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For more than 50 years John Waters has been staging a coup against the good taste of the American public. From the ultimate gross-out in Pink Flamingos to the amazing general-audience rating of his biggest hit Hairspray, Waters has been subverting viewers' expectations with comedies that stretch past the boundaries of even today's jaded audiences. A provocateur of bad taste in a glorious way, Waters started out as an outsider with a camera and a small circle of fellow delinquents. In tearing down icons of the silver screen, Waters would create his own that are used still by others in movies and television. And that's only part of the tale. John Waters FAQ looks at how a nice boy from the right side of the tracks would end up becoming a demon of society and the influences that drove his ambition in moviemaking. Also featured are biographical information of the Dreamlanders -- the actors and crew members who would join Waters on his adventures in filmland over the years, including Waters's best-remembered find Divine. Beyond chapters dedicated to the making of each of his films -- from Hag in a Black Leather Jacket to his most recent A Dirty Shame -- there are those covering his career as a writer and artist. Also reviewed are his acting career in other people's television shows and movies over the years, Water's interest in music, and projects that never were to be. John Waters FAQ covers it all in the career of a man who started out with a dream of becoming an underground filmmaker and became so much more.
The ultimate user's guide to Facebook, Twitter, Flickr, and more! Don't know a tweet from a tweep? Wondering how to get a Second Life? Curious about creating a Facebook profile? Join the social media movement! With The Everything Guide to Social Media, you'll master the lingo, tools, and techniques you need to use all forms of social media. Written in friendly, non-technical language by acclaimed reporter John K. Waters, this highly accessible handbook covers the full range of social media services, including: Messaging and communication (Blogger, Twitter) Communities and social groups (Facebook, MySpace, Friendster) Location-based social networking (Foursquare) News and tagging (Digg, StumbleUpon) Collaboration and cooperation (Wikipedia, Wikispaces) Photos and video sharing (Flickr, YouTube) Opinion and reviews (Yelp, Epinions) With this guide, you'll become comfortable with social media--and learn how to expand your presence online. With a special section on leveraging the power of social networks to build or grow a business, this up-to-the-minute guide is everything you need to walk the talk online--one wiki at a time!
An outrageous collection from the uniquely legendary John Waters, updated with new material—including Waters’s 2002 New York Times article, “Finally, Footlights on the Fat Girls.” Crackpot, originally released in 1986, is John Waters’s brilliantly entertaining litany of odd and fascinating people, places, and things. From Baltimore to Los Angeles, from William Castle to Pia Zadora, from the National Enquirer to Ronald Reagan’s colon, Waters explores the depths of our culture. And he dispenses useful advice along the way: how not to make a movie, how to become famous (read: infamous), and of course, how to most effectively shock and make our nation’s public laugh at the same time. Loaded with bonus features, this special edition is guaranteed to leave you totally mental.
Carsick is the New York Times bestselling chronicle of a cross-country hitchhiking journey with America's most beloved weirdo. John Waters is putting his life on the line. Armed with wit, a pencil-thin mustache, and a cardboard sign that reads "I'm Not Psycho," he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash? Before he leaves for this bizarre adventure, Waters fantasizes about the best and worst possible scenarios: a friendly drug dealer hands over piles of cash to finance films with no questions asked, a demolition-derby driver makes a filthy sexual request in the middle of a race, a gun-toting drunk terrorizes and holds him hostage, and a Kansas vice squad entraps and throws him in jail. So what really happens when this cult legend sticks out his thumb and faces the open road? His real-life rides include a gentle eighty-one-year-old farmer who is convinced Waters is a hobo, an indie band on tour, and the perverse filmmaker's unexpected hero: a young, sandy-haired Republican in a Corvette. Laced with subversive humor and warm intelligence, Carsick is an unforgettable vacation with a wickedly funny companion—and a celebration of America's weird, astonishing, and generous citizenry.
The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Buñuel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions. With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray, told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town. From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.
This collection covers a diverse and multi-disciplinary range of topics on how masculinities might be re-imagined outside of patriarchal power structures. Crucially, the book highlights the lived complexity of both patriarchies and masculinities as plural and situated, exploring questions of how they are constructed, negotiated and re-negotiated in daily practice; of how performative regimes interact, contradict and overlap with each other across a range of contexts. Contributors engage with theoretical frameworks engaging with feminist theory, contemporary politics of gender, bodies and marginalised experiences of masculinites. Global case studies are wide-ranging and include analysis of masculinity among communities such as drag artists, InCels and e-sports enthusiasts, as well as in the context of the body, for instance in relation to alcoholism and physical disability. In an era of resurgence of typically hegemonic patriarchal figures in the form of 'strong men' leadership, this book seeks to uncover what an alternative vision of masculinity could look like - one that is firmly rooted in a gender equality and feminist discourse.
More than four decades since their first album, and 35 years after the release of the iconic Dark Side of the Moon, Pink Floyd continue to inspire and mystify rock fans around the world. Pink Floyd FAQ, by pop culture author Stuart Shea, lays out the band's strange, winding history through a new series of prisms. What were the band's most memorable gigs? What are their greatest moments on record, as a group and individually? What contemporary records influenced them, and which performers follow in their wake? What was it like to be at a Pink Floyd show in 1967, in 1973, in 1980? Pink Floyd FAQ tells the band's story, dissects their most popular work, and provides little-known facts, all adding up to a provocative must-read for fans. With pages of stories, history, observation, opinion, photos, and reminiscences from those who were there, Pink Floyd FAQ will discuss frankly what made the band great – as well as note their not-so-great moments – and their place in modern pop culture, giving credit where credit is due – and maybe puncturing some inflatable pigs along the way.
"A.W. Strouse's entrancing epigrams combine tough-minded bawdiness and neoclassical beauty. In his deft hands, acute sociological analysis arrives via subway voyeurism. Take this fearless book on your next ride. Notice how Strouse's lines and Patty Barth's lucid drawings sharpen your yearnings and make them newly available for blame-free inspection." Wayne Koestenbaum "Literarily incorrect." John Waters, on why he didn't want to review this book. Cruising the New York City subway, the Transfer Queen is on the prowl! These voyeuristic figure drawings-both poetic and visual-sketch the men of Gotham's transportation system. A.W. Strouse and Patty Barth spy on strangers with a special kind of anonymous intimacy. Transfer Queen is ideal reading material for kinky commuters. But remember: "A crowded subway car is no excuse for unlawful sexual conduct!"
(FAQ). The Twilight Zone is among the most beloved shows in American television history, a pioneering fantasy behemoth that bridged the cultural gap between the 1950s and 1960s with thought-provoking mystery, mind-boggling theorems, and occasionally outright horror. The Twilight Zone FAQ takes the reader back to that halcyon era, looking back on the show and its impact as a force for societal change, via reflections on the manifold topics and controversies that the show took on from the space race to the Red Menace, from paranoia to madness and beyond. Dave Thompson traces the history of the show from its earliest flowering in the mind of then-unknown Rod Serling through its slow birth, shaky beginning, and breathless five-season run and he shows how it became the blueprint for so much of the fantasy television that has followed. Chapters deal with the comic books, novels, and many other spin-offs, including the movie, the TV revamps, and even the amusement park ride. In addition, this FAQ offers a full guide to every episode, providing details on the cast and music and pinpointing both the best and the worst of the series, all adding up to a brightly opinionated time machine that catapults the reader back to the true golden age of American television.