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The author claims that John Wilkes Booth was not killed at the Garrett house in Virginia in 1865, but that he was living under name of John St. Helen at Glenrose Mills, Tex., 1872-1877, and committed suicide at Enid, Okla., in 1903 as David E. George.
Features a biographical sketch of the American actor John Wilkes Booth (1838-1865). Notes that Booth shot and killed the U.S. President Abraham Lincoln on April 14, 1865.
A highly entertaining biography of the incredible John Wilkes, champion of liberty and irrepressible libertine. "It is difficult to believe that John Wilkes, a notorious womanizer and scandal-monger, was a genuine hero of civil liberties and political democracy on both sides of the Atlantic in the late 18th century, but hero he was and in this engaging book Arthur Cash gives Wilkes the serious treatment he has long deserved."—Eric Foner, Columbia University “[A] superb biography. . . . After finishing the last page I turned back to the beginning in order to enjoy it all over again.”—Tom Hodgkinson, Independent on Sunday “Informative and enjoyable. . . . So well researched, so full of fascinating detail, . . . so delightfully buoyant.” - John Barrell, London Review of Books
It is a tale as familiar as our history primers: A deranged actor, John Wilkes Booth, killed Abraham Lincoln in Ford’s Theatre, escaped on foot, and eluded capture for twelve days until he met his fiery end in a Virginia tobacco barn. In the national hysteria that followed, eight others were arrested and tried; four of those were executed, four imprisoned. Therein lie all the classic elements of a great thriller. But the untold tale is even more fascinating. Now, in American Brutus, Michael W. Kauffman, one of the foremost Lincoln assassination authorities, takes familiar history to a deeper level, offering an unprecedented, authoritative account of the Lincoln murder conspiracy. Working from a staggering array of archival sources and new research, Kauffman sheds new light on the background and motives of John Wilkes Booth, the mechanics of his plot to topple the Union government, and the trials and fates of the conspirators. Piece by piece, Kauffman explains and corrects common misperceptions and analyzes the political motivation behind Booth’s plan to unseat Lincoln, in whom the assassin saw a treacherous autocrat, “an American Caesar.” In preparing his study, Kauffman spared no effort getting at the truth: He even lived in Booth’s house, and re-created key parts of Booth’s escape. Thanks to Kauffman’s discoveries, readers will have a new understanding of this defining event in our nation’s history, and they will come to see how public sentiment about Booth at the time of the assassination and ever since has made an accurate account of his actions and motives next to impossible–until now. In nearly 140 years there has been an overwhelming body of literature on the Lincoln assassination, much of it incomplete and oftentimes contradictory. In American Brutus, Kauffman finally makes sense of an incident whose causes and effects reverberate to this day. Provocative, absorbing, utterly cogent, at times controversial, this will become the definitive text on a watershed event in American history.
All of the known writings of John Wilkes Booth are included in this collection. Of this wealth of material, the most important item is a previously unpublished twenty-page manuscript discovered at the Players Club in Manhattan. Written by Booth in 1860 in a form similar to Mark Antony's funeral oration in Julius Caesar, it makes clear that his hatred for Lincoln was formed early and was deeply rooted in his pro-slavery and pro-Southern ideology. Also included in the nearly seventy documents are six love letters to a seventeen-year-old Boston girl, Isabel Sumner, written during the summer of 1864, when Booth was conspiring against Lincoln; several explicit statements of Booth's political convictions; and the diary he kept during his futile twelve-day flight after the assassination. The documents show that Booth, although opinionated and impulsive, was not an isolated madman. Rather, he was a highly successful actor and ladies' man who also was a Confederate agent. Along with many others, he believed that Lincoln was a tyrant whose policies threatened civil liberties. --From publisher's description.
On April 14, 1865, five days after the end of the Civil War, John Wilkes Booth fired a single shot and changed the course of American history. His infamous deed cost him his life and brought notoriety and shame to his family-particularly his elder brother, the renowned actor Edwin Booth. From that day forward, Edwin would be known as "the brother of the man who killed President Lincoln." In many ways, the Booth brothers were two of a kind. They were among America's finest actors, having inherited from their father, Junius Brutus Booth, a commanding stage presence and a rich, expressive voice. They also inherited Junius's penchant for alcohol and impulsive behavior. In other respects, the two brothers were very different. Edwin's introspective nature made him the perfect actor to play Hamlet, while John, with his dashing good looks and passionate intensity, excelled in romantic roles. They also stood at opposite poles politically. Edwin voted for Abraham Lincoln; John was an ardent advocate of the Confederacy. Award-winning author James Cross Giblin draws on first-hand accounts of family members, friends, and colleagues to create a vivid image of John Wilkes, the loving son and brother who became an assassin. Equally clear is the picture of Edwin, who battled his own weaknesses and emerged a pivotal figure in the development of the American theater. Comprehensive and compelling, this dual portrait illuminates a dark and tragic moment in the nation's history and explores the complex legacy of two leading men-one revered, the other abhorred. Book jacket.
The first book on Booth's ten tumultuous years on the stage, with a wealth of rare period illustrations reproduced with special techniques yielding results of better quality than the originals. The book evaluates his performances through newspaper reviews and the recorded opinions of his contemporaries; it also separates Booth the actor from Booth the assassin. Previously unpublished letters are included, some in facsimile. John Wilkes' famous brother Edwin was not necessarily the leading actor of his era: this book indicates why John Wilkes Booth might claim that distinction. One of the appendices is an exhaustive chronology of all his performances, and all fellow cast members.
Compelling and revealing information in the form of papers and diaries have recently been found in private collections materials which provide greater insight into the events leading up to the assassination of Lincoln as well as details of the pursuit and capture of the man the government claimed was Booth. This new information along with a critical reexamination of the traditional historical materials provide more than sufficient reason to challenge the long-held assumption that John Wilkes Booth was killed by government agents in Virginia. Leading the reader through a series of amazing coincidences and details, this book presents startling evidence that John Wilkes Booth, the assassin of President Abraham Lincoln, was never captured, but escaped to live for decades, continue his acting career, marry, and have children!
When John Wilkes Booth assassinated President Abraham Lincoln at Ford's Theatre, his friends were stunned--not only by the murder but by the thought that someone they knew as fantastically gifted, successful and kind-hearted could commit such a crime. Fortune's Fool, the first biography of Booth ever written, is the life story of this talented and troubling individual.