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John Mellencamp is one if the true Renaissance men of popular music. In the public spotlight for over twenty-five years, with a string of number one hits and multiplatinum records side to his artistic talent that is celebrated in the full-color selection of evocation paintings.Mellencamp began pursuing oil painting in 1988 as a means of further artistic exploration. His first subjects were friends, family, and landscapes reminiscent of the French impressionists, which have since evolved into a personal style of portraiture.Critics have drawn parallels between Mellencamp's work and the dark, shadowy paintings of the German expressionists. Mellencamp believes in art as a means of self-exploration and as an incentive to make people more curious about the world. He has exhibited extensively in the Midwest and the South, and most of his paintings have been purchased for private collections.With seventy-five full-color representations if the artist's favorite paintings, twenty-five black-and-white photographs taken from his personal collection, and an introduction by Billboard magazine's editor-in-chief, Timothy White, Mellencamp: Paintings and Reflections is the perfect gift for any Mellencamp fan or anyone who appreciates fine art. --This text refers to an out of print or unavailable edition of this title.
We Take Care of Our Own traces the evolution of Bruce Springsteen’s beliefs, beginning with his New Jersey childhood and ending with his most recent works from Springsteen on Broadway to Letter to You. The author follows the singer’s life, examining his albums and a variety of influences (both musical and nonmusical), especially his Catholic upbringing and his family life, to show how he became an outspoken icon for working-class America—indeed for working-class life throughout the world. In this way, the author emphasizes the universality of Springsteen’s canon and depicts how a working-class sensibility can apply to anyone anywhere who believes in fairness and respect. In addition, the author places Springsteen in the historical context not only of literature (especially John Steinbeck) but also of the art world (specifically the work of Thomas Hart Benton and Edward Hopper). Among the themes explored in the book include community, a sense of place, America as the Promised Land, the myth of the West, and, ultimately, mortality.
"This Land Is Your Land" is the most iconic folk song in American history, and is the masterwork of one of America's greatest artists, Woody Guthrie. Written in 1940 and first recorded in 1944, the song became an instant hit, and then a point of controversy, and finally a cross-generation anthem. It's been co-opted and rewritten in many other countries. Praised for its heartfelt lyrics and accompanying pride and spirit, no folk song has made such a lasting impression on American culture -- or stirred as much controversy. The book will publish to coincide with "Woody at 100" -- a partnership between the Grammy Museum and the Guthrie Archives to stage numerous celebratory events throughout 2012 nationwide and beyond. This Land Is Your Land is a remarkably detailed account of the journey of America's most celebrated folk song. It also details Guthrie's legendary journey from Oklahoma across the Heartland to New York City, where he wrote many of his works including "This Land Is Your Land." With more than forty rare black-and-white photographs from the Woody Guthrie archives plus original interviews with Bob Dylan, Bruce Springsteen, Willie Nelson, Pete Seeger, John Mellencamp, and more, This Land Is Your Land delivers a revealing portrait of an American treasure.
Amid the forested hills of southern Indiana stands one of America's most beautiful college campuses. Indiana University Bloomington: America's Legacy Campus, the new edition, returns the reader to this architectural gem and cultural touchstone. Revised and updated to include new buildings and features of campus life, it is a must have for any Hoosier. The IU Bloomington campus, rich in architectural tradition, harmonious in building scale and materials, and surrounded by natural beauty, stands today as a testimony to careful campus planning and committed stewardship. Planning principles adopted in the very early stages of campus development have been protected, enhanced, and faithfully preserved, resulting in an institution that can truly be called America's Legacy Campus. Lavishly illustrated and brimming with fascinating details, this book tells the story of Indiana University—a tale not only of buildings, architecture, and growth, but of the talented, dedicated people who brought the buildings to life. Completely updated with new buildings and an epilogue, and now even more lavishly illustrated, this new edition is a lasting tribute to the treasure that is Indiana University Bloomington.
Addresses the politics of immigration, in the everyday lives of one community National immigration debates have thrust both opponents of immigration and immigrant rights supporters into the news. But what happens once the rallies end and the banners come down? What is daily life like for Latinos who have been presented nationally as “terrorists, drug smugglers, alien gangs, and violent criminals”? Latino Heartland offers an ethnography of the Latino and non-Latino residents of a small Indiana town, showing how national debate pitted neighbor against neighbor—and the strategies some used to combat such animosity. It conveys the lived impact of divisive political rhetoric on immigration and how race, gender, class, and ethnicity inform community belonging in the twenty-first century. Latino Heartland illuminates how community membership was determined yet simultaneously re-made by those struggling to widen the scope of who was imagined as a legitimate resident citizen of this Midwestern space. The volume draws on interviews with Latinos—both new immigrants and long-standing U.S. citizens—and whites, as well as African Americans, to provide a sense of the racial dynamics in play as immigrants asserted their right to belong to the community. Latino Hoosiers asserted a right to redefine what belonging meant within their homes, at their spaces of worship, and in the public eye. Through daily acts of ethnic belonging, Spanish-speaking residents navigated their own sense of community that did not require that they abandon their difference just to be accepted. In Latino Heartland, Sujey Vega addresses the politics of immigration, showing us how increasingly diverse towns can work toward embracing their complexity.
"Jon Fine spent nearly thirty years performing and recording with bands that played various forms of aggressive and challenging underground rock music, and, as he writes in this memoir, at no point were any of those bands 'ever threatened, even distantly, by actual fame.' Yet when members of his first band, Bitch Magnet, reunited after twenty-one years to tour ... diehard longtime fans traveled from far and wide to attend those shows, despite creeping middle-age obligations of parenthood and 9-to-5 jobs, testament to the remarkable staying power of the indie culture that the bands predating the likes of Bitch Magnet--among them Black Flag, Mission of Burma, and Sonic Youth --willed into existence through sheer determination and a shared disdain for the mediocrity of contemporary popular music"--Amazon.com.