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From a National Book Award winner, “an indictment of a system that values accumulation, shareholder profit . . . over . . . self-sufficiency, and solidarity.” (Robert Neuwirth, author of Stealth of Nations: The Global Rise of the Informal Economy) John Crowe Ransom's Land! is a previously unpublished work that unites the accomplished literary scholar’s poetic sensibilities with an examination of economics at the height of the Great Depression. Politically charged with Ransom's aesthetic beliefs about literature and his agrarian interpretation of economics, Land! was long thought to have been burned by its author after he failed to find a publisher. Thankfully, the manuscript was discovered, and we are now able to read this unique and interesting contribution to the Southern Agrarian revival. After the publication of the Agrarian movement manifesto I’ll Take My Stand in 1930, Ransom, a contributor, became convinced that the book had not adequately proposed an economic alternative to Northern industrialism, which had fairly obliterated the Southern way of life. Land! was Ransom's attempt to fill this gap. In it he presents the weaknesses inherent in capitalism and proposes instead that agrarianism, which could flourish alongside capitalism, would relieve the problems of unemployment. America, Ransom claims, is unique in offering this opportunity because, unlike in European countries, land is plentiful. “Ransom joins Lauck in championing the values fostered by rural and small-town America. Is this just wishful thinking? Perhaps, and yet don’t we sometimes need to step back before we can leap forward?” —The Washington Post “Ransom’s affection for traditional rural culture provides an enjoyable warm streak in the book.” —Choice “Mr. Ransom’s highly original argument unfolds in beautifully written prose. . . . engaging and thought-provoking.” —George Core, retired editor of The Sewanee Review
DIVA reader intended for courses, presenting the continuity of close reading from New Criticism through poststructuralism./div
Recent interest in the life and works of John Crowe Ransom has brought to light the many apparent contradictions and discontinuities in the career of this important man of letters. A noted poet, Ransom chose to devote his energies primarily to the composition of prose. A southern agrarian in the 1930s, he later rejected the movement as nostalgic and unrealistic. But perhaps more central to his development as a man of letters, he came to renounce all traditional religious beliefs, even though he was descended from a line of Methodist ministers. In John Crowe Ransom’s Secular Faith Keiran Quinlan examines these and other incongruities within the context of the writer’s career and offers a substantially revisionist interpretation of his subject. Quinlan argues that the key to understanding Ransom’s development lies in “his early rejection of the tenets of Christian theology and in his consequent effort at articulating an alternative philosophy to live by.” Ransom’s literary efforts are viewed as a philosophical project aimed at discovering an empirical validity for the world rather than a transcendental one. Quinlan examines Ransom’s development against the background of the literary and philosophic movements that influenced the writer. He shows how thinkers like Kant, Hegel, Dewey, and the logical positivists, and poets like Arnold, Hardy, Stevens, Eliot, and Graves, all made significant contributions to Ransom’s progress. Although Ransom has often been allied with T.S. Eliot, who turned to religion and a transcendental knowledge of the world, Quinlan contends that Ransom’s real sympathies were with Wallace Stevens, who south a suitable substitute for religious faith in the celebration of a world he felt was emptied of its transcendental component. Ransom’s difficulties are in many ways symptomatic of the struggles of our age—the supplanting of God and a supernatural world view by scientific advances, the loss of faith, and thus the need to find an alternative meaning in existence. Quinlan stresses that although the gradual emergence of Ransom’s “secular faith” was a direct result of his lifelong dialogue with the Christian tradition, his final belief was that “‘this is the best of all possible worlds’; inasmuch as it is not possible for imagination to acquaint is with any other world.” Quinlan concludes, therefore, that Ransom belongs squarely in the American pragmatist tradition.
First published in 1930, the essays in this manifesto constitute one of the outstanding cultural documents in the history of the South. In it, twelve southerners-Donald Davidson, John Gould Fletcher, Henry Blue Kline, Lyle H. Lanier, Stark Young, Allen Tate, Andrew Nelson Lytle, Herman Clarence Nixon, Frank Lawrence Owsley, John Crowe Ransom, John Donald Wade, and Robert Penn Warren-defended individualism against the trend of baseless conformity in an increasingly mechanized and dehumanized society.
Underwood's carefully selected collection of six key Agrarians' essays, combined with a revealing new introduction, offers a radically revised view of the movement as it was redefined and revived during the New Deal.
One of the most important of the Southern magazines in the 1920s was The Fugitive, a magazine of verse and brief commentaries on literature in general. Among its contributors were John Crowe Ransom, Allen Tate, Robert Penn Warren, Donald Davidson, and Merrill Moore. Publication began in April 1922 and ended in December 1925. Soon thereafter, the “Fugitive” writers and some others became profoundly concerned with the materialism of American life and its effect upon the South. The group became known as “Agrarians.” Their thinking and discussion culminated in a symposium, I'll Take My Stand, published in 1930. In his first two lectures Davidson describes the underlying nature and aims of the Fugitive and Agrarian movements. He brings to the discussion his intimate and thorough knowledge of Southern life and letters. The third lecture deals with the place of the writer in the modern university, posing the questions of whether the writer needs the university and whether the university needs or wants the writer.
The Complete Poems contains every poem that John Crowe Ransom wrote, including his three books—Poems About God, Chills and Fever, and Two Gentlemen in Bonds—as well as the additional poems that appeared in the three editions of his Selected Poems. The volume also collects poems that were published only in newspapers and magazines, as well as a handful of poems that Ransom left in manuscript at the time of his death. This variorum edition establishes the definitive text of each poem, collating Ransom’s elaborate revisions, which he carried out throughout his lifetime. Detailed annotations identify sources, parse obscure allusions, and highlight the archaic language central to Ransom’s poetic technique. Edited by Ashby Bland Crowder, this volume constitutes an authoritative scholarly edition of Ransom’s poetry, providing an essential resource for the study of twentieth-century American literature.
In this volume Cleanth Brooks pays tribute to the language and literature of the American South. He writes of the language's unique syntax and its celebrated languorous rhythms; of the classical allusions and Addisonian locutions once favored by the gentry; and of the more earthbound eloquence, rooted in the dialect of England's southern lowlands, that is still heard in the speech of the region's plain folk. It is this rich spoken language, Brooks suggests, that has always been the life blood of southern writing. The strong tradition of storytelling in the South is reflected in the tales told by Joel Chandler Harris's Uncle Remus and in the obsessive retellings that structure William Faulkner's novels and stories. But even more crucially, the language of the South--firmly rooted in the land but with a tendency to reach for the heavens above--has shaped the literary concerns and molded the complex visions to be found in the poetry of Robert Penn Warren and John Crowe Ransom; the stories of Flannery O'Connor, Peter Taylor, and Eudora Welty; and the novels of Warren, Allen Tate, and Walker Percy.
Rebuke of History: The Southern Agrarians and American Conservative Thought