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"Material in this volume originally appeared in Angry Youth Comix #6-10, VICE magazine, and Hotwire Comix & Capers Vol. 1"--T.p. verso.
For the first time, all fourteen issues of Johnny Ryan’s career-defining comic book series Angry Youth Comics (2000–2008) are collected in one place: all the comics, the covers, and even the contentious letters pages, in one toilet-ready brick. Johnny Ryan’s utterly unpretentious, taboo-tackling is an infectious and hilarious bombardment of political incorrectness, taking full advantage of the medium’s absurdist potential for maximum laughs. In an age when the medium is growing up and aspiring to more mature and hoity-toity literary heights, Ryan builds on the visceral tradition that cartooning has had on our collective funny bone for over a century.
I Will Survive is the story of Gloria Gaynor, America's "Queen of Disco." It is the story of riches and fame, despair, and finally salvation. Her meteoric rise to stardom in the mid-1970s was nothing short of phenomenal, and hits poured forth that pushed her to the top of the charts, including "Honey Bee," "I Got You Under My Skin," "Never Can Say Goodbye," and the song that has immortalized her, "I Will Survive," which became a #1 international gold seller. With that song, Gloria heralded the international rise of disco that became synonymous with a way of life in the fast lane - the sweaty bodies at Studio 54, the lines of cocaine, the indescribable feeling that you could always be at the top of your game and never come down. But down she came after her early stardom, and problems followed in the wake, including the death of her mother, whose love had anchored the young singer, as well as constant battles with weight, drugs, and alcohol. While her fans always imagined her to be rich, her personal finances collapsed due to poor management; and while many envied her, she felt completely empty inside. In the early 1980s, sustained by her marriage to music publisher Linwood Simon, Gloria took three years off and reflected upon her life. She visited churches and revisited her mother's old Bible. Discovering the world of gospel, she made a commitment to Christ that sustains her to this day.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
These ambitious moves encourage intimacy and help to promote love, trust and communication between partners to enhance the sexual experience.
The Life and Art of Edward D Wood This is an updated edition of the biography of cult American film maker Ed Wood which formed the basis of the film Ed Wood' starring Johnny Depp, Bill Murray and Patricia Arquette. It examines one of Hollywood's most iconoclastic, tragic figures: director, screenwriter, pornographer and hellraiser as well as master of outrageous kitsch, absurd supernatural horror and campy suspense. A hilarious and heart-breaking portrayal of a brave eccentric and sometimes insane film maker.'
When an orbital prison is torn through a wormhole and crashes on an unknown planet, it's every woman for herself to escape the wreckage.As though savage beasts and harsh, alien climates aren't enough, the survivors discover the world isn't uninhabited and must face new challenges--risking not only their lives but their hearts.DEJA thought she could fear nothing more than the daily treatments she received during her imprisonment on the Concord. The horrible experiments which rack her body with unimaginable, searing pain. But she discovers the true meaning of terror as she clings to life pod's harness while plummeting toward the surface of an unknown planet.Struggling to outrun the beasts hunting her, fighting to outrun the light, Deja hastens for the only cover she can find -- between the feet of a giant stone statue. Only statues aren't supposed to move, or wrap you in their arms and carry you off INTO SHADOW...Welcome to Sonhadra.The Valos of Sonhadra series is the shared vision of nine sci-fi and fantasy romance authors. Each book is a standalone, containing its own Happy Ever After, and can be read in any order. For total satisfaction, it is BEST read as part of the SERIES.