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The most well-respected biography of John Philip Sousa, John Philip Sousa: American Phenomenon explores his life and work and traces his effects on the role of cultural arts in the United States. Sousa was a true musical genius who dedicated his life to raising the level of his country's music appreciation and improving its image abroad. This new edition retains all the wonderful images and information about the composer and conductor who had so much influence on musical tastes in our country. This text makes a great addition to any library, especially for Sousa fans and music educators, and is a must for every band director preparing Sousa scores for rehearsal.
The most well-respected biography of John Philip Sousa, John Philip Sousa: American Phenomenon explores his life and work and traces his effects on the role of cultural arts in the United States. Sousa was a true musical genius who dedicated his life to raising the level of his country's music appreciation and improving its image abroad. This new edition retains all the wonderful images and information about the composer and conductor who had so much influence on musical tastes in our country. This text makes a great addition to any library, especially for Sousa fans and music educators, and is a must for every band director preparing Sousa scores for rehearsal. A reprint with additions, 270 pages.
Born to poor immigrant parents, Sousa succeeded through hard work, talent, and self-motivated drive. This is the story of the man, his music, and his era.
Most famous for his military marches, John Philip Sousa led a group of devoted musicians around the world and shaped a new cultural landscape. This book documents almost every aspect of the "March King's" band: its history, its star performers, its appearances on recordings, and the problems the group faced on their 1911 trip around the world.
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
(Meredith Music Resource). This sourcebook was created to aid directors and teachers in finding the information they need and expand their general knowledge. The resources were selected from hundreds of published and on-line sources found in journals, magazines, music company catalogs and publications, numerous websites, doctoral dissertations, graduate theses, encyclopedias, various databases, and a great many books. Information was also solicited from outstanding college/university/school wind band directors and instrumental teachers. The information is arranged in four sections: Section 1 General Resources About Music Section 2 Specific Resources Section 3 Use of Literature Section 4 Library Staffing and Management
The rich history and tradition of the American wind band was heavily influenced by the influx of immigrants into the New York area during the 19th and 20th centuries. With their varied cultural backgrounds, building upon their diverse musical experiences and a wide variety of instruments and ensemble instrumentation, the seeds for the contemporary American wind band were planted. The story of the American wind band is revealed in this diverse collection of essays. Fascinating reading for band scholars everywhere!
John Philip Sousa's mature career as the indomitable leader of his own touring band is well known, but the years leading up to his emergence as a celebrity have escaped serious attention. In this revealing biography, Patrick Warfield explains how the March King came to be by documenting Sousa's early life and career. Covering the period 1854 to 1893, this study focuses on the community and training that created Sousa, exploring the musical life of late nineteenth-century Washington, D.C., and Philadelphia as a context for Sousa's development. Warfield examines Sousa's wide-ranging experience composing, conducting, and performing in the theater, opera house, concert hall, and salons, as well as his leadership of the United States Marine Band and the later Sousa Band, early twentieth-century America's most famous and successful ensemble. Sousa composed not only marches during this period but also parlor, minstrel, and art songs; parade, concert, and medley marches; schottisches, waltzes, and polkas; and incidental music, operettas, and descriptive pieces. Warfield's examination of Sousa's output reveals a versatile composer much broader in stylistic range than the bandmaster extraordinaire remembered as the March King. In particular, Making the March King demonstrates how Sousa used his theatrical training to create the character of the March King. The exuberant bandmaster who pleased audiences was both a skilled and charismatic conductor and a theatrical character whose past and very identity suggested drama, spectacle, and excitement. Sousa's success was also the result of perseverance and lessons learned from older colleagues on how to court, win, and keep an audience. Warfield presents the story of Sousa as a self-made business success, a gifted performer and composer who deftly capitalized on his talents to create one of the most entertaining, enduring figures in American music.
The marches of John Philip Sousa (1854-1932) remain staples of the band repertoire, but our knowledge of Sousa¿s music rests largely on modern editions designed for school (rather than professional) bands, or on reprintings of the original editions, which because of their small size and rushed publication contain countless inconsistencies and omissions. This volume contains full band scores for six Sousa marches, each prepared from the first printing of the band parts and informed by Sousa¿s holograph and the original performance materials. The six marches¿The Washington Post (1889), The Liberty Bell (1893), El Capitan (1896), The Stars and Stripes Forever (1896), Sabre and Spurs (1918), and George Washington Bicentennial (1930)¿span Sousa¿s career, from his tenure as leader of the United States Marine Band (1880-92) to his years conducting his own, commercial ensemble (1892-1932). Also included in the volume is an essay reexamining Sousa¿s biography, source materials, performance practice, and place in American culture.