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In John Lennon and the Jews, Ze¿ev Maghen takes his readers on an audacious, uproariously funny Magical Mystery Tour of the mind and heart. Zen and the Art of Motorcycle Maintenance meets Hitchhiker¿s Guide to the Galaxy in this provocative, creative and stunningly original work that the Jerusalem Post likens to a ¿dazzling intellectual amusement park.¿ A chance encounter at LAX introduces Maghen to a trio of Hare Krishna missionaries who turn out to be Israeli émigrés. They insist that Judaism is archaic, irrational, immoral and just downright stupid; that affiliating with the Jewish people in our modern, globalizing day and age is pointless and passé. Their adamant universalism and ¿everything is everything¿ rejection of their Jewish identity put the author in mind of his favorite Beatle¿s famous lyric, ¿Imagine there¿s no countries¿and no religion too.¿ John Lennon and the Jews is Maghen¿s confrontation with Lennon¿s vision of one-worldism and other in vogue beliefs that threaten Jewish continuity today. This work is a journey through centuries, countries, sitcoms, and ideas that will leave no thinking, feeling person unaffected. ¿You have never had so much fun cogitating,¿ writes one reader. ¿It¿s like sitting in a yeshiva in front of a highly erudite rabbi ¿ on mushrooms.¿
Menachem Kellner is an American-born scholar of Jewish philosophy, an educator, and a public intellectual who lives in Israel. For over three decades he taught at the University of Haifa, where he held the Sir Isaac and Lady Edith Wolfson Chair of Jewish Religious Thought as well as several high-level administrative positions. Currently he teaches Jewish philosophy at Shalem College, Israel’s first liberal arts college, which seeks to integrate Western and Jewish texts. Trained in ethics and political philosophy, Kellner specializes in medieval Jewish philosophy, arguing that Maimonides’ rationalist universalism should serve as the ideal for contemporary Jewish life. Creatively fusing Zionism, modern Orthodoxy, and democracy, his vision of Judaism is open to and engaged with the modern world.
Bob Dylan and his artistic accomplishments have been explored, examined, and dissected year in and year out for decades, and through almost every lens. Yet rarely has anyone delved extensively into Dylan's Jewish heritage and the influence of Judaism in his work. In Bob Dylan: Prophet, Mystic, Poet, Seth Rogovoy, an award-winning critic and expert on Jewish music, rectifies that oversight, presenting a fascinating new look at one of the most celebrated musicians of all time. Rogovoy unearths the various strands of Judaism that appear throughout Bob Dylan's songs, revealing the ways in which Dylan walks in the footsteps of the Jewish Prophets. Rogovoy explains the profound depth of Jewish content—drawn from the Bible, the Talmud, and the Kabbalah—at the heart of Dylan's music, and demonstrates how his songs can only be fully appreciated in light of Dylan's relationship to Judaism and the Jewish themes that inform them. From his childhood growing up the son of Abe and Beatty Zimmerman, who were at the center of the small Jewish community in his hometown of Hibbing, Minnesota, to his frequent visits to Israel and involvement with the Orthodox Jewish outreach movement Chabad, Judaism has permeated Dylan's everyday life and work. Early songs like "Blowin' in the Wind" derive central imagery from passages in the books of Ezekiel and Isaiah; mid-career numbers like "Forever Young" are infused with themes from the Bible, Jewish liturgy, and Kabbalah; while late-period efforts have revealed a mind shaped by Jewish concepts of Creation and redemption. In this context, even Dylan's so-called born-again period is seen as a logical, almost inevitable development in his growth as a man and artist wrestling with the burden and inheritance of the Jewish prophetic tradition. Bob Dylan: Prophet, Mystic, Poet is a fresh and illuminating look at one of America's most renowned—and one of its most enigmatic—talents.
Carol Miller is indisputably America’s premiere female rock ’n’ roll disc jockey, as her well-deserved induction into the Rock and Roll Hall of Fame proves. In her illuminating, fascinating, sometimes heartbreaking memoir, Up All Night, the legendary “Nightbird” tells the story of her colorful career—her rise to success in a male-dominated music industry; her close and personal dealings with rock royalty like Bruce Springsteen (whose music she first introduced to New York radio), Sir Paul McCartney, and Steven Tyler (whom she dated)—and details openly and honestly her battle against breast cancer for the very first time.
Celebrating 25 years of Green Day, from renowned photographer Bob Gruen It’s been 25 years since the breakthrough album Dookie put punk rock pioneers Green Day on the musical map, and renowned photographer Bob Gruen has been taking photos of the band ever since. Green Day includes behind-the-scenes photos as well as concert images from their international tours, many of which are previously unpublished—along with photographs from their Rock & Roll Hall of Fame Induction Ceremony in 2015 and in the recording studio. The book has the full support of the band, with quotes and commentary from Billie Joe Armstrong, TreÌ? Cool, and Mike Dirnt throughout.
This new exploration of Marx as a Jewish thinker presents “a perceptive and fair-minded corrective to superficial treatments” of his life and work (Jonathan Rose, Wall Street Journal). A philosopher, historian, sociologist, economist, current affairs journalist, and editor, Karl Marx was one of the most influential and revolutionary thinkers of modern history. But he is rarely thought of as a Jewish thinker, and his Jewish background is either overlooked or misrepresented. Here, distinguished scholar Shlomo Avineri argues that Marx’s Jewish origins made a significant impression on his work. Marx was born in Trier, then part of Prussia, and his family had enjoyed full emancipation under earlier French control of the area. But then its annexation to Prussia deprived the Jewish population of its equal rights. These developments led to the reluctant conversion of Marx’s father, and similar tribulations radicalized many other Jewish intellectuals of that time. Avineri puts Marx’s Jewish background in its proper and balanced perspective, and traces Marx’s intellectual development in light of the historical, intellectual, and political contexts in which he lived.
Hundreds of books have been written about The Beatles. Over the last half century, their story has been mythologized and de-mythologized and presented by biographers and journalists as history. Yet many of these works do not strictly qualify as history and the story of how the Beatles' mythology continues to be told has been largely ignored. This book examines the band's historiography, exploring the four major narratives that have developed over time: The semi-whitewashed "Fab Four" account, the acrimonious breakup-era Lennon Remembers version, the biased "Shout!" narrative in the wake of John Lennon's murder, and the current Mark Lewisohn orthodoxy. Drawing on the most influential primary and secondary sources, Beatles history is analyzed using historical methods.
With truly startling statistics and a wealth of anecdotes, Silbiger reveals the cultural principles that form the bedrock of Jewish success in America.
WINNER OF THE PULITZER PRIZE • “A rich, penetrating, and moving portrayal of Arab-Jewish hostility, told in human terms.”—Newsday Now expanded and updated • “The best and most comprehensive work there is in the English language on this subject.”—The New York Times In this monumental work, extensively researched and more relevant than ever, David Shipler delves into the origins of the prejudices that exist between Jews and Arabs that have been intensified by war, terrorism, and nationalism. Focusing on the diverse cultures that exist side by side in Israel and Palestine, Shipler examines the process of indoctrination that begins in schools; he discusses the effects of socioeconomic differences, the clashes of Israeli and Palestinian historical narratives, religious conflicts between Islam and Judaism, views of the Holocaust, and much more. And he writes of the people: the Arab woman in love with a Jew, the retired Israeli military officer now disillusioned, the Palestinian militant devoted to violent means, the Israeli and Palestinian schoolchildren who reach across the divides in search of reconciliation. Their stories, and the hundreds of others, reflect not only the reality of “wounded spirits” but also the healing inside minds necessary for eventual coexistence in the promised land.
Hitherto few scholars have treated John the Baptist as an independent personality, apart from the subordinate position accorded him in the Gospels of forerunner to Jesus. The policy of the Gospel writers, crystallized in the saying put into the mouth of the Baptist in the Fourth Gospel, “He must increase, but I must decrease,” was consistently directed to utilizing this historic figure as the supreme witness to the Messiahship of Jesus, and then, his purpose served, to relegate him to the limbo of forgetfulness. Here and there, however, even in the Gospels, we catch a glimpse of a higher role which many of his generation assigned to the Baptist. The history of the Baptists after the death of John is a very strange one, and still remains in many places obscure. Some further particulars, however, have in recent years become available by the publication of part of the literature of the Mandaeans of the lower Euphrates, the present-day survivors of the sect. This short introduction on the Baptist and his disciples will have served its purpose if it has drawn attention to the Messianic character of the life and teaching of John in the period of Jewish history which more than any other was full of Messianic expectation, and also to the undoubted fact that John was regarded as Messiah by a numerous following.