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A leading historian argues that Johnny Cash was the most important political artist of his time Johnny Cash was an American icon, known for his level, bass-baritone voice and somber demeanor, and for huge hits like “Ring of Fire” and “I Walk the Line.” But he was also the most prominent political artist in the United States, even if he wasn’t recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash’s politics, usually accepting the idea of him as a “walking contradiction.” Cash didn’t fit into easy political categories—liberal or conservative, Republican or Democrat, hawk or dove. Like most people, Cash’s politics were remarkably consistent in that they were based not on ideology or scripts but on empathy—emotion, instinct, and identification. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure.
A powerful World War II novel about a young soldier joining the anti-German resistance in occupied Italy, this classic—which touches on everything from wartime dangers and adventures to desperate love—is regarded as one of the greatest works of twentieth-century Italian literature. Milton—the name is a nom de guerre—is a member of a partisan band battling Italian Fascists and German forces in the chaotic last years of World War II. Before the war Milton was a student of English literature and a lover of poetry. He was in love with a girl, too, Fulvia, and from time to time she’d invite him over to her rich family’s fine house and have him read to her. Now, in the thick of war, he discovers that handsome Giorgio, his friend and fellow partisan, was sleeping with Fulvia at the time. Furious with jealousy, Milton hastens to have it out with Giorgio, but Giorgio has been captured by the Germans. A Private Affair tells the story of Milton’s mad quest—through mud and fog, rain and terror, while barely evading enemy patrols—to rescue his friend, the better to settle a grudge from a lost world of peace. Beppe Fenoglio’s masterpiece is a peerless story of the violent heart and world.
Translated by John Shepley 2,000 Italian partisans took the city of Alba on 10/10/44, and 200 lost it to the Fascists on 2/11/44. Among the bedraggled fighters in this historic siege was Beppe Fenoglio, who later made his writing debut with this collection of stories based on his experiences in the Italian resistance movement. Marking the 50th anniversary of the book's original publication, this translation celebrates Fenoglio's direct and intimate portrait of soldiers who bumbled their way into playing a crucial role in the Allied victory of WWII.
Epic in scope, The Partisan is a thrill ride that takes readers from the hallowed halls of Cambridge to the grimy depths of the Moscow underworld, from 1960s London to the Eastern Front during the Second World War. Summer 1961: The brutal Cold War between East and West is becoming ever more perilous. Two young prodigies from either side of the Iron Curtain, Yulia and Michael, meet at a chess tournament in London. They don't know it, but they’re about to compete in the deadliest game ever played. Shadowing them is Greta, a ruthless Lithuanian resistance fighter who is hunting down some of the most dangerous men in the world. Men who are also on the radar of Vassily, perhaps the USSR's greatest spymaster. A man of cunning and influence, Vassily is Yulia's minder during her visit to the West, but even he could not foresee the consequences of her meeting Michael. When the world is accelerating towards an inevitable and catastrophic conflict, what can just four people do to prevent it?
I went in behind the lines and emerged as a kind of agent. I went in as a reporter and came out a kind of soldier. I sometimes wish I had never gone in at all. -Paul Morton War correspondents have long entered combat zones at great personal risk, determined to capture the conflict for those on the home front. But during World War II, Toronto Star journalist Paul Morton found himself not just reporting the war but fighting his own personal battle in a shocking turn of events that led to disastrous consequences for his career. Morton volunteered in 1944 to parachute behind Nazi lines and report on the guerrilla war being waged by Italian partisans. But after he spent two months writing a series, the British Army changed its battle strategy and ordered stories on the partisans to cease. Mortons stories were spiked, and he was disacredited as a correspondent. Morton was subsequently fired by the Toronto Star after they unfairly claimed his reporting was fabricated. Eye-opening and gripping, Inappropriate Conduct shares the dramatic true story of how Morton became the target of a ruthless campaign that shattered his journalistic integrity and his career. Journalist Don North captures Mortons experiences from the beginning, using Mortons previously unpublished memoir and archival sources to create a seamless, powerful narrative that speaks to the tenuous relationship between the truth and propaganda during war.
Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place. Volume 2: Forms and Themes, views the novel primarily from the inside, examining its many formal arrangements and recurrent thematic manifestations, and looking at the plurality of the genre and its lineages. These books will be essential reading for all students and scholars of literature.
This collection introduces the reader to the life and times of Stuart Hood (1915-2011). Highlighting Hood’s year spent fighting with the Italian Resistance during the Second World War, the essays consider how his experiences as a partisan influenced his peacetime trajectory. Written by distinguished scholars from several disciplines, each chapter examines different aspects of Hood’s life and work, including his Scottish boyhood and university education in Edinburgh; his distinguished career as a broadcaster presiding over an era of unprecedented creativity at BBC television; his role in the establishment of the discipline of media studies; and his contribution to radical European culture as the translator of 40 literary works from Italian, German, French and Russian, and as the author of eight acclaimed novels. Stuart Hood’s reticence made him an enigma to many who knew him. This collection assesses his many-faceted achievements, demonstrating how his life provides fresh insights into twentieth-century European history. This book will appeal to readers interested in the history of British and European socialism, media studies and literature.
The savage partisan war on the Eastern Front during World War II saw a wide variety of forces deployed by both sides. On the Soviet side, civilian partisans fought alongside and in co-operation with Red Army troops and Red Army and NKVD 'special forces'. On the German side, German Army security divisions, with indigenous components including cavalry, fought alongside SS police and Waffen-SS units and other front-line troops employed for short periods in the anti-partisan role. In addition to providing the background history of the forces of both sides, this study focuses upon three examples of German anti-partisan operations that show varied success in dealing with the Soviet partisan threat. Notably, it covers a major operation in north-west Russia during the spring of 1943 – Operation Spring Clean – that saw Wehrmacht security forces including local components fighting alongside troops under the SS umbrella against a number of Soviet partisan brigades. During the fighting, German forces even employed captured French tanks from earlier in the war against the partisans. Featuring specially commissioned artwork and drawing upon an array of sources, this is an absorbing account of the brutal fighting between German security forces and their Soviet partisan opponents during the long struggle for victory on World War II's Eastern Front.