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Folks, I think you already heard by now that my friend Felix Baumgartner made that death defying twenty-four mile sky dive jump from outer space. Well it was my idea.I had planned to do that historic jump first. But somebody stole my parachute and beat me to the punch. Well, Im going to do one better. Im going to go to our nearest planet. I think its Mercury. I know it starts with an M, no not Mars! Its definitely Mercury! And jump from there to earth. I know its going to take me a few weeks to get here, maybe even longer but then Im going to own that record and leave Felix in the dust. So wish me luck. When I get back, I expect a parade and lots of women at my doorstep. And yes, this is another one to bite the dust from my bucket list. See you when I get back. Ill be the Guinness Record Holder just yet, oooooooooo oooooooooo oooooooooo!!!
After the death of Marion Morrison, known as John Wayne, in 1979, President Jimmy Carter said that Wayne "was bigger than life. In an age of few heroes, he was the genuine article. But he was more than a hero; he was a symbol of many of the qualities that made America great." The first section of this study concentrates on Wayne's style of work and sphere of action as an actor: The man who works for a living and is concerned with his audience and the constraints of his immediate environment. The second section examines the artist: the man who lives in his art, who disappears into his character as an archetype of human fears and desires. Analyses of films that have made Wayne a hero are presented in the third section. A comprehensive filmography and numerous photographs are included.
'We are the Pilgrims, master; we shall go, Always a little further; it may be, Beyond that last blue mountain barred with snow.' If there was ever anyone who went a little further, a little beyond, it was Alastair MacKenzie. In a career spanning 30 years, MacKenzie served uniquely with the New Zealand Army in Vietnam, the British Parachute Regiment, the British Special Air Service (SAS), the South African Defence Force's famed ParaBats, the Sultan of Oman's Special Forces and a host of private security agencies and defence contractors. MacKenzie lived the soldier's life to the full as he journeyed 'the Golden Road to Samarkand'. This extraordinary new work from the author of Special Force: The Untold Story of 22nd Special Air Service Regiment (SAS) vividly documents the experience of infantry combat in Vietnam, life with the Paras, the tempo of selection for UK Special Forces, covert SAS operations in South Armagh and SAS Counter Terrorist training on the UK mainland, vehicle-mounted Pathfinder Brigade insertions into Angola and maritime counter-terrorism work in Oman.
2007 - Celebrating John Wayne's 100th anniversary since his birth as Marion Morrison on May 26th, 1907. John Wayne - Stand Up & Be Counted, Pilgrim is a wonderful and uniquely inspiring little gift book showcasing Duke's thoughts about the American way, the gift of freedom and his love of the grand old USA, enhanced with superb desgin and photography.
NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.
She had enough. He had come home drunk again last night. He didn't hit her but he yelled and ranted and raved. He had been this way since he lost his job of over 20 years. Nobody could talk to him--she least of all. Six months of abuse was enough. "I'm leaving and I'm never looking back. I'm going as far west as I can go." She looked in the rearview mirror and for a second it looked just like the road in front of her. She shook her head and kept driving. "I'm going to be alright." If you notice the cover--the rearview mirror has the same highway scene as through the windshield. _______________________________________________' UNAUTHORIZED WITHDRAWAL He couldn't forget his grandfather's total loss during the Great Depression--the bank did it. He staked out the bank for two weeks. He made his move. He slipped in just as the guard opened the door at 10:00 am. No customers. Only one clerk had his window open--he grabbed the money and limped out--the heavy blue velcro tied cast showing. Once outside he ran. He got away clean to southern California in one of the eastern canyons where they raised cattle. He was in love. His new girlfriend had found out and said, "You have got to give it back."
In this “lively noir mystery,” a 1940s Hollywood private eye tries to clear heavyweight champ Joe Louis and corner a killer (Library Journal). Joe Louis may be the heavyweight champ of the world, but private detective Toby Peters is pretty sure he’s not a cold-blooded killer. Pretty sure, because Peters has just found the boxer standing over a man on the beach who’s clearly been beaten to death. Louis claims he was just out for a run, but it doesn’t look good. Offering his services on the spot, Peters joins the champ’s corner. The corpse isn’t just anyone. He happens to be Peters’s ex-wife’s new husband, the one she just hired him to find. Well, he found him. As the detective begins to investigate, he discovers the victim had lately taken an interest in the boxing world, which only further complicates matters. To clear the Louis, Peters will need to go a few rounds with a killer who won’t be pulling any punches. The Edgar Award winner once again delivers a TKO in the hard-boiled detective genre with a tale Library Journal calls “vintage Kaminsky.”