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Skelton is probably the greatest unknown poet of English literature. The outspoken tutor of the future Henry VIII, Skelton was an idiosyncratic genius whose poetry defies rules and boundaries.
This book guides through some six centuries of English literature, beginning with Chaucer's time, and goes on to analyse the background, interconnections and major achievements of individual writers in each period. It is useful to the student of English literature and to the general reader.
John Skelton and Poetic Authority is the first book-length study of Skelton for almost twenty years, and the first to trace the roots of his poetic theory to his practice as a writer and translator. It demonstrates that much of what has been found challenging in his work may be attributed to his attempt to reconcile existing views of the poet's role in society with discoveries about the writing process itself. The result is a highly idiosyncratic poetics that locates thepoet's authority decisively within his own person, yet at the same time predicates his 'liberty to speak' upon the existence of an engaged, imaginative audience. Skelton is frequently treated as a maverick, but this book places his theory and practice firmly in the context of later sixteenth as well asfifteenth-century traditions. Focusing on his relations with both past and present readers, it reassess his place in the English literary canon.
"English Literature for Boys and Girls" by H. E. Marshall. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Kinney shows how the Mass, the Divine Offices, and the liturgy underlie the themes and image clusters of Skelton's poems and argues that liturgical music, especially the plainsong, informs all of Skelton's meters. What emerges is the portrait of a consistent, determined, and imaginative poet in whose canon poetics is grounded in the marriage of teaching and preaching. The study sheds new light on the interrelationships of politics, poetry, and religion in Renaissance England. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The twelve essays in Selfhood on the Early Modern English Stage analyse the influences that shaped the fictional constructs that inhabited the drama of the early modern period. The contributors, all specialists in the field working in France and England, offer a wide spectrum of views and discuss a variety of dramatic texts ranging from late medieval cycle plays and interludes of the Tudor period, to plays by Marlowe, Shakespeare, Tourneur and Jonson. The early modern stage self emerges out of this collection as the site of a rich confluence of discursive and historical forces existing beyond the theatre itself. Three essays in the first section reveal how abstract figures like Mundus and Mankind gradually became endowed with personal motives and personalizing traits which brought into existence stage beings with a capacity for emotion. In the second section, three essays deal with specific cultural factors that influenced the representation of selfhood in John Lyly’s Alexander, in Marlowe’s Tamburlaine, and in a selection of Stuart court masques presented at Whitehall. The third section offers new insights into the composition of Hamlet as a dramatized personality; the fourth investigates the way in which the poet-playwright’s autobiographical impulses may have helped in the construction of early modern stage selves; the final, fifth section explores the kaleidoscopic sources of the royal protagonists in Rowley’s When You See Me, You Know Me, and Shakespeare’s Richard III. This collection of essays seeks to add a further contribution to the growing body of criticism that investigates the multi-facetted, multi-layered construction of early modern subjectivity.
Everyman and Mankind are morality plays which mark the turn of the medieval period to the early modern, with their focus on the individual. Everyman follows a man's journey towards death and his efforts to secure himself a life thereafter, whilst Mankind shows a man battling with temptation and sin, often with great humour. Both texts are modernised here and edited to the highest standards of scholarship, with full on-page commentaries giving the depth of information and insight associated with all Arden editions. The comprehensive, illustrated introduction argues that the plays signal the birth of the early modern consciousness and puts them in their historic and religious contexts. An account is also given of the staging and performance history of the plays and their critical history and significance. With a wealth of helpful and incisive commentary this is the finest edition of the plays available.
Traces the life of William Tyndale, the first person to translate the Bible into English from the original Greek and Hebrew and discusses the social, literary, religious, and intellectual implications of his work.
To understand the characteristics of present-day English language and culture we must have some understanding of the earlier stages of language use. Bells Chiming from the Past investigates the early development of English and covers different aspects of English medieval studies, from traditional philological concerns, to the most recent perspectives of modern linguistics applied to early English texts. Most of the papers are based on empirical research in English Historical Linguistics, and will contribute substantially to our theoretical and descriptive understanding of English varieties, both written and spoken. The book focuses on the relationship and interaction of language and culture during the Middle English period. Some of the articles are clearly linguistically-oriented, but most could be included under a wider philological perspective since they study both language and the cultural milieu in which linguistic events took place. Bells Chiming from the Past is aimed at an international readership and makes a desirable addition to the field of Historical Linguistics, featuring as it does contributions from an array of well-known professionals from different academic and scientific institutions.