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"Mertz's unpublished works complied in this first of two volumes. These selections serve as representative introduction to his idiomatic and virtualistic style. Selections included are: Concertino per la Chitarra sola; Fantasie uber Webers letzen gedanken pur la Guitare seule; Caprice sur un theme favori de C.M. de Weber, Opus 50; Fantaisie Originale."
Includes editor's notes, performance notes, biographical information, and more.
A three-movement work. The greatest Barrios composition for solo guitar.
Classical guitarists---both students and professional performers---require the same high-quality editions that their pianist colleagues have come to expect from Alfred Music. Our Classical Guitar Masterworks Editions continue the Alfred Music tradition of providing carefully edited, beautifully presented music for practice and performance. French guitarist and composer Napoléon Coste's best-loved concert works have been expertly collected here. In this edition, editor and acclaimed classical guitarist Jeffrey McFadden, a leading proponent of Coste's repertoire, looks between the lines to see exactly what the composer intended, ultimately making Coste's intentions explicit and clear for the modern performer. Coste was a great melodist who had full command of the rich harmonic palate of the mid-to-late 19th century. Perhaps most importantly, Coste had a powerful guitaristic intuition and a deep understanding of the guitar fretboard, which he used with great creativity in crafting concert music. This performance edition of Coste's works aims to provide the performer with fully fingered, easy-to-read scores, demonstrating not only how charming these pieces are for audiences but also how enjoyable they are to play for the accomplished guitarist!
Classical guitarists---both students and professional performers---require the same high-quality editions that their pianist colleagues have come to expect from Alfred Music. Our Classical Guitar Masterworks Editions continue the Alfred Music tradition of providing carefully edited, beautifully presented music for practice and performance. This edition of Mertz's character pieces includes 28 pieces from Bardenklänge, Op. 13, as well as Trois Nocturnes, Op. 4. Mertz's most important body of work was Bardenklänge, which features many small but delightful pieces. Included here are often-performed works like "Liebeslied," "Tarantelle," "An Malvina," and "Romanze," which clearly affirm Mertz's places as the guitar's principal German Romantic composer. The attractive Three Nocturnes, Op. 4 are popular recital pieces and will be a great addition to your repertoire. This masterwork edition features thoughtful, expert fingerings by respected performer and pedagogue Julian Gray. It is a must-have for any serious classical guitarist. Titles: * Bardenklänge, Op. 13 * An Malvina (To Malvina) * Romanze * Abendlied (Evening Song) * Unruhe (Restlessness) * Elfenreigen (Dance of the Elves) * An die Entfernte (To the Distant One) * Etude * Capriccio * Gondoliera * Liebeslied (Love Song) * Fingals-Höhle (Fingal’s Cave) * Gebeth (Prayer) * Tarantelle * Variations mignonnes * Kindermärchen (Children’s Fairy Tale) * Rondino * Romanze * Scherzo * Sehnsucht (Longing) * Lied ohne Worte (Song without Words) * Mazurka * Polonaises Favorites 1, 2, 3 & 4 * Polonaises Favorites 4, 5 & 6 * Trois Nocturnes, Op. 4
This series presents for the first time the complete Opern-Revue, a collection of 38 fantasies for solo guitar that include some of the world's most beloved operatic themes. Expertly arranged by the virtuoso guitarist and composer J. K. Mertz, Opern-Revue represents one of the most expansive collections of its kind from the nineteenth century. The present edition provides facsimile reproductions of the original Haslinger first editions, allowing the guitarist direct access to the scores published in Mertz's time. Opern-Revue provides the modern guitarist with a vast repertoire of concert works based on the music of Bellini, Donizetti, Verdi, Weber, Meyerbeer, Rossini, and many others. Wagner and Offenbach, two composers less common in nineteenth-century guitar music, are represented in arrangements by several of Mertz's successors. The DGA Editions Opern-Revue series commemorates the bicentennial birthday anniversary of J. K. Mertz with these volumes.
A Concise History of the Classic Guitar by Graham Wade, one of the foremost international writers on the guitar, explores the history of the instrument from the 16th century to the present day. This compact assessment of five centuries of fretted instruments cover the vihuela in Spain, the history of four-course and five-course guitars, the evolution of tablature, and developments in the six-string guitar in the 19th century. the work also charts the contribution of leading composers, performers and luthiers of the 20th century, and evaluates the influence of Segovia, Llobet, Pujol, Presti, Bream, Williams, etc., among the world's famous guitarists. This book, intended for the general public and guitar students of all ages, is the first interpretative history of the classic guitar to be published in the 21st century, and will be eagerly welcomed by all lovers of the instrument.
These studies constitute an irreplaceable part of the standard study material for classical guitar. They are designed to aid in maximum development of right-hand technique.
This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.
Teaches the essentials of classical guitar from beginning levels to late intermediate. Features lessons on right-and left-hand technique, posture, ornaments and slurs, performance aesthetics, fingernail care and more. Not intended for the absolute beginner.