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Fox (1863-1919) was one of the first writers to use the mountains of southwestern Virginia and eastern Kentucky as a backdrop for stories and novels about a culture that was rapidly becoming extinct. York, a Kentucky high school social studies teacher, narrates his long road to that profession. Annotation copyrighted by Book News, Inc., Portland, OR
John Fox, Jr., was one of the first writers to use the mountains of southwestern Virginia and eastern Kentucky as a backdrop for his stories and novels about a people whose culture faced extinction. Writing was not a profession he chose quickly or painlessly--he was well into middle age when he made the decision and he struggled with his choice for a long time after--but he made quite a name for himself through his work. This work is a biography of Fox. It draws from personal and family correspondence and covers his entire life, from his birth in Stony Point, Kentucky, in 1862, to his death from pneumonia in Big Stone Gap, Virginia, in 1919. His early life and education at his father's school, his two years at Transylvania University in Lexington, his transfer to Harvard and graduation in 1883, his work for the New York Sun and Times and smaller newspapers, and return home in the mid-1880s to work with his half-brother in the coal mines are all documented. It was also around this time that he began his first novel, A Mountain Europa, and over the next thirty years he wrote dozens of short stories and nine novels from the family home in Big Stone Gap, including Little Shepherd of Kingdom Come (his first to gain the status of bestseller) and The Trail of the Lonesome Pine.
" This powerful novel is one of the most perceptive tellings of the Civil War experience.
The Trail of the Lonesome Pine is a 1908 romance novel/western novel written by John Fox, Jr. Set in the Appalachian Mountains at the turn of the twentieth century, a feud has been boiling for over thirty years between two influential mountain families, the Tollivers and the Falins. The character of Devil Judd Tolliver in the novel was based on the real-life of "Devil John" Wesley Wright, a United States Marshal for the region in and around Wise County, Virginia, and Letcher County, Kentucky.
This 1904 book evokes the sights, smells, and tastes of Kentucky in the 1900s. Most importantly, the book was groundbreaking, over one hundred years ago, in its celebration of the vital role Black women played in building and sustaining the tradition of Southern cooking and Southern hospitality.
The Little Shepherd of Kingdom Come' is a coming-of-age novel by John Fox Jr. It is set during the Kentucky Civil War, and tells the rags-to-respectability tale of orphan Chad Buford. It was the first novel to sell a million copies in the US.
This special expanded third edition of Horace Kephart's classic work on the people of Southern Appalachia has been completely re-typeset and includes a new introduction by writer George Ellison. This edition also includes eight articles written by Horace Kephart and published after the previous edition on such topics as moonshiners, rifle-making, mountain culture, and the proposed Great Smoky Mountains National Park. All told, readers will find over 100 pages of new material not included in any of the book's previous editions.
Much criticism has been directed at negative stereotypes of Appalachia perpetuated by movies, television shows, and news media. Books, on the other hand, often draw enthusiastic praise for their celebration of the simplicity and authenticity of the Appalachian region. Dear Appalachia: Readers, Identity, and Popular Fiction since 1878 employs the innovative new strategy of examining fan mail, reviews, and readers’ geographic affiliations to understand how readers have imagined the region and what purposes these imagined geographies have served for them. As Emily Satterwhite traces the changing visions of Appalachia across the decades, from the Gilded Age (1865–1895) to the present, she finds that every generation has produced an audience hungry for a romantic version of Appalachia. According to Satterwhite, best-selling fiction has portrayed Appalachia as a distinctive place apart from the mainstream United States, has offered cosmopolitan white readers a sense of identity and community, and has engendered feelings of national and cultural pride. Thanks in part to readers’ faith in authors as authentic representatives of the regions they write about, Satterwhite argues, regional fiction often plays a role in creating and affirming regional identity. By mapping the geographic locations of fans, Dear Appalachia demonstrates that mobile white readers in particular, including regional elites, have idealized Appalachia as rooted, static, and protected from commercial society in order to reassure themselves that there remains an “authentic” America untouched by global currents. Investigating texts such as John Fox Jr.’s The Trail of the Lonesome Pine (1908), Harriette Arnow’s The Dollmaker (1954), James Dickey’s Deliverance (1970), and Charles Frazier’s Cold Mountain (1997), Dear Appalachia moves beyond traditional studies of regional fiction to document the functions of these narratives in the lives of readers, revealing not only what people have thought about Appalachia, but why.
Richard Drake has skillfully woven together the various strands of the Appalachian experience into a sweeping whole. Touching upon folk traditions, health care, the environment, higher education, the role of blacks and women, and much more, Drake offers a compelling social history of a unique American region. The Appalachian region, extending from Alabama in the South up to the Allegheny highlands of Pennsylvania, has historically been characterized by its largely rural populations, rich natural resources that have fueled industry in other parts of the country, and the strong and wild, undeveloped land. The rugged geography of the region allowed Native American societies, especially the Cherokee, to flourish. Early white settlers tended to favor a self-sufficient approach to farming, contrary to the land grabbing and plantation building going on elsewhere in the South. The growth of a market economy and competition from other agricultural areas of the country sparked an economic decline of the region's rural population at least as early as 1830. The Civil War and the sometimes hostile legislation of Reconstruction made life even more difficult for rural Appalachians. Recent history of the region is marked by the corporate exploitation of resources. Regional oil, gas, and coal had attracted some industry even before the Civil War, but the postwar years saw an immense expansion of American industry, nearly all of which relied heavily on Appalachian fossil fuels, particularly coal. What was initially a boon to the region eventually brought financial disaster to many mountain people as unsafe working conditions and strip mining ravaged the land and its inhabitants. A History of Appalachia also examines pockets of urbanization in Appalachia. Chemical, textile, and other industries have encouraged the development of urban areas. At the same time, radio, television, and the internet provide residents direct links to cultures from all over the world. The author looks at the process of urbanization as it belies commonly held notions about the region's rural character.