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“It is not simply that [Dos Passos] has a keen eye for people, but that he has a keen eye for so many different kinds of people.”—The New York Times Marking the end of “one of the most ambitious projects that an American novelist has ever undertaken” (Time), The Big Money brings us back to America after the Great War, a nation on the upswing. Industrialism booms. The stock market surges. Lindbergh takes his solo flight. Henry Ford makes automobiles. From New York to Hollywood, love affairs to business deals, it is a country taking the turns too fast, speeding toward the crash of 1929. Ultimately, whether the novels of John Dos Passos’s classic USA Trilogy are read together or separately, they paint a sweeping portrait of collective America—and showcase the brilliance and bravery of one of its most enduring and admired writers. The Big Money, focusing on a passionate pilot whose compromises culminate in despair and an actress led astray by her ambitions, completes this “fable of America's materialistic success and moral decline” (American Heritage).
This grimly realistic depiction of army life follows a trio of idealists as they contend with the regimentation, violence, and boredom of military service. Incited past the point of endurance, the soldiers respond with rancor and murderous rage. This powerful exploration of warfare's dehumanizing effects remains chillingly contemporary.
The journal of the author on a trip through Russia and the Levant (the eastern Mediterranean, including Syria and Lebanon), published in 1927.
A record of his childhood, young adulthood, and twenties, The Best Times is a collage of cherished memories. He reflects on the joys of an itinerant life enriched by new and diverse friendships, customs, cultures, and cuisines. Luminary personalities and landscapes abound in the 1920s literary world Dos Passos loved. F. Scott Fitzgerald, Ernest Hemingway, E.E. Cummings, Gerald and Sara Murphy, Horsley Gantt—they are his beloved friends. Spain, the French Riviera, Paris, Persia, the Caucasus—they are his beloved footpaths.
John Dos Passos’s literary response to Franklin Delano Roosevelt’s New Deal, The Grand Design critiques the gargantuan growth of bureaucracy in Washington during the Great Depression and World War II. The satiric novel conveys the author’s frustration with federal overreach and the hollow rhetoric that sells it to the people. “War is a time of Caesars,” writes Dos Passos as he laments the death of idealistic, intelligent enterprises at the desks of elitist administrators. After witnessing the Spanish Civil War claim so many well-intentioned men, he advises caution for America’s New Dealers: “Some things we have learned, but not enough; there is more to learn. Today we must learn to found again in freedom our republic.”
When American authors John Dos Passos and Ernest Hemingway went to Spain in 1937 to witness the Spanish Civil War firsthand, the devastation they encountered was far from impersonal: As Spain was unraveling thread by thread, so was the relationship between these two literary titans. They had arrived in Spain as comrades, leftist writers–in–arms. But a real–life literary mystery unfolded when Dos Passos' friend José Robles—a Spanish–born Johns Hopkins professor—disappeared. Written from a novelist's eye for detail, The Breaking Point is the story of two lives at the intersection of friendship and murder, of love and death, and of literature and history.
This authorized biography of John Dos Passos is both important and highly engaging -- important because it provides a portrait-in-action of one of the ablest American writers of this century, searching critiques of all his works, and straightforward analyses of the complex political and social backgrounds out of which they grew; and engaging because of this shy, modest, friendly, endearing, and indefatigable man whose sterling character springs out of every page. - Carlos Baker, on back of jacket.
Before he began the U.S.A. trilogy, Dos Passos prefigured his groundbreaking epic through three novels that provide a fascinating glimpse into his achievement as an avant-garde prose stylist while they incisively chronicle early 20th-century Europe and America.