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Has the creative period of the New Hong Kong Cinema now come to an end? However we answer this question, there is a need to evaluate the achievements of Hong Kong cinema. This series distinguishes itself from the other books on the subject by focusing in-depth on individual Hong Kong films, which together make the New Hong Kong cinema.
Through extensive research and interviews with five notorious serial killers, author Joel Norris demonstrates that serial killers have specific biological and genetic makeups that can be identified as early as five years of age. A compelling read for both the curious layman and the concerned professional.
"One of the foremost relationship experts at work today offers creative insight on building trust and avoiding betrayal, helping readers to decode the mysteries of healthy love and relationships"--
This definitive study of Hong Kong cinema examines the work of directors such as Tsui Hark, John Woo, Ringo Lam, Johnnie To, King Hu, and Wong Kar Wai.
Detecting Men examines the history of the Hollywood detective genre and the ways that detective films have negotiated changing social attitudes toward masculinity, heroism, law enforcement, and justice. Genre film can be a site for the expression and resolution of problematic social issues, but while there have been many studies of such other male genres as war films, gangster films, and Westerns, relatively little attention has been paid to detective films beyond film noir. In this volume, Philippa Gates examines classical films of the thirties and forties as well as recent examples of the genre, including Die Hard, the Lethal Weapon films, The Usual Suspects, Seven, Devil in a Blue Dress, and Murder by Numbers, in order to explore social anxieties about masculinity and crime and Hollywood's conceptions of gender. Up until the early 1990s, Gates argues, the primary focus of the detective genre was the masculinity of the hero. However, from the mid-1990s onward, the genre has shifted to more technical portrayals of crime scene investigation, forensic science, and criminal profiling, offering a reassuring image of law enforcement in the face of violent crime. By investigating the evolution of the detective film, Gates suggests, perhaps we can detect the male.
Chronicles the efforts of John Gray to marry off his daughter Mary to the heir of Deer Lick, Missouri's, wealthiest family, until the appearance of a stranger not only derails Gray's plans but also leads to murder.
More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an accessible and thoroughly up-to-date edition. Based on the Revels Plays text, the notes have been augmented to cast further light both on Webster's amazing dialogue and on the stage action. An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action. From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.
FBI agent Sean Archer (John Travolta) must go undercover to investigate the location of a lethal biological weapon planted by his arch rival, terrorist-for-hire Castor Troy (Nicolas Cage). After undergoing a radical surgical procedure, Archer literally "borrows" Troy's face and identity to carry out his mission. But things go awry when Troy, emerging from a coma, is transformed into Archer and wreaks havoc upon his life, both at work and at home.
The bestselling, National Book Award–finalist novel that inspired Charles Laughton’s expressionist horror classic starring Robert Mitchum and Shelley Winters. Two young children, Pearl and John Harper, are being raised alone by their mother in Cresap’s Landing, Ohio. Their father Ben has just been executed for killing two men in the course of an armed robbery. Ben never told anyone where he hid the ten thousand dollars he stole; not his widow Willa, not his lawyer, nor his cell-mate Henry “Preacher” Powell. But Preacher, with his long history of charming his way into widows’ hearts and lives, has an inkling that Ben's money could be within his reach. As soon as he is free, Preacher makes his way up the river to visit the Harper family where—he hopes—a little child shall lead him to the fortune that he seeks. Foreword by JULIA KELLER