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This is the first substantial book about Forster's life. Drawing upon much unpublished material, Davies describes Forster's career as a man of letters and presents detailed studies of his many important friendships and professional activities. The author also breaks new ground in discussing Forster's work as a journalist, historian, and literary biographer. Contents: Part One: Early Life and Influential Friends. Newcastle to London. Leigh Hunt. Charles Lamb. Bulwer, Macready; Part Two: The Man of Letters I: The literary life. Literature's friend. Friendship's variations 1834-1855. Withdrawal and return; Part Three: Man of Letters II: Four Friendships. Robert Browning. Landor. Dickens. Carlyle; Part Four: Man of Letters III: Professional Concerns. Journalist. Historian. Literary biographer; Postscript; Bibliography (including Forster's mainly anonymous reviews)^R.
An authoritative review of literary biography covering the seventeenth century to the twentieth century A Companion to Literary Biography offers a comprehensive account of literary biography spanning the history of the genre across three centuries. The editor – an esteemed literary biographer and noted expert in the field – has encouraged contributors to explore the theoretical and methodological questions raised by the writing of biographies of writers. The text examines how biographers have dealt with the lives of classic authors from Chaucer to contemporary figures such as Kingsley Amis. The Companion brings a new perspective on how literary biography enables the reader to deal with the relationship between the writer and their work. Literary biography is the most popular form of writing about writing, yet it has been largely neglected in the academic community. This volume bridges the gap between literary biography as a popular genre and its relevance for the academic study of literature. This important work: Allows the author of a biography to be treated as part of the process of interpretation and investigates biographical reading as an important aspect of criticism Examines the birth of literary biography at the close of the seventeenth century and considers its expansion through the eighteenth, nineteenth and twentieth centuries Addresses the status and writing of literary biography from numerous perspectives and with regard to various sources, methodologies and theories Reviews the ways in which literary biography has played a role in our perception of writers in the mainstream of the English canon from Chaucer to the present day Written for students at the undergraduate level, through postgraduate and doctoral levels, as well as academics, A Companion to Literary Biography illustrates and accounts for the importance of the literary biography as a vital element of criticism and as an index to our perception of literary history.
A REVELATORY LOOK AT THE INTIMATE LIFE OF THE GREAT AUTHOR—AND HOW IT SHAPED HIS MOST BE LOVED WORKS With the posthumous publication of his long-suppressed novel Maurice in 1970, E. M. Forster came out as a homosexual— though that revelation made barely a ripple in his literary reputation. As Wendy Moffat persuasively argues in A Great Unrecorded History, Forster's homosexuality was the central fact of his life. Between Wilde's imprisonment and the Stonewall riots, Forster led a long, strange, and imaginative life as a gay man. He preserved a vast archive of his private life—a history of gay experience he believed would find its audience in a happier time. A Great Unrecorded History is a biography of the heart. Moffat's decade of detective work—including first-time interviews with Forster's friends—has resulted in the first book to integrate Forster's public and private lives. Seeing his life through the lens of his sexuality offers us a radically new view—revealing his astuteness as a social critic, his political bravery, and his prophetic vision of gay intimacy. A Great Unrecorded History invites us to see Forster— and modern gay history—from a completely new angle.
A prominent judge is dead, a sixteen-year-old girl is accused, and her distraught mother turns to her old college roommate, Josie Bates, for help. Brilliant but flawed, Josie left the legal fast track behind after her talent in a courtroom brought a tragic result. But when Hannah is charged as an adult, Josie cannot turn her back. The deeper she digs, the more Josie realizes that politics, the law and family relationships create a combustible and dangerous situation. When the horrible truth is uncovered it can save Hannah Sheraton or destroy them both.
Originally published in 1975, E. M. Forster: The Personal Voice draws on information about the life and works of E. M. Forster that came to light following his death in 1970. Exploring in particular the publication of Maurice in 1971, The Life to Come in 1972, and the Forster papers in King's College Library, Cambridge, this volume is an extensive study of E. M. Forster. It provides a comprehensive and detailed overview of Forster's work, his intellectual and literary background, his personality, and the reception of his work. E. M. Forster: The Personal Voice places Forster's works in their social and cultural context and provides an excellent insight into his development as a writer.
A diary entry, begun by a wife and finished by a husband; a map of London, its streets bearing the names of forgotten lives; biographies of siblings, and of spouses; a poem which gives life to long-dead voices from the archives. All these feature in this volume as examples of ‘writing lives together’: British life writing which has been collaboratively authored and/or joins together the lives of multiple subjects. The contributions to this book range over published and unpublished material from the late eighteenth to the late nineteenth centuries, including biography, auto/biographical memoirs, letters, diaries, sermons, maps and directories. The book closes with essays by contemporary, practising biographers, Daisy Hay and Laurel Brake, who explain their decisions to move away from the single subject in writing the lives of figures from the Romantic and Victorian periods. We conclude with the reflections and work of a contemporary poet, Kathleen Bell, writing on James Watt (1736–1819) and his family, in a ghostly collaboration with the archives. Taken as a whole, the collection offers distinctive new readings of collaboration in theory and practice, reflecting on the many ways in which lives might be written together: across gender boundaries, across time, across genre. This book was originally published as a special issue of Life Writing.
Based on exclusive access to E. M. Forster's previously restricted diaries this scrupulously researched and sensitively written biography is the first to put the fact that he was homosexual back at the heart of his story.