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An authoritative work interspersed with nearly one hundred of John Ruskin’s Swiss drawings recounts his lifelong interest in Switzerland. Hayman provides a chronological account of Ruskin’s visits to Switzerland from his earliest travels in 1833 and 1835 and his frequent tours of the 1840s to the final visits in the 1880s. Of particular concern is Ruskin’s intention between approximately 1855 and 1865 to engrave his own drawings of Swiss towns for a work illustrative of Swiss history. Drawings of the historic Swiss towns in which Ruskin was most interested — Baden, Bellinzona, Brugg, Fribourg, Geneva, Laufenburg, Lucerne, Neuchâtel, Rheinfelden, Schaffhausen, and Thun — are introduced by excerpts from John Murray’s A Handbook for Travellers in Switzerland (1856). Hayman has traced a great many Swiss drawings Ruskin referred to in his letters and diaries and has located twenty-three previously unpublished ones which appear in his book. Ruskin’s well-documented defence of J.M.W. Turner is also brought to light as the author has juxtaposed reproductions of Turner’s sketches of Swiss towns with drawings by Ruskin. This work will not only interest scholars and students of Ruskin but should also pique the interest of Turner scholars.
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
This book explores the boundaries of British continental travel and tourism in the nineteenth century, stretching from Norway to Bulgaria, from visitors’ albums to missionary efforts, from juvenilia to joint authorship. The essay topics invoke new aesthetics of travel as consumption, travel as satire, and of the developing culture of tourism. Chronologically arranged, the book charts the growth and permutations of this new consumerist ideology of travel driven by the desires of both men and women: the insatiable appetite for new accounts of old routes as well as appropriation of the new; interart reproductions of description and illustration; and wider cultural manifestations of tourism within popular entertainment and domestic settings. Continental tourism provides multiple perspectives with wide-ranging coverage of cultural phenomena increasingly incorporated into and affected by the nineteenth-century continental tour. The essays suggest the coextension of travel alongside experiential boundaries and reveal the emergence of a consumerist attitude toward travel that persists in the present day.
John Ruskin (1819–1900), one of the leading literary, aesthetic and intellectual figures of the middle and late Victorian period, and a significant influence on writers from Tolstoy to Proust, has established his claim as a major writer of English prose. This collection of essays brings together leading experts from a wide range of disciplines to analyse his ideas in the context of his life and work. Topics include Ruskin's Europe, architecture, technology, autobiography, art, gender, and his rich influence even in the contemporary world. This is the first multi-authored expert collection to assess the totality of Ruskin's achievement and to open up the deep coherence of a troubled but dazzling mind. A chronology and guide to further reading contribute to the usefulness of the volume for students and scholars.
An art historian, cultural critic and political theorist, John Ruskin was, above all, a great educator. The inspiration behind William Morris, Leo Tolstoy, Marcel Proust and Mahatma Gandhi, Ruskin’s influence can be felt increasingly in every sphere education today. John Ruskin and Nineteenth-Century Education brings together top international Ruskin scholars, exploring Ruskin’s many-faceted writings, pointing to some of the key educational issues raised by his work, and concluding with a powerful rereading of his ecological writing and apocalyptic vision of the earth’s future. In anticipation of the bicentennial of Ruskin’s birth in 2019, this volume makes a fresh and significant contribution to Victorian studies in the twenty-first century. It is dedicated to Dinah Birch, a much-loved Victorian specialist and authority on John Ruskin.
Despite professing a dislike of having his portrait taken, John Ruskin's footsteps were dogged by portrait painters, sculptors, caricaturists and photographers from the cradle to the grave and beyond. A thoroughly accessible book it lists and describes some 331likenesses made between 1822 and 1998. The three introductory chapters to this book survey Ruskin portraiture and the portraits, his general physical appearance througout his life, his hands, his mouth, his various illnesses and their effect on his appearance, his clothes, style of dress, size, tailors, their bills, etc. These opening chapters include many descriptions and reminiscences by Ruskin's friends and acquaintances, and those who portrayed him. The principal part of the book deals with the individual portraits, their history, where and why they were made, what Ruskin was doing at that time of his life and what his connection was with the artists in question. He was portrayed so regularly that this section is also effectively a potted Ruskin biography, based on the portraits. A 'catalogue raisonne' of the Ruskin portraits follows where the physical details of the works are listed, together with details of reproductions, exhibitions and provenance.