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The first collection of plays from the multi-award-winning legendary screenwriter and playwright. Contains the plays RED, PETER AND ALICE and I’LL EAT YOU LAST. Contents: Introduction by Michael Grandage RED Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting. A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing. Nominated for 7 Olivier Awards (2009) and winner of 6 Tony Awards (2010) including Best New Play. PETER AND ALICE When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters. I’LL EAT YOU LAST: A CHAT WITH SUE MENGERS 1981. Hollywood. Sue Mengers, the first female ‘superagent’ at a time when women talent agents of any kind are almost unheard of, invites you into her Beverly Hills home for an evening of dish, secrets, and all the inside showbiz stories that only Sue could tell... Back in the 1970s, Sue Mengers represented almost every major star in Hollywood; her clients were the talk of the town and her glamorous dinner parties were legendary. But by 1981 the glory days were fading. Her time was passing as a sleek and corporate New Hollywood began to emerge. The phone’s not ringing so much these days and Sue is forced to face the inevitable truth: the credits roll sooner than you think.
The first collection of plays from the multi-award-winning legendary screenwriter and playwright. Contains the plays RED, PETER AND ALICE and I’LL EAT YOU LAST. Contents: Introduction by Michael Grandage RED Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting. A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing. Nominated for 7 Olivier Awards (2009) and winner of 6 Tony Awards (2010) including Best New Play. PETER AND ALICE When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters. I’LL EAT YOU LAST: A CHAT WITH SUE MENGERS 1981. Hollywood. Sue Mengers, the first female ‘superagent’ at a time when women talent agents of any kind are almost unheard of, invites you into her Beverly Hills home for an evening of dish, secrets, and all the inside showbiz stories that only Sue could tell... Back in the 1970s, Sue Mengers represented almost every major star in Hollywood; her clients were the talk of the town and her glamorous dinner parties were legendary. But by 1981 the glory days were fading. Her time was passing as a sleek and corporate New Hollywood began to emerge. The phone’s not ringing so much these days and Sue is forced to face the inevitable truth: the credits roll sooner than you think.
THE STORY: Master abstract expressionist Mark Rothko has just landed the biggest commission in the history of modern art, a series of murals for New York's famed Four Seasons Restaurant. In the two fascinating years that follow, Rothko works feveri
Cast size: medium.
Drama John Logan Characters: 5 male, 2 female Various sets. This compelling drama by the author of Never the Sinner begins just moments before the 1936 execution of Bruno Richard Hauptmann, the German immigrant who was convicted of murdering the Lindbergh's baby. With prison guards doubling as other characters in flashback, Hauptmann tells his gripping story. "It is one of rising anti German sentiment in America, of rich versus poor, of the state versus the indivi
From the Pulitzer Prize, Tony and Emmy Award-winning composer of Next to Normal (Tom Kitt) and the Tony Award-winning writer of Red (John Logan), Superhero is a deeply human new musical about a fractured family, the mysterious stranger in apartment 4-B, and the unexpected hero who just might save the day. Directed by Jason Moore (The Cher Show, Avenue Q), Superhero made its world premiere in January 2019 at Second Stage Theater. "Kitt writes beautifully for his anguished characters, shaping the lyrics to each distinct voice." - Alexis Soloski, The Guardian "[Kitt's] lyrics are neatly turned and germane." - Michael Sommers, New York Stage Review "[The] book is intelligent and the songs are well-integrated into it." - Robert Sholiton, Gotham Playgoer
Vince Flynn and Brad Thor, move over: introducing a pulse-pounding new international thriller series by a former Delta Force commander.
THE STORY: Cute blondes are disappearing from her strip mall-covered suburban town, but fourteen-year-old Panny is more concerned with surviving adolescence. Raised by an unbalanced mother who thinks the perfect birthday gift is plastic surgery, an
An analysis of the fundamental narrative structure, why it works, the meanings of stories, and why we tell them in the first place. The idea of Into the Woods is not to supplant works by Aristotle, Lajos Egri, Robert McKee, David Mamet, or any other writers of guides for screenwriters and playwrights, but to pick up on their cues and take the reader on a historical, philosophical, scientific, and psychological journey to the heart of all storytelling. In this exciting and wholly original book, John Yorke not only shows that there is truly a unifying shape to narrative—one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within—he explains why, too. With examples ranging from The Godfather to True Detective, Mad Men to Macbeth, and fairy tales to Forbrydelsen (The Killing), Yorke utilizes Shakespearean five-act structure as a key to analyzing all storytelling in all narrative forms, from film and television to theatre and novel-writing—a big step from the usual three-act approach. Into the Woods: A Five-Act Journey into Story is destined to sit alongside David Mamet’s Three Uses of the Knife, Robert McKee’s Story, Syd Field’s Screenplay, and Lajos Egri’s The Art of Dramatic Writing as one of the most original, useful, and inspiring books ever on dramatic writing. Praise for Into the Woods “Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive.” —Chris Chibnall, creator/writer, Broadchurch and Gracepoint “Outrageously good and by far and away the best book of its kind I’ve ever read. I recognized so much truth in it. But more than that, I learned a great deal. Time and again, Yorke articulates things I’ve always felt but have never been able to describe. . . . This is a love story to story—erudite, witty and full of practical magic. I struggle to think of the writer who wouldn’t benefit from reading it—even if they don’t notice because they’re too busy enjoying every page.” —Neil Cross, creator/writer, Luther and Crossbones “Part ‘how-to’ manual, part ‘why-to’ celebration, Into the Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises . . . exciting and thought-provoking.” —Emma Frost, screenwriter, The White Queen and Shameless