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John Evelyn (1620-1706) was a pivotal figure in 17th-century intellectual life in England. The contributors approach him and his work from diverse disciplines: architectural and intellectual history and histories of science, agriculture, gardens, and literature. They present the "Elysium Britannicum" as a central document of late European humanism.
Interlacing in his work practical, literary, and philosophical approaches to landscape architecture, Evelyn created the first large-scale encyclopedic work on the science and art of gardening."--BOOK JACKET.
What did it mean to believe in alchemy in early modern England? In this book, Bruce Janacek considers alchemical beliefs in the context of the writings of Thomas Tymme, Robert Fludd, Francis Bacon, Sir Kenelm Digby, and Elias Ashmole. Rather than examine alchemy from a scientific or medical perspective, Janacek presents it as integrated into the broader political, philosophical, and religious upheavals of the first half of the seventeenth century, arguing that the interest of these elite figures in alchemy was part of an understanding that supported their national—and in some cases royalist—loyalty and theological orthodoxy. Janacek investigates how and why individuals who supported or were actually placed at the traditional center of power in England’s church and state believed in the relevance of alchemy at a time when their society, their government, their careers, and, in some cases, their very lives were at stake.
Economy and Architecture addresses a timely, critical, and much-debated topic in both its historical and contemporary dimensions. From the Apple Store in New York City, to the street markets of the Pan American Highway; from commercial Dubai to the public schools of Australia, this book takes a critical look at contemporary architecture from across the globe, whilst extending its range back in history as far as the Homeric epics of ancient Greece. The book addresses the challenges of practicing architecture within the strictures of contemporary economies, grounded on the fundamental definition of ‘economy’ as the well managed household – derived from the Greek oikonomia – oikos (house) and nemein (manage). The diverse enquiries of the study are structured around the following key questions: How do we define our economies? How are the values of architecture negotiated among the various actors involved? How do we manage the production of a good architecture within any particular system? How does political economy frame and influence architecture? The majority of examples are taken from current or recent architectural practice; historical examples, which include John Evelyn’s villa, Blenheim Palace, John Ruskin’s Venice, and early twentieth century Paris, place the debates within an extended critical perspective.
Published in Association with the German Historical Institute, Washington, D.C. Germany is a key test case for the burgeoning field of environmental history; in no other country has the landscape been so thoroughly politicized throughout its past as in Germany,and in no other country have ideas of 'nature' figured so centrally in notions of national identity. The essays collected in this volume — the first collection on the subject in either English or German — place discussions of nature and the human relationship with nature in their political co texts. Taken together, they trace the gradual shift from a confident belief in humanity ’s ability to tame and manipulate the natural realm to the Umweltbewußtsein driving the contemporary conservation movement. Nature in German History also documents efforts to reshape the natural realm in keeping with ideological beliefs — such as the Romantic exultation of 'the wild' and the Nazis' attempts to eliminate 'foreign' flora and fauna — as well as the ways in which political issues have repeatedly been transformed into discussions of the environment in Germany.
The most controversial episode in the life of the seventeenth-century virtuoso and diarist John Evelyn has always been his passionate, complex friendship with the Restoration maid of honour Margaret Blagge, afterwards Mrs Godolphin. His 'Life of Mrs Godolphin', written after her early death in childbirth, exalted the friendship and represented her as effectively a saint. They saw their intense friendship as platonic spiritual mentoring. Yet it is sometimes argued that what took place between them was actually a kind of seduction on Evelyn's part; that far from trying to overcome her religious scruples about marriage to a young man she deeply loved, as he afterwards claimed, he secretly encouraged them in order to keep her in his power, and even falsified some documents to conceal this from her husband, whose patronage he sought. Was Evelyn in his way as much a sexual predator as the Restoration rakes he professed to despise, or does the episode provide a window on an unexplored aspect of early modern spirituality? Undoubtedly there was more to the friendship than Evelyn publicly admitted, but it remains a puzzle still to be interpreted. This new study is based on Evelyn's papers, now fully accessible for the first time, and on important and hitherto unknown correspondence between Margaret Blagge and her future husband. It situates the episode fully within the pre- and post-Reformation debates concerning marriage and friendship (the latter seen by some as 'more a sacrament' than marriage) and the long traditions of platonic love and intense friendships between men and women in religious contexts. Its diverse and vividly realized settings include the glamorous, disreputable public household of the Restoration court and the great gardens of the day, at once 'little worlds' in microcosm and recreations of paradise on earth.
A Japanese garden is immediately distinct to the eye from the traditional gardens of an English manor house, just as the manicured topiaries of Versailles contrast with the sharp cacti of the American Southwest. Though gardening is beloved the world over, the style of gardens themselves varies from region to region, determined as much by culture as climate. In this series of illustrated essays, John Dixon Hunt takes us on a world tour of different periods in the making of gardens. Hunt shows here how cultural assumptions and local geography have shaped gardens and their meaning. He explores our continuing responses to land and reworkings of the natural world, encompassing a broad range of gardens, from ancient Roman times to early Islamic and Mughal gardens, from Chinese and Japanese gardens to the invention of the public park and modern landscape architecture. A World of Gardens looks at key chapters in garden history, reviewing their significance past and present and tracing the recurrence of different themes and motifs in the design and reception of gardens throughout the world. A World of Gardens celebrates the idea that similar experiences of gardens can be found in many different times and places, including sacred landscapes, scientific gardens, urban gardens, secluded gardens, and symbolic gardens. Featuring two hundred images, this book is a treasure trove of ideas and inspiration, whether your garden is a window box, a secluded backyard, or a daydream.
This volume focuses on the outstanding contributions made by botany and the mathematical sciences to the genesis and development of early modern garden art and garden culture. The many facets of the mathematical sciences and botany point to the increasingly “scientific” approach that was being adopted in and applied to garden art and garden culture in the early modern period. This development was deeply embedded in the philosophical, religious, political, cultural and social contexts, running parallel to the beginning of processes of scientization so characteristic for modern European history. This volume strikingly shows how these various developments are intertwined in gardens for various purposes.