable extension of an essentially Calvinist theology. Indeed, a thoroughgoing skepticism with respect to salvation, as well as a faith in the absolute inscrutability of Providence, led both the Transcendentalists and the Dark Romantics to speculate freely on the possibility of supernatural self-determination while doubting that anything other than God, or nature, could harness the power of causation.
Since the release of his first novel, The Orchard Keeper, in 1965, Cormac McCarthy’s characters, intricate plots, and sometimes forbidding settings have captivated the attention of countless readers while exploring deep philosophical problems, including that of human agency and free will. This multiauthor volume places the full range of his novels in historical, literary, and cultural contexts and shifts the focus of critical engagement to questions of determinism, fatalism, and free will. Essayists over the course of eleven chapters show how McCarthy’s protagonists and antagonists often confront grotesque realities and destinies, and find themselves prey to incessant subconscious and uncontrollable forces. In the process, these scholars reveal that McCarthy’s works arrive thoroughly tinctured with religious complexities, ambiguities of ancient and modern thinking, and profoundly splintered notions of morality, freedom, and ethics. Consequently, McCarthy’s philosophical depth, mastery of language, and sometimes shocking psychological analysis are brought into sharp focus for longtime readers. With new scholarship from eminent critics, an accessible style, and precise attention to the lesser-known works, Cormac McCarthy’s Violent Destinies re-introduces the Pulitzer Prize-winning novelist’s work under the twin themes of fatalism and determinism.
This book is a collection of essays on ghostly fiction by Henry James. The contributors analyze James's use of the ghost story as a subgenre and the difficult theoretical issues that James's texts pose.
No detailed description available for "Horace Bushnell's theory of language".
For more information including sample entries, full contents listing, and more, visit the Encyclopedia of Protestantism web site. Routledge is proud to announce the publication of a new major reference work from world-renowned scholar Hans J. Hillerbrand. The Encyclopedia of Protestantism is the definitive reference to the history and beliefs that continue to exert a profound influence on Western thought. Featuring entries written by an international team of specialists and scholars, the encyclopedia traces the course of Protestantism from its beginnings prior to 1517, when Martin Luther nailed his 95 Theses to the door of Wittenberg Cathedral, to the vital and diverse international scene of the present day.
Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Jonathan Greenaway offers the beginnings of a modern theology of the Gothic.
"Colonial and National Beginnings" examines the Congregational and German Reformed traditions as they developed in Colonial America until the era of the Civil War. Edited by Elizabeth C. Nordbeck and Lowell H. Zuck. Series editor Barbara Brown Zikmund.
Jonathan Edwards talked about more than "sinners in the hands of an angry God." This book examines his vision, theology, and legacy within American Protestantism.