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John Twachtman (1853-1902) was one of the most modern American painters of his day, combining European and American influences to create his own highly individual style noted for its contemplative mood and bold immediacy of composition.
This volume features artists who brought a new sophistication and elegancento American art in the three decades before World War I. Wealthyndustrialists eager to acquire culture began to patronize native artists whoad achieved international recognition. John Singer Sargent, Irving Wiles andecilia Beaux created portraits of these new patrons, while John La Farge andugustus Saint-Gaudens made luxurious adornments for their homes. One groupf painters - including Louis Comfort Tiffany, Frederick Arthur Bridgman,enry Ossawa Tanner and Charles Sprague Pearce - responded especially to theascnation with exotic Middle Eastern, Egyptian or "Oriental" cultures thatharacterized this age of international imperialism. The educated and refinedspects of Gilded Age culture are expressed here in Renaissance-inspiredaintings by Abbott Thayer and Mary Cassatt. Romantic literary works byisionary Albert Pinkham Ryder symbolize the idealized strivings of thiseneration, while the rugged masculine landscapes of Winslow Homer emblemizehe struggle and conflict that marked this period of contending social and
Celebrates a remarkable collection of paintings amassed in the late 1980s by Texans Hugh and Marie Halff.
The Metropolitan’s renowned American Wing is where the Museum’s unsurpassed collection of American fine and decorative art is on permanent public display, from masterpieces of painting, sculpture, and drawing to exquisite examples of the finest American furniture, silver, glass, ceramics, and textiles. This handsome volume presents an overview of the collection and provides an informative walk through the American Wing’s richly furnished period rooms and stunning architectural displays. These include the magnificent marble façade of the Branch Bank of the United States—the entrance to the original American Wing when it opened in 1924—and the restored living room of a Frank Lloyd Wright prairie-style house. The comprehensive survey of paintings and sculpture begins with early colonial portraiture and from there follows the emergence and development of a national fine-arts tradition, including significant movements and genres such as the Hudson River School, neoclassical sculpture, and American Impressionism. -- Metropolitan Museum of Art website.
"Published in conjunction with the exhibition Monet and American Impressionism, organized by the Samuel P. Harn Museum of Art, University of Florida, in partnership with Telfair Museums and Hunter Museum of American Art."
No aspect of American art commands as much interest and appreciation as American Impressionism. Lavishly illustrated and gracefully written, The Golden Age of American Impressionism explores the full range of artistic achievement within this popular movement, with masterworks by such distinguished artists as Mary Cassatt, Childe Hassam, Theodore Robinson, John Twachtman, and Julian Alden Weir, among others.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.