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This is a complete facsimile edition of fourteen autograph letters of John Donne that are among the greatest treasures of the Folger Library. The letters, dating from February and March 1602, relate to Donne's clandestine marriage to Anne More and are addressed to his father-in-law, Sir George More, and to Sir Thomas Egerton, the lord keeper, who was also Donne's employer. The text of a letter provides one part of the story, while its very tangibility -- the ancient folds, the grime and fingerprints deposited by the writer, deliverer, and readers, the broken seals, the ink blots, the idosyncratic spelling, the location of a signature -- tells another. An understanding of a letter's written and unwritten social signals brings into focus a fuller, grittier, and a clearer view of life in 17th century England. M. Thomas Hester is professor of English at North Carolina State University, Raleigh. Robert Parker Sorlien is professor emeritus of English at the University of Rhode Island. Dennis Flynn is professor of English at Bentley College, Waltham, Massachusetts. John Donne's Marriage Letters was recognized in the AIGA "50 books/50 Covers" competition as one of 100 examples of outstanding book and book cover design produced in 2005.
Investigations into how the brain actually works have led to remarkable discoveries and these findings carry profound implications for interpreting literature. This study applies recent breakthroughs from neuroscience and evolutionary psychology in order to deepen our understanding of John Donne's Songs and Sonnets.
Regarded by many as the greatest of the Metaphysical poets, John Donne (1572-1631) was also among the most intriguing figures of the Elizabethan age. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. The Collected Poetry reflects this wide diversity, and includes his youthful songs and sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed towards the end of his life. From joyful poems such as 'The Flea', which transforms the image of a louse into something marvellous, to the intimate and intense Holy Sonnets, Donne breathed new vigour into poetry by drawing lucid and often startling metaphors from the world in which he lived. His poems remain among the most passionate, profound and spiritual in the English language.
This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of John Donne (1572-1631). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Donne's work in the order in which it was written, and, wherever possible, using the text of the first published version. The volume presents a wholly new edition of Donne's verse and prose, consisting of a selection of Donne's compositions that circulated in manuscript or in print form during his lifetime. Each text is paired with a generous complement of historical and textual annotation, which enables students to access and appreciate the excitement with which Donne's contemporaries--his first readers--discovered his famous and incomparable originality, audacity, ingenuity, and wit. The edition incorporates new directions and emphases in scholarly editing that equip students with a better understanding of the texts and the contexts in which they were produced, such as the history of readership and the history of texts as material objects. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Donne, and a Chronology.
The first major socio-cultural study of manuscript letters and letter-writing practices in early modern England. Daybell examines a crucial period in the development of the English vernacular letter before Charles I's postal reforms in 1635, one that witnessed a significant extension of letter-writing skills throughout society.
This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of John Donne (1572-1631). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Donne's work in the order in which it was written, and, wherever possible, using the text of the first published version. The volume presents a wholly new edition of Donne's verse and prose, consisting of a selection of Donne's compositions that circulated in manuscript or in print form during his lifetime. Each text is paired with a generous complement of historical and textual annotation, which enables students to access and appreciate the excitement with which Donne's contemporaries—his first readers—discovered his famous and incomparable originality, audacity, ingenuity, and wit. The edition incorporates new directions and emphases in scholarly editing that equip students with a better understanding of the texts and the contexts in which they were produced, such as the history of readership and the history of texts as material objects. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Donne, and a Chronology.
Presents a collection of critical essays about the works of John Donne and other metaphysical poets.
For centuries readers have struggled to fuse the seemingly scattered pieces of Donne’s works into a complete image of the poet and priest. In John Donne, Body and Soul, Ramie Targoff offers a way to read Donne as a writer who returned again and again to a single great subject, one that connected to his deepest intellectual and emotional concerns. Reappraising Donne’s oeuvre in pursuit of the struggles and commitments that connect his most disparate works, Targoff convincingly shows that Donne believed throughout his life in the mutual necessity of body and soul. In chapters that range from his earliest letters to his final sermon, Targoff reveals that Donne’s obsessive imagining of both the natural union and the inevitable division between body and soul is the most continuous and abiding subject of his writing. “Ramie Targoff achieves the rare feat of taking early modern theology seriously, and of explaining why it matters. Her book transforms how we think about Donne.”—Helen Cooper, University of Cambridge
How and why did men and women send handwritten poetry, drama, and literary prose to their friends and social superiors in the seventeenth century-and what were the consequences of these communications? Within this culture of manuscript publication, why did John Donne (1572-1631), an author who attempted to limit the circulation of his works, become the most transcribed writer of his age? John Donne and the Conway Papers examines these questions in great detail. Daniel Starza Smith investigates a seventeenth-century archive, the Conway Papers, in order to explain the relationship between Donne and the archive's owners, the Conway family. Drawing on an enormous amount of primary material, he situates Donne's writings within the broader workings of manuscript circulation, from the moment a scribe identified a source text, through the process of transcription and onwards to the social ramifications of this literary circulation. John Donne and the Conway Papers offers the first full-length analysis of three generations of the Conway family between Elizabeth's succession and the end of the Civil War, explaining what the Conway Papers are and how they were amassed, how the archive came to contain a concentration of manuscript poetry by Donne, and what the significance of this fact is, in terms of seventeenth-century politics, patronage, and culture. Answers to these questions cast new light on the early transmission of Donne's verse and prose. Throughout, John Donne and the Conway Papers emphasizes the importance of Donne's closest friends and earliest readers—such as George Garrard, Rowland Woodward, and Sir Henry Goodere—in the dissemination of his poetry. Goodere in particular emerges as a key agent in the early circulation of Donne's verse, and this book offers the first sustained account of his literary activities.
A Handbook of Editing Early Modern Texts provides a series of answers written by more than forty editors of diverse texts addressing the 'how-to's' of completing an excellent scholarly edition. The Handbook is primarily a practical guide rather than a theoretical forum; it airs common problems and offers a number of solutions to help a range of interested readers, from the lone editor of an unedited document, through to the established academic planning a team-enterprise, multi-volume re-editing of a canonical author. Explicitly, this Handbook does not aim to produce a linear treatise telling its readers how they 'should' edit. Instead, it provides them with a thematically ordered collection of insights drawn from the practical experiences of a symposium of editors. Many implicit areas of consensus on good practice in editing are recorded here, but there are also areas of legitimate disagreement to be charted. The Handbook draws together a diverse range of first person narratives detailing the approaches taken by different editors, with their accompanying rationales, and evaluations of the benefits and problems of their chosen methods. The collection's aim is to help readers to read modern editions more sensitively, and to make better-informed decisions in their own editorial projects.