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The story of two great musicians whose waltzes came to symbolize Vienna in the 19th century, this book reveals a father jealous of his son's talent and a defiant son whose career flourished in spite of his father's efforts to destroy it.
Captured in a beautiful package, including more than fifty color photographs, The Last Waltz tells the intriguing story of of the Viennese Strauss family known for producing some of the best known, best loved music of the nineteenth century. Johann and Josef Strauss, the Waltz Kings, composed hundreds of instantly recognizable and enduring melodies, including The Blue Danube Waltz, Tales from the Vienna Woods, Voices of Spring and The Radetzky March. Their iconic music has been featured on the scores of nearly a thousand films. Yet despite their success, this was a family riven with tension, feuds and jealousy, living in a country that was undergoing seismic upheaval. Through the personal and political chaos, the Strauss family continued to compose music to which the Viennese – anxious to forget their troubles – could dance and drank champagne, even as their country hurtled towards oblivion at the hands of the First World War. Classical music expert and radio host John Suchet skillfully portrays this gripping story, capturing the family dramas, the tensions, triumphs and disasters against the turbulent backdrop of Austria in the nineteenth century, from revolution to regicide.
This Kalmus Edition offers a collection of piano duet transcriptions of operetta overtures that are great fun for two people at one piano. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
The author’s masterpiece, an epic saga of a family and an empire in decline, is “full of psychological penetration and tragic force” (The New Yorker). The Radetzky March, Joseph Roth’s classic novel of the Austro-Hungarian Empire, follows three generations of the privileged von Trotta family as Europe advances inexorably toward World War I. With a breadth and richness that draws comparison to Tolstoy, it encompasses the entire social fabric of Austro-Hungarian society. Shot through with dark humor and tragic irony, The Radetzky March is an unparalleled portrait of a civilization in decline, and as such a universal story for our times. “A masterpiece . . . The totality of Joseph Roth’s work is no less than a tragédie humaine achieved in the techniques of modern fiction. No other contemporary writer, not excepting Thomas Mann, has come close to achieving the wholeness . . . that Lukács cites as our impossible aim.” —Nadine Gordimer
The music of the Strauss family – Johann and his three sons, Johann, Josef and Eduard – enjoys enormous popular appeal. Yet existing biographies have failed to do justice to the family's true significance in nineteenth and early twentieth-century musical history. David Wyn Jones addresses this deficiency, engagingly showing that – from Johann's first engagements in the mid-1820s to the death of Eduard in 1916 – the music making of the family was at the centre of Habsburg Viennese society as it moved between dance hall, concert hall and theatre. The Strauss industry at its height was, he demonstrates, greater than any one of the individuals, with serious personal and domestic consequences including affairs, illness, rivalry and fraud. This zesty biography, spanning over a hundred years of history, brings the dynasty brilliantly to life across a large canvas as it offers fresh and revealing insights into the cultural life of Vienna as a whole.
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.
Richard Strauss in Context offers a distinctive approach to the study of a composer in that it places the emphasis on contextualizing topics rather than on biography and artistic output. One might say that it inverts the relationship between composer and context. Rather than studies of Strauss's librettists that discuss the texts themselves and his musical settings, for instance, this book offers essays on the writers themselves: their biographical circumstances, styles, landmark works, and broader positions in literary history. Likewise, Strauss's contributions to the concert hall are positioned within the broader development of the orchestra and trends in programmatic music. In short, readers will benefit from an elaboration of material that is either absent from or treated only briefly in existing publications. Through this supplemental and broader contextual approach, this book serves as a valuable and unique resource for students, scholars, and a general readership.