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Come along to the Johnson Family and Friends Picnic! Enjoy family and fun as each invited guest adds excitement to this alphabetical gathering. And what's a picnic without food? From Aunt Ann's apple pies to Aunt Zoe's zesty zucchini, there's plenty to eat for everyone! Start the day with the Johnsons and laugh well into the night, as Calico Park comes alive when the Johnsons arrive!
A storybook that tells about different activities a family does at a picnic.
From the peaks of the Himalayas to the historic grounds of Hampton Court, there's always a perfect spot for a picnic! Anne Glenconner invites both old friends and new acquaintances to join her in The Picnic Papers. Featuring contributions from Bryan Adams, Graham Norton, Lorraine, Rupert Everett, Tina Brown, Freya Stark and many more, they explore the curious British obsession with dining alfresco, despite our famously unpredictable weather. Picnics, it turns out, spark strong opinions. HRH Princess Margaret insisted on having hers at a proper table, while the indefatigable John Julius Norwich enjoyed 147 picnics over seven weeks in the Sahara. In stark contrast, writer James Lee Milne simply loathed them. Brimming with extraordinary tales and a few nostalgic recipes (though this is not a recipe book!) Lady Glenconner's The Picnic Papers is an invitation to a delightful feast of memories and culinary delights.
A literary cookbook that celebrates food and poetry, two of life's essential ingredients. In the same way that salt seasons ingredients to bring out their flavors, poetry seasons our lives; when celebrated together, our everyday moments and meals are richer and more meaningful. The twenty-five inspiring poems in this book—from such poets as Marge Piercy, Louise Glück, Mark Strand, Mary Oliver, Billy Collins, Jane Hirshfield—are accompanied by seventy-five recipes that bring the richness of words to life in our kitchen, on our plate, and through our palate. Eat This Poem opens us up to fresh ways of accessing poetry and lends new meaning to the foods we cook.
"In this marvelous book, Beverly Fehr presents a comprehensive and richly detailed examination of what scholars have learned about the formation, maintenance, and dissolution of friendships. . . . Overall, a model of careful scholarship, clear writing, and good sense. For anyone studying friendships, there is no better place to start. This is perhaps the best book of its kind." --Choice Friends are an integral part of our lives--they sometimes replace family relationships and often form the basis for romantic relationships. Friendship Processes, new in the Sage Series on Close Relationships, examines exactly how friends give meaning to our lives and why we rely so heavily on them. Broad in its coverage, the book is process oriented and research based with each phase of the friendship process documented by empirical research. The result is a conceptual framework that illuminates the fascinating components of how we make friends, how we become close, how we maintain friends, and how friendships deteriorate and dissolve. Author Beverley Fehr equips the reader with valuable knowledge about the formations and continuations of the intriguing personal relationship called friendship. Friendship Processes also illustrates well the fact that, as a field of study, close relationships is maturing rapidly. Promising to be the definitive study of the subject for many years to come, this book will be of particular interest to professionals, academics, and students of social psychology, sociology, communication, family studies, and social work as well as any interested reader who is anxious to deepen his or her understanding and appreciation of a very engaging topic.
The McTavishes have piled into their old rattlebang car for a picnic on the top of Mount Fogg. But when the mountain starts to shake and red-hot lava erupts, the McTavishes hope that the old rattlebang can stay together long enough to save them from disaster!?An original tall tale with an outrageously bizarre plot?AMahy's? writing is vivid, funny, and full of details that will be dear to a child's heart.' -- School Library Journal, starred reviewMargaret Mahy was awarded The Order of New Zealand, her country's highest honor, for her contribution to children's literature. She lives in New Zealand.Steven Kellogg is well known for his Pinkerton books, as well as his illustrations for the Jimmy's Boa books by Trinka Hakes Noble (all Dial and Puffin). He lives in Sandy Hook, Connecticut.
Random Destinations examines how novels and short stories portray those who managed to escape from Central Europe in the 1930s following the rise of Nazism. They faced many concrete and psychological problems at their random destinations: language acquisition, adjustment to different moves, fitting into the community, coming to terms with having been rejected by their homeland, the conflict between the desire to remember and/or forget their past, and, above all, the need to reshape their identities. Their personal struggles are contextualized within their historical situation, both global and specific to their new locale. The book argues that fiction, by taking ordinary escapees' difficulties into account, paradoxically offers a more subtle and true picture than sociological studies, that have tended to foreground the successes of a few outstanding individuals.
Though it may seem a bit complicated, the story is simple, and when all the pieces are laid out, it is plain to see where it all began. It started with one single human by the name of Tane MacGregor; one single, officially insane, homeless dust rag of a man. He occasionally caught glances from passing strangers as he swung his feet rhythmically from the drawbridge over the calm waters of Spa Creek, and he was often found in the company of angels. As it was said, MacGregor was seen as the glue, the string binding all the events and beings which created a rather remarkable occurrence in the soft, beautifully adjacent, scenic towns of Annapolis and Eastport and, in particular, about the small Eastport Drawbridge over Spa Creek, spanning and dividing the two. Now, as the story would be told and retold in most homes and taverns around the Chesapeake for many years, it was too easily called coincidence. True, it began at a certain time with a certain person, in a certain situation, accompanied by an incredible series of events, people, celestial beings, lawyers, homeless schizophrenics, ghosts, God, junk food, and small deviations in time and space, with waving definitions of good and evil, all coming together in a perfect harmonic mix but coincidence?
In Rhythm Is My Beat: Jazz Guitar Great Freddie Green and the Count Basie Sound, Alfred Green tells the story of his father, rhythm guitarist Freddie Green, whose guitar work served as the pulse of the Count Basie Band. A quiet but key figure in big band jazz, Freddie Green took a distinct pride in his role as Basie’s rhythm guitarist, redefining the outer limits of acoustic rhythm guitar and morphing it into an art form. So distinct was Green’s style that it would eventually give birth to notations on guitar charts that read: “Play in the style of Freddie Green.” This American jazz icon, much like his inimitable sound, achieved stardom as a sideman, both in and out of Basie’s band. Green’s signature sound provided lift to soloists like Lester Young and vocalist Lil’ Jimmy Rushing, a reflection of Green’s sophisticated technique, that produced, in Green’s words, his “rhythm wave.” Billie Holiday, Ruby Braff, Benny Goodman, Gerry Mulligan, Teddy Wilson, Ray Charles, Judy Carmichael, Joe Williams and other recording artists all benefited from the relentless fours of the man who came to be known as Mr. Rhythm. The mystique surrounding Freddie Green’s technique is illuminated through generous commentary by insightful interviews with other musicians, guitar professionals and scholars, all of whom offer their ideas on Freddie Green’s sound. Alfred Green throughout demystifies the man behind the legend. This work will interest jazz fans, students, and scholars; guitar enthusiasts and professionals; music historians and anyone interested not only in the history of jazz but of the African American experience in jazz.