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"Covers the entire history of Billboard magazine's Country "Records"/"Singles"/"Songs" charts from 1944-2012, listing nearly 20,000 charted hits and nearly 2,600 artists."--P. 7.
In this comprehensive artist-by-artist listing, you'll find the more than 2,200 artists and 17,800 songs that debuted on Billboard's country singles charts from 1944-2001. Not only does it cover the complete chart careers of legendary country greats such as Johnny Cash, Tammy Wynette, Merle Haggard, Waylon Jennings, Alan Jackson, Garth Brooks and Reba McEntire, it also introduces fresh country voices like Brad Paisley, Rascal Flatts, Cyndi Thomson, Tammy Cochran, Chris Cagle, Phil Vassar and Trick Pony. This unique country compilation is a priceless gold mine of stats and facts, all presented in a handy, easy-to-use format!
This book is a complete reference of the top country Billboard singles from 1944 - 1993 (Compiled by Joel Whitburn). Each entry includes a biography, debut date, peak position, weeks on chart, peak position on Billboard's hot 100, and record label/catalog number information.
Introducing the first-ever, year-by-year ranking of every record that peaked on Billboard's "Top Country Singles" chart! This treasure of information lists 53 yearly rankings, encompassing 16,682 hits arranged in numerical order according to the highest chart position each reached. See at a glance every country title's yearly ranking and extensive chart data, including peak position, total weeks at peak position, date peaked, and total weeks in the Top 10, the Top 40, and on the charts. Also includes the week-by-week chart positions for every Top 5 hits' entire chart life and its songwriter(s). All this and much more information appears for every title, from Hank Williams' "Lovesick Blues" to Garth Brooks' "Longneck Bottle." Special sections include a Top 400 Artists Ranking, song title section, and record achievements. This fascinating yearly chronicle of country music presents a wealth of facts and figures at your fingertips! 700 pages, 7 inch. x 9 1/4 inch., Hardcover.
The Nashville Cats bounced from studio to studio along the city's Music Row, delivering instrumental backing tracks for countless recordings throughout the mid-20th century. Music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy were among this group of extraordinarily versatile session musicians who defined the era of the "Nashville Sound," and helped establish the city of Nashville as the renowned hub of the record industry it is today. Nashville Cats: Record Production in Music City is the first account of these talented musicians and the behind-the-scenes role they played to shape the sounds of country music. Many of the genre's most celebrated artists-Patsy Cline, Jim Reeves, Floyd Cramer, and others immortalized in the Country Music Hall of Fame and musicians from outside the genre's ranks, like Bob Dylan and Leonard Cohen, heard the call of the Nashville Sound and followed it to the city's studios, recording song after song that resonated with the brilliance of the Cats. Author Travis D. Stimeling investigates how the Nashville system came to be, how musicians worked within it, and how the desires of an ever-growing and diversifying audience affected the practices of record production. Drawing on a rich array of recently uncovered primary sources and original oral histories,Âinterviews with key players, and close exploration of hit songs, Nashville Cats brings us back into the studios of this famous era, right alongside the remarkable musicians who made it happen.
In Old Town Road, Chris Molanphy considers Lil Nas X’s debut single as pop artifact, chart phenomenon, and cultural watershed. “Old Town Road” was more than a massive hit, with the most weeks at No. 1 in Billboard Hot 100 history. It is also a prism through which to track the evolution of popular music consumption and the ways race influences how the music industry categorizes songs and artists. By both lionizing and satirizing genre tropes—it’s a country song built from an alternative rock sample, a hip-hop song in which nobody raps, a comical song that transcends novelty, and a queer anthem—Lil Nas X troubles the very idea of genre. Ultimately, Molanphy shows how “Old Town Road” channeled decades of Americana to point the way toward our cultural future.
2022 Belmont Award for the Best Book on Country Music, International Country Music Conference/Belmont University New and expanded biography of one of country music’s most celebrated singer-songwriters. Merle Haggard enjoyed numerous artistic and professional triumphs, including more than a hundred country hits (thirty-eight at number one), dozens of studio and live album releases, upwards of ten thousand concerts, induction into the Country Music Hall of Fame, and songs covered by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Bobby "Blue" Bland, Willie Nelson, the Grateful Dead, and Bob Dylan. In The Running Kind, a new edition that expands on his earlier analysis and covers Haggard's death and afterlife as an icon of both old-school and modern country music, David Cantwell takes us on a revelatory journey through Haggard’s music and the life and times out of which it came. Covering the breadth of his career, Cantwell focuses especially on the 1960s and 1970s, when Haggard created some of his best-known and most influential music: songs that helped invent the America we live in today. Listening closely to a masterpiece-crowded catalogue (including “Okie from Muskogee,” “Sing Me Back Home,” “Mama Tried,” and “Working Man Blues,” among many more), Cantwell explores the fascinating contradictions—most of all, the desire for freedom in the face of limits set by the world or self-imposed—that define not only Haggard’s music and public persona but the very heart of American culture.
 The music today known as "classic country" originated in the South in the 1920s. Influenced by blues and folk music, instrumentation was typically guitar, fiddle, bass, steel guitar, and later drums, with lyrics and arrangements rooted in tradition. This book covers some of the genre's legendary artists, from its heyday in the 1940s to its decline in the early 1970s. Revivalists keeping the traditions alive in the 21st century are also explored. Drawing on original interviews with artists and their associates, biographical profiles chronicle their lives on the road and in the studio, as well as the stories behind popular songs. Thirty-six performers are profiled, including Ernest Tubb, Ray Price, Loretta Lynn, Bill Anderson, Faron Young, Mickey Gilley, Freddie Hart, Jerry Reed, Charley Pride, David Frizzell, The Cactus Blossoms, The Secret Sisters, and Pokey LaFarge.
How can music-making help improve the lives of homeless people and others living in poverty in urban neighborhoods in the global North? How can popular music support the most vulnerable in developing their capabilities and asserting their human rights? In this book, author Klisala Harrisontakes readers to one of North America's poorest urban areas - Vancouver's Downtown Eastside - as she looks at and asks questions of its musical initiatives for the urban poor - from music jams and music therapy sessions to public performances of music theatre. Harrison not only demonstrates howthese initiatives succeed in promoting human rights but also reveals that they may sometimes unwittingly exacerbate human rights violations.Music Downtown Eastside draws on two decades of research to illustrate how human rights such as the right to health, the right to self-determination, and women's rights - all of which often remain unfulfilled for the homeless and the urban poor - can be promoted through music. Ethnographic vignettesand song lyrics by artists from the local community provide a vivid insight into the unique musical scene of Downtown Eastside. At the same time, Harrison's examination of how gentrification, grant funding, and different community organizations affect the success or failure of human rights-focusedmusical initiatives offers insights into the complex relationship between music, poverty, and human rights that have repercussions beyond this local context.