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"John Sullivan Dwight (1813-93) was for much of the nineteenth century America's leading music critic. Born into a musical family and educated at several premiere Boston schools, he fell under the spell of New England Transcendentalism during which time he befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and the business of publishing while writing for The Harbinger. He wrote on many topics-Transcendentalism, of course, but especially on music and musical performance. Dwight was a skilled communicator, and he conveyed ideas powerfully, persuasively, and constantly in language that had recently been given verve by German Romanticism and Emersonian Transcendentalism. When Brook Farm collapsed, Dwight's professional prospects ran desperately low. After several years as a journeyman writer, he launched in 1852 his own Dwight's Journal of Music: A Paper of Art and Literature, a newspaper that firmly established him as a serious music critic. The Journal was published regularly until 1881. It was and remains an important periodical. In its own time, it spoke to America's growing appetite for art music; today it is indispensable for research into nineteenth-century American classical music, especially in Boston. This biography follows Dwight's fascinating life as he meets and writes about some of the era's most crucial intellectuals and musicians. His enormous body of essays, reviews, and translations, much of it illuminated here, leads to the conclusion that Dwight the Music Critic and Dwight the Transcendentalist are inseparable"--
In June of 1843, Bronson Alcott and Charles Lane, both reformers involved in the Transcendentalist movement, founded Fruitlands in an attempt to strengthen their spirituality through self-reliant, simple living. Joinmed by their families and about a dozen other individuals, the Con-Sociate family (as they called themselves) was to bring about a new Eden by cultivating a mystical and scetic way of life in a rural retreat. Compiling, in their own words, from letters, diaries, and books, and from the comments of friends and associates such as Emerson and Thoreau, Clara Endicott Sears, founder of Fruitlands Museum, tells the story of this famous encounter of transcendental philosophy with the realities of the New England soil and climate and the vagaries of human nature. Louisa May Alcott's classic satire based on her father's experiment, "Transcendental Wild Oats," completes the picture of a noble failure.
Bronson Alcott's Fruitlands by Louisa May Alcott and Clara Endicott Sears: The Utopian Experiment of Fruitlands and the Alcott Family's Idealistic Pursuits: Bronson Alcott's Fruitlands, Louisa May Alcott and Clara Endicott Sears shed light on the remarkable utopian experiment undertaken by the Alcott family in Fruitlands. This insightful book provides a fascinating exploration of the family's idealistic pursuits, their commitment to a self-sufficient lifestyle, and the challenges they faced in their quest for a harmonious, idyllic existence. Key Aspects of the Book "Bronson Alcott's Fruitlands": Utopian Idealism: Delve into the vision and philosophy behind the Fruitlands experiment, where the Alcott family strived to create a utopian society rooted in simplicity, communal living, and ethical principles. Family Dynamics: Gain a deeper understanding of the Alcott family, particularly Bronson Alcott, the renowned philosopher, and his daughters, including Louisa May Alcott, who later achieved fame as an author. Challenges and Lessons: Explore the challenges faced by the Alcotts, from practical difficulties of self-sufficiency to philosophical conflicts, and discover the valuable lessons that emerged from their experiences. Louisa May Alcott, a beloved American author known for her novel "Little Women," and Clara Endicott Sears, an accomplished writer and historian, collaborated to bring to life the intriguing story of Fruitlands and the Alcott family's pursuit of a utopian ideal. Louisa May Alcott's personal connection to the Alcott family, coupled with Clara Endicott Sears' research and writing expertise, resulted in this captivating account of the Fruitlands experiment.
Galahad in the Gilded Age is the story of George William Curtis, regarded at the beginning of his career as little more than a handsome, amusing young man from a socially prominent family. His life would change dramatically after four years traveling in Europe and the Levant, from which he returned to find himself a literary celebrity—“the Howadji”—following the appearance of two books describing his Middle East experiences that some considered so provocatively sensuous as to border on obscenity. Yet during this early celebrity, Curtis would find his life changing profoundly—discovering marital happiness, facing financial bankruptcy and finding himself irresistibly drawn into increasingly bitter controversies: the national battle against slavery, against wide-spreading political corruption, and against what Curtis regarded as a wholly unreasonable resistance to granting women the right to vote. George William Curtis, a contemporary would conclude after his death, was “the best knight of our time.”
Traditional histories of the American transcendentalist movement begin in Ralph Waldo Emerson’s terms: describing a rejection of college books and church pulpits in favor of the individual power of “Man Thinking.” This essay collection asks how women who lacked the privileges of both college and clergy rose to thought. For them, reading alone and conversing together were the primary means of growth, necessarily in private and informal spaces both overlapping with those of the men and apart from them. But these were means to achieving literary, aesthetic, and political authority—indeed, to claiming utopian possibility for women as a whole. Toward a Female Genealogy of Transcendentalism is a project of both archaeology and reinterpretation. Many of its seventeen distinguished and rising scholars work from newly recovered archives, and all offer fresh readings of understudied topics and texts. First quickened by the 2010 bicentennial of Margaret Fuller’s birth, the project reaches beyond Fuller to her female predecessors, contemporaries, and successors throughout the nineteenth century who contributed to or grew from the transcendentalist movement. Geographic scope also widens—from the New England base to national and transatlantic spheres. A shared goal is to understand this “genealogy” within a larger history of American women writers; no absolute boundaries divide idealism from sentiment, romantics from realists, or white discourse from black. Primary-text interludes invite readers into the ongoing task of discovering and interpreting transcendentally affiliated women. This collection recognizes the vibrant contributions women made to a major literary movement and will appeal to both scholars and general readers.
Sentiment and Celebrity tells the story of a man the New York Times once called "the most talked-about author in America." A widely admired, if controversial, master of the sentimental appeal, poet and "magazinist" Nathaniel Parker Willis (1806-1867) was a pioneer in the modern business of celebrity. By charting the shape and thrust of the various controversies that surrounded Willis, this book shows how the cultural and commercial impulses that fostered the development of antebellum America's love affair with fame and fashion drew power and sustenance from the concurrent allure of genteel cultivation and sentiment.
Barbara L. Packer's long essay "The Transcendentalists" is widely acknowledged by scholars of nineteenth-century American literary history as the best-written, most comprehensive treatment to date of Transcendentalism. Previously existing only as part of a volume in the magisterial Cambridge History of American Literature, it will now be available for the first time in a stand-alone edition. Packer presents Transcendentalism as a living movement, evolving out of such origins as New England Unitarianism and finding early inspiration in European Romanticism. Transcendentalism changed religious beliefs, philosophical ideas, literary styles, and political allegiances. In addition, it was a social movement whose members collaborated on projects and formed close personal ties. Transcendentalism contains vigorous thought and expression throughout, says Packer; only a study of the entire movement can explain its continuing sway over American thought. Through fresh readings of both the essential Transcendentalist texts and the best current scholarship, Packer conveys the movement's genuine expectations that its radical spirituality not only would lead to personal perfection but also would inspire solutions to such national problems as slavery and disfranchisement. Here is Transcendentalism in whole, with Emerson, Thoreau, and Fuller restored to their place alongside such contemporaries as Bronson Alcott, George Ripley, Jones Very, Theodore Parker, James Freeman Clarke, Orestes Brownson, and Frederick Henry Hedge.