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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Contains writings about John Donne from 1873 to 1923, including Henry Morley, Edmund Gosse, W.F. Collier, Rudyard Kipling, Charles Eliot Norton, Henry Augustin Beers, Thomas Hardy, W.B. Yeats, Ezra Pound, T.S. Eliot, and many others. Together these works present a record of how, from the nineteenth century onwards, critics viewed Donne, and how he became part of today's literary canon.
Contains writings about John Donne from 1873 to 1923, including Henry Morley, Edmund Gosse, W.F. Collier, Rudyard Kipling, Charles Eliot Norton, Henry Augustin Beers, Thomas Hardy, W.B. Yeats, Ezra Pound, T.S. Eliot, and many others. Together these works present a record of how, from the nineteenth century onwards, critics viewed Donne, and how he became part of today's literary canon.
Donne is best known as a poet of love, never describing physical beauty in detail but brilliantly able to recreate a man's experience of love's emotions and realities, but he is much else besides. He is a poet of the spiritual journey who in his power speaks to others in travail, a great preacher who soars into word-music and encapsulates complex theology in illuminating epigrams.David Edwards ranges across all Donne's writings, including the critically neglected sermons, to produce a new and compelling portrait of this tortured and contradictory figure. As the tree's sap doth seek the root belowIn winter, in my winter now I go,Where none but thee, th'Eternal rootOf true Love, I may know.--JOHN DONNE>
Since the beginning of the twentieth century, critics have predominantly offered a negative estimate of John Donne’s Metempsychosis. In contrast, this study of Metempsychosis re-evaluates the poem as one of the most vital and energetic of Donne’s canon. Siobhán Collins appraises Metempsychosis for its extraordinary openness to and its inventive portrayal of conflict within identity. She situates this ludic verse as a text alert to and imbued with the Elizabethan fascination with the processes and properties of metamorphosis. Contesting the pervasive view that the poem is incomplete, this study illustrates how Metempsychosis is thematically linked with Donne’s other writings through its concern with the relationship between body and soul, and with temporality and transformation. Collins uses this genre-defying verse as a springboard to contribute significantly to our understanding of early modern concerns over the nature and borders of human identity, and the notion of selfhood as mutable and in process. Drawing on and contributing to recent scholarly work on the history of the body and on sexuality in the early modern period, Collins argues that Metempsychosis reveals the oft-violent processes of change involved in the author’s personal life and in the intellectual, religious and political environment of his time. She places the poem’s somatic representations of plants, beasts and humans within the context of early modern discourses: natural philosophy, medical, political and religious. Collins offers a far-reaching exploration of how Metempsychosis articulates philosophical inquiries that are central to early modern notions of self-identity and moral accountability, such as: the human capacity for autonomy; the place of the human in the ‘great chain of being’; the relationship between cognition and embodiment, memory and selfhood; and the concept of wonder as a distinctly human phenomenon.
The Critical Heritage series collects together a large body of criticism on major figures in literature. Each volume presents the contemporary responses to a particular writer, enabling the student to follow the formation of critical attitudes to the writer's work and its place within a literary tradition. The carefully selected sources range from landmark essays in the history of criticism to fragments of contemporary opinion and little published documentary material, such as letters and diaries. Significant pieces of criticism from later periods are also included in order to demonstrate fluctuations in reputation following the writer's death. This new volume in the series includes criticism on the work of William Wordsworth during the period 1793-1820. Extremely wide-ranging in its coverage, over 250 diary extracts, letters, reviews, comments, and opinions by and about Wordsworth are gathered together here for the first time. An invaluable addition to any literary library.
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
In 1906, having been assigned Izaak Walton's Life of Donne to read for his English class, a Harvard freshman heard a lecture on the long disparaged 'metaphysical' poets. Years later, when an appreciation of these poets was considered a consummate mark of a modernist sensibility, T. S. Eliot was routinely credited with having 'discovered' Donne himself. John Donne in the Nineteenth Century tracks the myriad ways in which 'Donne' was lodged in literary culture in the Romantic and Victorian periods. The early chapters document a first revival of interest when Walton's Life was said to be 'in the hands of every reader'; they explore what Wordsworth and Coleridge contributed to the conditions for the 1839 publication of the only edition ever called The Works, which reprinted the sermons of 'Dr Donne'. Later chapters trace a second revival, when admirers of the biography, turning to the prose letters and the poems to supplement Walton, discovered that his hero's writings entail the sorts of controversial issues that are raised by Browning, by the 'fleshly school' of poets, and by self-consciously 'decadent' writers of the fin de siècle. The final chapters treat the spread of the academic study of Donne from Harvard, where already in the 1880s he was the anchor of the seventeenth-century course, to other institutions and beyond the academy, showing that Donne's status as a writer eclipsed his importance as the subject of Walton's narrative, which Leslie Stephen facetiously called 'the masterpiece of English biography'.