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John Franklin Jameson (1859-1937) was instrumental in the development of history as an academic discipline in the United States. After the Johns Hopkins University awarded him the country's first doctorate in history, he became a founder of the American Historical Association, served as the first managing editor of the American Historical Review, and was a key figure in the creation of the National Archives, the National Historical Publications Commission, and the Dictionary of American Biography. This book, the first volume in an ambitious documentary edition of Jameson's public and private papers, contains essays representing Jameson's own scholarly concerns, followed by documents that reflect his role as an advocate for public support of historical and humanistic research. Many of these writings appear in print here for the first time. As a writer on historical subjects, Jameson is best known for his small book on the American Revolution, published late in his career. The scholarly essays contained in this volume, however, reveal pioneering work in a variety of subjects, including American political history, black history, southern constitutional and political history, and social history. In such writings Jameson showed great sensitivity to the significance of race, religion, ethnicity, and culture as historical elements. At a time when the study of American political institutions predominated among historical scholars, Jameson championed the claims of social, economic, and religious history and provided a basis for further research that historians have yet to exploit fully. The remaining documents in this volume not only demonstrate Jameson's advocacy of scholarship but also reveal him as a thoughtful commentator on the academic world at a crucial point in its development. Jameson entreated historical societies and professional scholars to decide for themselves the historical research that needed to be done and to seek support accordingly, instead of simply doing whatever work wealthy patrons were willing to subsidize. Similarly, he told colleges and universities to give scholars the freedom to engage in research without being hamstrung by the predilections of trustees. And, finally, he admonished the federal government to fulfill its responsibility to protect and publish historically significant documents. "As a young scholar," notes Morey Rothberg in his introduction, "Jameson was trapped between his desire to explore the social aspects of American political history and his conservative political instincts which appeared to frustrate that ambition. Consequently, he established a career as an institution builder rather than as a writer of historical narrative. He ultimately provided the American historical profession a national structure within which the distinctive elements of race, ethnicity, class, and culture could be investigated by others, since he could not bring himself to attempt this task." The two future volumes in this project will bring together Jameson's correspondence and other documents that detail Jameson's strategies for encouraging the growth of professional scholarship. The completed project promises a wealth of rich insights into the significance of humanistic research and education in contemporary society--a tool not only for historians but also for cultural administrators, journalists, and those involved in politics and government.
This completes a three-volume documentary history of the work of John Franklin Jameson. Composed principally of Jameson’s extensive public and private correspondence, Volume 3 highlights his most important contributions as managing editor of the American Historical Review, director of the Department of Historical Research at the Carnegie Institution in Washington, fund-raiser for the Dictionary of American Biography, and, most important, chief architect and promoter of both the American Council of Learned Societies and the National Archives. This volume brings once more to life a man whose deeds and thoughts continue to influence the world we live in.
From lagging book sales and shrinking job prospects to concerns over the discipline's "narrowness," myriad factors have been cited by historians as evidence that their profession is in decline in America. Ian Tyrrell's Historians in Public shows that this perceived threat to history is recurrent, exaggerated, and often misunderstood. In fact, history has adapted to and influenced the American public more than people—and often historians—realize. Tyrrell's elegant history of the practice of American history traces debates, beginning shortly after the profession's emergence in American academia, about history's role in school curricula. He also examines the use of historians in and by the government and whether historians should utilize mass media such as film and radio to influence the general public. As Historians in Public shows, the utility of history is a distinctive theme throughout the history of the discipline, as is the attempt to be responsive to public issues among pressure groups. A superb examination of the practice of American history since the turn of the century, Historians in Public uncovers the often tangled ways history-makers make history-both as artisans and as actors.
These essays introduce the complexities of researching and analyzing race. This book focuses on problems confronted while researching, writing and interpreting race and slavery, such as conflict between ideological perspectives, and changing interpretations of the questions.
This reinterpretation of a century of American historical writing challenges the notion that the politics of the recent past alone explains the politics of history. Fitzpatrick offers a wise historical perspective on today's heated debates, and reclaims the long line of historians who tilled the rich and diverse soil of our past.
In 'History's Babel', Townsend takes us from the beginning of this professional shift to a state of microprofessionalization that continues to define the field. Townsend traces the slow fragmentation of the field from 1880 to the divisions of the 1940s manifest today in the diverse professions of academia, teaching, and public history.
In 1764-65, the irrepressible playwright Beaumarchais travelled to Madrid, where he immersed himself in the life and society of the day. Inspired by the places he had seen and the people he had met, Beaumarchais returned home to create The Barber of Seville and The Marriage of Figaro, plays that became the basis for the operas by Rossini and Mozart that continue to delight audiences today. This book is a lively and original account of Beaumarchais's visit to Madrid (he never went to Seville) and a re-creation of the society that fired his imagination. Drawing on Beaumarchais's letters and commentaries, translated into English for the first time, Hugh Thomas investigates the full range of the playwright's activities in Madrid. He focuses particular attention on short plays that Beaumarchais attended and by which he was probably influenced, and he probes the inspirations for such widely recognized characters as the barber-valet Figaro, the lordly Count Almaviva, and the beautiful but deceived Rosine. Not neglecting Beaumarchais's many other pursuits (ranging from an endeavour to gain a contract for selling African slaves to an attempt to place his mistress as a spy in the bed of King Charles III), Lord Thomas provides a highly entertaining view of a vital moment in Madrid's history and in the creative life of the energetic Beaumarchais.
Based on the author's more than 50 years of experience as a professional historian in academic and other capacities, Being a Historian is addressed to both aspiring and mature historians. It offers an overview of the state of the discipline of history today and the problems that confront it and its practitioners in many professions. James M. Banner, Jr argues that historians remain inadequately prepared for their rapidly changing professional world and that the discipline as a whole has yet to confront many of its deficiencies. He also argues that, no longer needing to conform automatically to the academic ideal, historians can now more safely and productively than ever before adapt to their own visions, temperaments and goals as they take up their responsibilities as scholars, teachers and public practitioners. Critical while also optimistic, this work suggests many topics for further scholarly and professional exploration, research and debate.
What are the humanities? As the cluster of disciplines historically grouped together as “humanities” has grown and diversified to include media studies and digital studies alongside philosophy, art history and musicology to name a few, the need to clearly define the field is pertinent. Herman Paul leads a stellar line-up of esteemed and early-career scholars to provide an overview of the themes, questions and methods that are central to current research on the history of the nineteenth- and twentieth-century humanities. This exciting addition to the successful Writing History series will draw from a wide range of case-studies from diverse fields, as classical philology, art history, and Biblical studies, to provide a state-of-the-art overview of the field. In doing so, this ground-breaking book challenges the rigid distinctions between disciplines and show the variety of prisms through which historians of the humanities study the past.