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William Wilkie Collins was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868). Collins’s works were classified at the time as «sensation novels», a genre seen nowadays as the precursor to detective and suspense fiction.
Undisputed master of “sensation fiction” and forefather of the modern crime story, Wilkie Collins was also a supreme chronicler of the dark underside of Victorian London. Chilling in the extreme, these three short stories of murder and suspense are outstanding examples of his craft. Setting himself in front of the station fire, a young policeman is little prepared for the account of bloody murder that will be relayed that night. It seems that Mrs. Crosscapel’s lodging house is a place of dark secrets and buried passions—emotions that will soon cloud even his own judgment. As with the other short stories included here, Who Killed Zebedee? is a brilliant and highly original tale of horror and the macabre.
Presents a collection of ghost stories from such authors as Louisa May Alcott, H.G. Wells, Arthur Conan Doyle, and Joseph Conrad.
The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.
The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.
This book provides the first comprehensive overview of the complete works of Wilkie Collins’s. Examining his vast array of novels and short stories, this volume includes analysis of the social, historical, and political commentary Collins offered within his works, illuminating Collins as more than a successful crime and sensation author, or the fortunate recipient of Dicken’s grand patronage, but as a hard-thinking and lively-writing part of the rich mid-Victorian literary scene. Overall, Collins is seen as a master of narratives which deal with social and personal issues that were much debated in his fifty-year authorial period. Close attention is paid to the events, themes, and characterization in his fiction, revealing his analytic vigor and the literary power of that period and context. Delivering fresh insight into the variety and richness of Collins’ themes and arguments, this volume provides a key source of information and analysis on all Collins’ fiction.
The Secrets of Law explores the ways law both traffics in and regulates secrecy. Taking a close look at the opacity built into legal and governance processes, it explores the ways law produces zones of secrecy, the relation between secrecy and justice, and how we understand the inscrutability of law's processes. The first half of the work examines the role of secrecy in contemporary political and legal practices—including the question of transparency in democratic processes during the Bush Administration, the principle of public justice in England's response to the war on terror, and the evidentiary law of spousal privilege. The second half of the book explores legal, literary, and filmic representations of secrets in law, focusing on how knowledge about particular cases and crimes is often rendered opaque to those attempting to access and decode the information. Those invested in transparency must ultimately cultivate a capacity to read between the lines, decode the illegible, and acknowledge both the virtues and dangers of the unknowable.
Wilkie Collins was an English novelist, playwright, and short story writer. This volume contains some of his mysterious stories. John Jago’s Ghost, is a novella based on the Boorn Brothers murder case. The Family Secret and Dream Woman are classic mysteries. And Mad Monkton is a bizarre ghost story. Collins’s works were classified at the time as «sensation novels», a genre seen nowadays as the precursor to detective and suspense fiction.