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***THE INSTANT New York Times, Wall Street Journal, USA Today, and IndieBound BESTSELLER*** An NPR Book of the Day Picking up where the New York Times bestselling Front Row at the Trump Show left off, this is the explosive look at the aftermath of the election—and the events that followed Donald Trump’s leaving the White House all the way to January 6—from ABC News' chief Washington correspondent. Nobody is in a better position to tell the story of the shocking final chapter of the Trump show than Jonathan Karl. As the reporter who has known Donald Trump longer than any other White House correspondent, Karl told the story of Trump’s rise in the New York Times bestseller Front Row at the Trump Show. Now he tells the story of Trump’s downfall, complete with riveting behind-the-scenes accounts of some of the darkest days in the history of the American presidency and packed with original reporting and on-the-record interviews with central figures in this drama who are telling their stories for the first time. This is a definitive account of what was really going on during the final weeks and months of the Trump presidency and what it means for the future of the Republican Party, by a reporter who was there for it all. He has been taunted, praised, and vilified by Donald Trump, and now Jonathan Karl finds himself in a singular position to deliver the truth.
"Includes the rediscovered part four"--Cover.
The fascinating and informative Dictionary of First Names covers over 6,000 names in common use in English, including the very newest names as well as traditional names. From Alice to Zanna and Adam to Zola this book will answer all your questions: it will tell you the age, origin, and meaningof the name, as well as how it has fared in terms of popularity, and who the famous fictional or historical bearers for the name have been. It covers alternative spellings, short forms and pet forms, and masculine and feminine forms, as well as help with pronunciation.The book includes extensive appendices covering names from languages including Scottish, Irish, French, German, Italian, Arabic, and Chinese names. Tables of the most popular names by year and by region are also included.This is the most comprehensive paperback first names dictionary available. From the traditional to the rare and unconventional, this book will tell you everything you need to know about names.
Jonathan Majors is an American actor who has made a name for himself in recent years for his versatile performances on both stage and screen. Born and raised in Texas, Majors began his career in the theater before transitioning to film and television. Some of his most notable roles include his portrayal of Atticus Freeman in the HBO series "Lovecraft Country," which earned him critical acclaim and a nomination for a Critics' Choice Television Award, and his supporting role in the Spike Lee film "Da 5 Bloods," which premiered on Netflix in 2020. Majors is also set to have a major role in the Marvel Cinematic Universe, appearing as Kang the Conqueror in the upcoming film "Ant-Man and the Wasp: Quantumania." Aside from his acting work, Majors is also an accomplished musician and writer. He studied music and composition at the University of North Carolina School of the Arts before pursuing acting full-time. He has also written and performed in several of his own plays, including "The Last Black Man in San Francisco," which was adapted into a feature film in 2019. Majors has cited his upbringing in rural Texas and his experiences as a Black man in America as major influences on his work and his artistic vision, and he has expressed a desire to use his platform as an actor to tell stories that highlight the experiences and struggles of marginalized communities.
Jonathan Edwards (1703–1758) is widely recognized as one of the greatest philosopher-theologians America has ever produced, and recent years have seen a remarkable increase in research on his writings. To date, however, there has been no single authoritative volume that introduces and interprets the key aspects of Edwards' thought as a whole. The Princeton Companion to Jonathan Edwards provides just such a concise and comprehensive work, one that will be invaluable to students and scholars of American religion and theology as well as of literature, philosophy, and history. Comprising twenty essays by leading scholars on Edwards, the book will inform and challenge readers on subjects ranging from Edwards' understanding of the Trinity, God and the world, Christ, and salvation, as well as of history, typology, the church, and mission to Native Americans. It also includes a chronology of Edwards' life and writings that incorporates current research. Those familiar with Edwards' writings will find in these essays succinct expositions as well as bold new interpretations, and others will find an accessible, authoritative, up-to-date orientation to his multifaceted thought. The essays are by Robert E. Brown, Allen C. Guezlo, Robert W. Jenson, Wilson H. Kimnach, Janice Knight, Sang Hyun Lee, Gerald R. McDermott, Kenneth P. Minkema, Mark Noll, Richard R. Niebuhr, Amy Plantinga Pauw, John E. Smith, Stephen J. Stein, Harry S. Stout, Douglas A. Sweeney, Peter J. Thuesen, and John F. Wilson.
This book is an exposition of Jonathan Edwards' argumentation in his dissertation Concerning the End for Which God Created the World. In addition to stating Edwards' theses regarding God's end and motivation in creation, this book identifies and discusses the assumptions of his argumentation, analyses and explains its crucial components, and explores its philosophical implications. These implications include a version of exemplarism (i.e., the nature of God's ideas for creation), dispositionalism (i.e., the characteristics of God which explain God's motivation), and emanationism (i.e., what God shares of himself with persons who have a living faith in Christ). These entail a view of idealism (i.e., a view of the ultimate ontological ground of the universe), God's temporal nature, continuous creationism (i.e., how God sustains creation), a version of panentheism (i.e., how God, who is infinite, is related to creation, from which God is absolutely distinct), and occasionalism (i.e., the nature of causation of physical events or states of creation). These concepts and what they entail constitute a complete metaphysical system, providing a thoroughgoing divine action understanding of the foundation of reality. For Jonathan Edwards, God's acting according to his plans for his purposes in Christ is fundamental to all things. Were we to have an understanding of how the fundamental concepts of science, mathematics, and ordinary experience are related in reality to the God who acts for his original ultimate end in creation, sustaining the universe, while providentially guiding its affairs, and working redemption, we would have the opportunity to develop these as he had hoped, he pointed the way for others to follow.
Continuing the tradition of parodying all things sacred, the author of The XXXX Files and PMT takes up the reigns of satire by rewriting the essential 1970s hippy handbook Jonathan Livingston Seagull. Instead of a seagull for a hero, this updated classic features a bloated, cynical, grungy pigeon, who looks not to the skies for inspiration, but to the London Underground. Cutting corners wherever possible and living the life of a fully fledged MTV-generation feral pigeon, Jonathan's rite of passage is more a celebration of modern-day teenage apathy set against a backdrop of 90s Pop Culture and Victorian underground architecture than a voyage of delicious self-discovery. Matching the original page-for-page in content and layout, Jonathan Livingston Trafalgar Square Pigeon is a modern-day morality tale that will, by its very nature, attract plenty of attention whilst ever so gently ruffling a few feathers along the way.
Presents a fresh account of the life history and creative imagination of Jonathan Swift Classic satires such as Gulliver’s Travels, A Modest Proposal, and A Tale of a Tub express radical positions, yet were written by the most conservative of men. Jonathan Swift was born in Dublin and spent most of his life in Ireland, never traveling outside the British Isles. An Anglo-Irish Protestant clergyman, he was a major political and religious figure whose career was primarily clerical, not literary. Although much is known about Swift, in many ways he remains an enigma. He was admired as an Irish patriot yet was contemptuous of the Irish. He was both secretive and self-dramatizing. His talent for friendship was matched by his skill for making enemies. He hated the English but yearned to live in England. The Life of Jonathan Swift explores the writing life and personal history of the foremost satirist in the English language. Accessible and engaging, this critical biography brings Swift’s writing and creative sensibility into the narrative of his life. Author Thomas Lockwood provides the historical and modern critical context of Swift’s prose satires and poetry, as well as his political journalism, essays, manuscripts, and personal correspondence. Throughout the book, biographically contextualized descriptions of Swift’s most famous works help readers better understand both the writing and the writer. Provides critical profiles of Gulliver’s Travels, An Argument Against Abolishing Christianity, Drapier’s Letters, and Swift’s other famous works Offers insights into Swift’s relationships with Esther Johnson, “Stella,” and Esther Vanhomrigh, “Vanessa” Highlights Swift’s poetry and how verse writing was a vital part of his creative being Summarizes and contextualizes lesser-known works such as The Conduct of the Allies Addresses the historic critical bias against comedy or satire as inferior forms of art, both in Swift’s lifetime and the present The Life of Jonathan Swift is an essential resource for general readers of literature and literary biography, university instructors and researchers, and undergraduate students taking courses in English literature.
It has long been thought that Edwards's polemical arguements were aimed against Arminianism -- a doctrine that denied the Calvinist idea of predestination. In this book, Gerald McDermott shows that Edwards's real target was a larger and more influential one, namely deism -- the belief in a creator God who does not intervene in His Creation. To Edwards's mind, deism was the logical conclusion of most, if not all, schemes of divinity that appropriated Enlightenment tenets. McDermott argues that Edwards was an inclusivist who came to realize that salvation was open to peoples beyond the hearing of the Christian gospel.