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The best-selling author of Creating Love sets out to redefine what it means to live a moral life in today's world by helping readers reclaim and cultivate their inborn moral intelligence by developing one's instincts for goodness in childhood and nurturing them through one's adult life to promote good character and moral responsibility.
In Provocations of Virtue, John Duffy explores the indispensable role of writing teachers and scholars in counteracting the polarized, venomous “post-truth” character of contemporary public argument. Teachers of writing are uniquely positioned to address the crisis of public discourse because their work in the writing classroom is tied to the teaching of ethical language practices that are known to moral philosophers as “the virtues”—truthfulness, accountability, open-mindedness, generosity, and intellectual courage. Drawing upon Aristotle’s Nicomachean Ethics and the branch of philosophical inquiry known as “virtue ethics,” Provocations of Virtue calls for the reclamation of “rhetorical virtues” as a core function in the writing classroom. Duffy considers what these virtues actually are, how they might be taught, and whether they can prepare students to begin repairing the broken state of public argument. In the discourse of the virtues, teachers and scholars of writing are offered a common language and a shared narrative—a story that speaks to the inherent purpose of the writing class and to what is at stake in teaching writing in the twenty-first century. This book is a timely and historically significant contribution to the field and will be of major interest to scholars and administrators in writing studies, rhetoric, composition, and linguistics as well as philosophers and those exploring ethics.
In 1947 Leonard and Reva Brooks left for Mexico where Leonard planned to study painting for a year. In Mexico they discovered a vibrant, sometimes even dangerous, society and a dynamic artistic community, unlike the mundane world they had left behind in Canada with its stale and unwelcoming artistic scene. Invigorated by their new environment Leonard and Reva ended up staying for over half a century, playing a key role in establishing San Miguel de Allende as a world-famous art colony. In this new biography, John Virtue chronicles the lives of these two important artists and offers an intimate look at these complex and creative people. Virtue describes how they were caught up in the McCarthy era of Communist witch hunts and blacklisted in the United States. He details their close friendships with luminary figures such as Marshall McLuhan, Earle Birney, and the Mexican art icon David Alfaro Siqueiros, as well as a host of others. As Leonard became a fixture in the Mexican art scene Reva's photography quickly garnered international recognition, applauded by photographers Ansel Adams and Edward Weston. In 1975 the San Francisco Museum of Art selected her as one of the top fifty female photographers of all time. With tales of deportations, shootouts, murder attempts, failures, and triumphs, Leonard and Reva Brooks is a biography of two creative people caught up in interesting times.
This book is a collection of articles about epistemology. They include overviews of the field, investigations of the nature of knowledge, reflections on the value of knowledge, examinations of credit and luck, and explorations of future directions for research.
In 1978 John Virtue had been living in Green Hawarth, a remote Lancashire village, for seven years. During that time he had struggled to find a way forward as an artist and had become discouraged by a growing sense of failure. Finally, he decided to destroy all his previous work created.That destruction was to prove a liberation. On 10 April this same year, he resolved: 'Now is the time to become a real artist.' It was a memorable turning point. He decided that the surrounding landscape would form his subject and that in his response to it there would be no doubt, no equivocation.Eliminating brushes, colour, paint and canvas - all of which seemed extraneous to the direct means of expression he was seeking - he began again by making small pencil or charcoal drawings during regular walks. These images, he determined, would unfold like a visual diary. With this pledge, Virtue decided the course of his art. It commenced a journey that continues to the present day.During the ensuing four decades, Virtue has forged a distinctive artistic path. Drawings made in the landscape have continued to be the primary source for larger works created in the studio. There, the images preserving his original experiences yield a second phase of imaginative and expressive engagement that goes far beyond each observed motif.Combining walking, drawing, abstraction and radical improvisation, Virtue's dynamic process has produced a body of work that extends the tradition of landscape painting in unprecedented ways. Today, Virtue is widely regarded as one of Britain's leading painters.Paul Moorhouse has been closely associated with the artist for over twenty years and has written extensively on his work. In this lavishly illustrated book, he discusses the development of Virtue's art from its beginnings and traces the artist's close relationship with locations in Devon, Exeter, London, Italy and Norfolk.As Moorhouse shows, these places have each generated a fresh artistic response, forming distinct episodes in an overarching vision. This is rooted in the landscapes that Virtue observes but also in deeper aspects of experience. For in Virtue's art the passage of time, mortality and a will to express the intensity of each lived moment are abiding themes.
This sweeping, comparative study of taxation in the United States and Australia shows that even as governments in the Western world have become increasingly sophisticated tax collectors, a competitive and ruthless market in advice on tax avoidance has developed. The same competitive forces in the late twentieth century which have driven down prices and sparked efficiencies in the production of fast food or computer parts have helped stimulate the markets for "bads" like tax shelters and problem gambling. Braithwaite draws the surprising conclusion that effective regulation could actually flip markets in vice to markets of virtue. Essential reading for anyone involved in policy, governance, and regulation, Markets in Vice, Markets in Virtue provides a blueprint for restoring the equity of Western tax systems and a breakthrough theory of how regulators can support markets in virtue and curtail markets in vice.
Saint John the Little was a monk and hegumen of Scetis (Wadi Natrun) during the first great period of early Egyptian monasticism. The Apophthegmata preserve some fifty sayings by or about him (see CS 59, 85 '96). In addition, Zacharias, eighth-century Bishop of Sakha, wrote his Life, more than seventy percent of which is composed of material not found in the Apophthegmata. John bears witness to the formative period of early Egyptian monasticism. His Life, with its emphasis on obedience and compassion, offers a lively witness to the earliest monastic traditions and to their transmission and continuing importance in the Coptic Church. This book contains an introduction to the textual history of the Life of Saint John the Little (339 '409) along with fresh English translations of the Bohairic and the Syriac Lifes of John the Little plus the definitive Bohairc Life in the Coptic text. It will be of interest particularly to academics, monastics, and others interested in monasticism, early Christian monasticism, early Church History, the Coptic Church, or monastic spirituality. Tim Vivian is associate professor of religious studies at California State University, Bakersfield. He is the author of numerous books and articles on early Christian monasticism, including The Life of Antony (with Apostolos N. Athanassakis), CS202, and Becoming Fire: Through the Year with the Desert Fathers and Mothers, CS225, both published by Cistercian Publications. Rowan Greer is the Walter Gray Professor Emeritus of Anglican Studies at Yale Divinity School. His scholarly work has been primarily in patristics. Retired since 1997, he lives in New Haven, Connecticut. Maged S. A. Mikhal is assistant professor of history at California State University, Fullerton. His publications and research focus on the history of Egypt during the early Islamic period.
"Through biography, extensive translation, commentary, and critical analysis, The Suspicion of Virtue presents the work of women who participated in the philosophical debates of the early modern period but who have been largely erased from the standard history of philosophy. Conley examines the various literary genres (maxim, ode, dialogue) in which these authors presented their moral theory. He also unveils the philosophical complexity of the arguments presented by these women and of the salon culture that nurtured their preoccupations. Their pointed critiques of virtue as a mask of vice, Conley asserts, are relevant to the revival of virtue theory by contemporary ethicians."--BOOK JACKET.
Dr Casey argues that the classical virtues of courage, temperance, practical wisdom, and justice, which are largely ignored in modern moral philosophy, centrally define the good for Man. The values of success, pride, and worldliness remain alive, if insufficiently acknowledged, part of ourmoral thinking. The conflict between these values and our equally important Christian inheritance leads to tensions and contradictions in our understanding of the moral life.
"This work represents an original synthesis of biblical categories, the tradition and language of virtue, and a theological understanding of the human person. It is also among the first systematic applications of the renewal of virtue theory in recent decades to issues of sexuality. Scholars, students of moral theology, the religious educators will benefit from this groundbreaking work."--BOOK JACKET.