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A story of physical hardships and the spiritual experience of a group of Britishers escaping from Japanese-invaded Burma.
"John Bull's Other Island" by George Bernard Shaw is a satirical comedy that offers a sharp critique of British imperialism and Irish identity. Set in Ireland, the play follows the character of Tom Broadbent, a British engineer who arrives in the country with plans to exploit its resources for profit. Through Tom's interactions with the locals, including his childhood friend Larry Doyle, Shaw explores the tensions between British colonialism and Irish nationalism. The play's witty dialogue and clever wordplay highlight the absurdities of imperialism and the clash of cultures between England and Ireland. "John Bull's Other Island" is a thought-provoking and entertaining work that challenges conventional attitudes towards colonialism and national identity, showcasing Shaw's skill as a playwright and social commentator.
G.R. Searle's narrative history breaks conventional chronological barriers to carry the reader from England in 1886, the apogee of the Victorian era with the nation poised to celebrate the empress queen's golden jubilee, to 1918, as the 'war to end all wars' drew to a close.
This title introduces readers to bull riding, rodeo's most dangerous event. Readers will learn the rules of competition, such as how long a rider must stay on the bull and safety equipment such as leather chaps and helmets are covered. Aligned to Common Core Standards and correlated to state standards. A&D Xtreme is an imprint of Abdo Publishing, a division of ABDO.
Arguing that British comics are distinct from their international counterparts, a unique showcase of the major role they have played in the imaginative lives of British youth—and some adults. In this entertaining cultural history of British comic papers and magazines, James Chapman shows how comics were transformed in the early twentieth century from adult amusement to imaginative reading matter for children. Beginning with the first British comic, Ally Sloper—known as “A Selection, Side-splitting, Sentimental, and Serious, for the Benefit of Old Boys, Young Boys, Odd Boys generally, and even Girls”—British Comics goes on to describe the heyday of comics in the 1950s and ’60s, when titles such as School Friend and Eagle sold a million copies a week. Chapman also analyzes the major genres, including schoolgirl fantasies and sports and war stories for boys; the development of a new breed of violent comics in the 1970s, including the controversial Action and 2000AD; and the attempt by American publisher, Marvel, to launch a new hero for the British market in the form of Captain Britain. Considering the work of important contemporary comic writers such as Alan Moore, Grant Morrison, Ian Edginton, Warren Ellis, and Garth Ennis, Chapman’s history comes right up to the present and takes in adult-oriented comics such as Warrior, Crisis, Deadline,and Revolver, and alternative comics such as Viz. Through a look at the changing structure of the comic publishing industry and how comic publishers, writers, and artists have responded to the tastes of their consumers, Chapman ultimately argues that British comics are distinctive and different from American, French, and Japanese comics. An invaluable reference for all comic collectors and fans in Britain and beyond, British Comics showcases the major role comics have played in the imaginative lives of readers young and old.