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In the 1950s, a series of dams was proposed along the Brazos River in north-central Texas. For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth. Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.
“Another fine, reflective, anecdotal look at rural Texas.” —New Yorker “Graves writes eloquently about a countryman’s concerns. There's not a false note in the book.” —Boston Globe “Like the unmortared stone fences of Graves’s native hill country, From a Limestone Ledge is constructed of bits and pieces never designed to fit together, yet made to achieve a unity that is more enduring than the sum of its individual parts by the hands of a master craftsman.” —Southwestern Historical Quarterly “The beauty of his work endures, and there is a greater pride in Texans’ hearts for their home, I think, than there would be if he hadn’t written the books he did.” —Rick Bass, Garden & Gun “In describing the particulars of his surroundings, Graves often was describing the world in microcosm and the place and plight of humankind in it.” —Bryan Woolley, Dallas Morning News
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“Though the story of the potato famine has been told before, it’s never been as thoroughly reported or as hauntingly told.” —New York Post It started in 1845 and before it was over more than one million men, women, and children would die and another two million would flee the country. Measured in terms of mortality, the Great Irish Potato Famine was the worst disaster in the nineteenth century—it claimed twice as many lives as the American Civil War. A perfect storm of bacterial infection, political greed, and religious intolerance sparked this catastrophe. But even more extraordinary than its scope were its political underpinnings, and The Graves Are Walking provides fresh material and analysis on the role that Britain’s nation-building policies played in exacerbating the devastation by attempting to use the famine to reshape Irish society and character. Religious dogma, anti-relief sentiment, and racial and political ideology combined to result in an almost inconceivable disaster of human suffering. This is ultimately a story of triumph over perceived destiny: for fifty million Americans of Irish heritage, the saga of a broken people fleeing crushing starvation and remaking themselves in a new land is an inspiring story of revival. Based on extensive research and written with novelistic flair, The Graves Are Walking draws a portrait that is both intimate and panoramic, that captures the drama of individual lives caught up in an unimaginable tragedy, while imparting a new understanding of the famine’s causes and consequences. “Magisterial . . . Kelly brings the horror vividly and importantly back to life with his meticulous research and muscular writing. The result is terrifying, edifying and empathetic.” —USA Today
When CDC HQ is brutally attacked, Jake and Soliz crisscross the globe to find Tracker – before she exterminates humanity.
From The Bone Collector to the brand-new James Bond masterwork, “there is no thriller writer today like Jeffery Deaver”(San Jose Mercury News)! John Pellam had a promising career as a Hollywood stuntman, until a tragedy sidetracked him. Now he’s a divorced, hard-living location scout who travels the country in search of shooting sites, and pulling his camper into any small town brings out the locals seeking their fifteen minutes of fame. But behind an idyllic locale in upstate New York is a hotbed of violence, lust, and conspiracy, and Pellam is thrust into the heart of an unfolding drama and the search for a killer when a brutal murder has him hunting down justice on behalf of a dear friend.
A keepsake cloth limited edition published on the occasion of the Texas Book Festival 2000 as a tribute to Mr. Graves. This book includes correspondence with Alfred Knopf, Sr., Carl Hertzog, renowned book designer, and J. Frank Dobie covering the period between 1957-1960. Included is a definitive, annotated bibliography prepared by Mr. Graves and a foreword by First Lady of Texas Laura W. Bush.
Declared Texas State Photographer for 1997, the author celebrates his native state with a collection of some 114 pages of color photographs, along with a thoughtful, accompanying essay by John Graves that captures the essence of Texas. UP.
A dramatic Arctic adventure set during Sir John Franklin's doomed search for the Northwest Passage George Chambers is a fourteen-year-old aboard HMS Erebus, one of two ships under the command of Sir John Franklin on his quest to discover the Northwest Passage. But when the Erebus and Terror are trapped in crushing ice, 129 men of the crew die from cold, scurvy, and starvation. Only two remain alive when George begins to recount his story: himself and Commander James Fitzjames. As his strength dwindles and starvation weakens him, George recalls the events that led him to Canada's desolate North, and the expedition's failure -- including gravediggers, a close call with a polar bear, standing up against sailors threatening mutiny, and his own impending death. George does not know whether the story he tells will be all that survives of Franklin's doomed Arctic expedition.
The two-time National Book Award finalist and author of Goodbye to a River ruminates over what an “unmagnificent” Texas homestead has meant to him. “A kind of homemade book—imperfect like a handmade thing, a prize. It’s a galloping, spontaneous book, on occasion within whooping distance of that greatest and sweetest of country books, Ivan Turgenev’s A Sportsman’s Notebook.” —Edward Hoagland, The New York Times Book Review “His subjects are trees and brush, hired help, fences, soil, armadillos and other wildlife, flood and drought, local history, sheep and goats . . . and they come to us reshaped and reenlivened by his agreeably individual (and sometimes cranky) notions.” —The New Yorker “If Goodbye to a River was in some sense Graves’s Odyssey, this book is his [version of Hesiod’s] Works and Days. It is partly a book about work, partly a book about nature, but mostly a book about belonging. In the end John Graves has learned to belong to his patch of land so thoroughly that at moments he can sense in himself a unity with medieval peasants and Sumerian farmers, working with their fields by the Tigris.” —Larry McMurtry, The Washington Post Book World “Hard Scrabble is hard pastoral of the kind we have learned to recognize in Wordsworth, Frost, Hemingway, and Faulkner. It celebrates life in accommodation with a piece of the ‘given’ creation, a recalcitrant four hundred or so acres of Texas cedar brake, old field, and creek bottom, which will require of any genuine resident all the character he can muster.” —Southwest Review