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Most studies of World War II assume that it was, in some way, a triumph for Britain. John Charmley’s important new reappraisal of the immediate origins of the war is based on extensive new work in the Chamberlain papers. It starts from Chamberlain’s belief that even a victorious war would be a disaster—it would destroy the foundations of British power and hand over Europe to Russian domination. Reconstructing Chamberlain’s policy assumptions, Mr. Charmley argues that they were neither naïve nor foolish. While focusing on the prime minister’s personality, he also shows that Chamberlain’s views were shared by many other leading politicians and diplomats. Mr. Charmley thus resurrects a whole school of thought on foreign policy which was forgotten in the wake of Churchill’s triumph. Unlike Churchill, Chamberlain was not prepared to gamble an empire; but events produced, according to Mr. Charmley, indeed a “human tragedy.” Early British reviews of the book have called it “important,” “entertaining and absorbing,” “concise and spirited,” and “provocative.” The Guardian wrote: “Chamberlain hardly emerges a hero from these pages, but at least there is no excuse left for regarding him as no more than a wimp in a wing-collar.”
Joshua Chamberlain was much more than a war hero, and Pullen's thoughtful book fills out the picture of his remarkable life. An entertaining and inspiring story. --Senator George J. Mitchell "Pullen's book is a worthy tribute to Chamberlain's lasting legacy." --Charles F. Herberger, Civil War Book Review "Pullen's presentation is more complete in revealing a complicated character, without diminishing the almost mythic status he has assumed." --Edward C. Smith, The Washington Times Recounts Chamberlain's later life through the lens of his experience during the Civil War
The first full biography of a trusted friend of Henry VIII. William Sandys was an important figure in the Tudor court, and this book is an important contribution to the history of the time. It looks at his contributions to county and court life, as well as military affairs.
A beautiful book on the famed Chinati Foundation in Marfa, Texas The Chinati Foundation, a world-famous destination for large-scale contemporary art, was founded by Donald Judd (1928-1994) to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape in Marfa, Texas. This handsome publication, first published in 2010 and now available with a new chapter devoted to the permanent installation by Robert Irwin that was inaugurated in 2016 and a new foreword by Jenny Moore, director of the Chinati Foundation, describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati. The individual installations featured here include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Ingólfur Arnarsson, Carl Andre, Claes Oldenburg and Coosje Van Bruggen, and John Wesley, as well as by Judd himself. The book also features a complete catalogue of the collection and writings by Judd relating to Chinati and Marfa. Published in association with the Chinati Foundation/La Fundación Chinati
Not control his amorous and pugilistic inclinations and so left for the West. According to his "Confession," he seduced countless women in the U.S. and Mexico, never missed a fandango, fought gallantly against Mexican guerrillas, and rode with the 1st Dragoons into the Battle of Buena Vista. His remarkable story is pure melodrama; but Goetzmann has proven by his painstaking research that much of it is true. In extensive annotation, the editor has been able to separate.
Trevor Chamberlain's watercolour paintings are a celebration of light and atmosphere, and his skill in painting directly from nature to capture the mood of his subjects has earned him an enviable reputation among both amateur and professional artists. Here Trevor Chamberlain offers a fascinating glimpse over his shoulder as he describes his approach to interpreting the effects of light and weather using the limited watercolourist's palette. Mood in nature is his constant source of inspiration and his favoured subjects are marine, town and landscape. He particularly enjoys capturing the transient aspects of the English weather but he has also travelled extensively and enjoys the challenge of confronting the unfamiliar light and surroundings in exotic locations such as Egypt, Iran and India. An artist of the plein air tradition, he always paints directly from nature at first hand, an approach which he enthusiastically recommends to readers of this book.