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Plucked from oblivion, Godward serves as the last best example of 19th century Greco-Roman Classicism. Of a reclusive nature and painting in a style completely out-of-date with post-war Europe, this genius was and remained obscure. Godward's brilliance, with the recent revival of interest in his fallow Classicists, Alma-Tadema and Lord Leighton, is only now coming to light. Godward's art sought to portray peace, feminine beauty and ideal perfection in an age careening headlong into atrocity. He did so by marvelously painted and composed pictures of beautiful women in halycon classical environments. He was a niche painter whose subject, while arresting, was narrow. However, only Sir Lawrence Alma-Tadema was better at painting this genre of 'patrician women on marble benches'. Melancholia, fed by ill health and increasing artistic criticism overwhelmed his fantasy world of serenity and he died by his own hand.
"In this expanded and revised edition of a seminal work, Vern G. Swanson delves into the life and paintings of this little-known classicist. An important reference for anyone with an interest in the late post-Renaissance painters ... Contains beautiful full-color reproductions of almost all known works attributed to this immensely talented artist ... Swanson's original edition of John William Godward introduced the life of a very private man who pushed the classical ideal further into the twentieth century than most would think possible. This revised edition contains the author's latest research - significant expansions to the text, as well as approximately 100 new pictures, many of which have only recently been attributed to Godward" -- Publisher.
Want to paint more like Manet and less like Jackson Pollock? Students of art hailed Classical Drawing Atelier, Juliette Aristides’s first book, as a dynamic return to the atelier educational model. Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned from Classical Drawing Atelier have been clamoring for more of this sophisticated approach to teaching and learning. In Classical Painting Atelier, Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today’s most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for today’s artists, Classical Painting Atelier is ideal for serious art students seeking a timeless visual education.
This is the story of women caught up in thetumultuous art scene of the early twentiethcentury, some famous and others lost totime.By 1910 the patina of the belle poquewas wearing thin in London. Artists wereon the hunt for modern women who couldhold them in thrall. A chance encounter onthe street could turn an artless child intoan artists model, and a model into a muse.Most were accidental beauties, plucked fromobscurity to pose in the great art schoolsand studios. Many returned home to livesthat were desperately challenging almostall were anonymous.Meet them now. Sit with them in theCaf Royal amid the wives and mistressesof Londons most provocative artists. Peekbehind the brushstrokes and chisel cuts atwomen whose identities are some of arthistorys most enduring secrets. Drawing ona rich mlange of historical and anecdotalrecords and a primary source, this isstorytelling that sweeps up the reader inthe cultural tides that raced across Londonin the Edwardian, Great War and interwarperiods.A highlight of the book is a reveal of theAvico siblings, a family of models whosefaces can be found in paint and bronze andstone today. Their lives and contributionshave been cloaked in a century of silence.Now, illuminated by family photos and oralhistories from the daughter of one of themodels, the Avico story is finally told.
Cassius Wortham leaves all he knows behind to make it as a writer in the City, a nameless, walled metropolis at the crossroads of the world. But things are not as they seem. His roommate might have mob connections, his artist friend has addiction issues, and the waitress at the poetry club has political aspirations. Not to mention the invisible spirit of history that follows them around waiting to chronicle a looming catastrophe. An overseas turmoil brings tides of refugees to the walls of the City. Ambitious leaders play at social engineering. The loudest voices are drowned in the growing silence. Only Cas, his friends and their ghostly tagalong hold the key to the future, for in the end the silent will decide the fate of the City. Listen...and you too may hear the instruments of the Silent Symphony.
A beautifully written futuristic romance 'There is a rumour that the Elites don't bleed.' Hundreds of years into the future, wars, riots, resource crises and rising sea-levels have destroyed the old civilisations. Only one city has survived: Neo-Babel, a city full of cultures - and racial tension. Fifteen-year-old Silver is an Elite, a citizen of Neo-Babel chosen to guard the city due to her superior DNA. She'd never dream of leaving - but then she fails to prevent the assassination of Neo Babel's president, setting off a chain of events more shocking and devastating than she could ever have imagined. Forced to flee the city with her best friend Butterfly (a boy with genetically-enhanced wings), Silver will have to fight to find her family, uncover the truth about Neo-Babel and come to terms with her complicated feelings for Butterfly. Packed full of adventure, romance, exoticism and the power of friendship, THE ELITES is a highly compelling and beautifully written novel from a supremely talented debut author.
Growing up the son of agnostics, John Koessler saw a Catholic church on one end of the street and a Baptist on the other. In the no-man’s land between the two, this curious outside wondered about the God they worshipped—and began a lifelong search to comprehend the grace and mystery of God. A Stranger in the House of God addresses fundamental questions and struggles faced by spiritual seekers and mature believers. Like a contemporary Pilgrim’s Progress, it traces the author’s journey and explores his experiences with both charismatic and evangelical Christianity. It also describes his transformation from religious outsider to ordained pastor. John Koessler provides a poignant and often humorous window into the interior of the soul as he describes his journey from doubt and struggle with the church to personal faith
10 3/4 X 12 In, 320 Pp, 156 Color Plates 63 Black & White Photographs With Magnificence and Vivid Imagery, This Stunning Revision of Utah Art Traces Utah's Artist and Their Creations From The First European Settlements In 1847 Through The Current Generation. In The 1800's Talented Young Men and Women Were Sent East and To Paris By The Lds Chruch To Study and Bring The Ideas of The Mainstream Art World Back To Utah. The Results Were Fascinating. Today Utah's Visual Artists Magnify This Tradition.
THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.