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“A brilliant coming-of-age story with an outlandish twist . . . this wonderfully weird novel is not one to miss.” —Publishers Weekly, starred review After a farming accident plunges him into a coma for six months, Frankie Hermans wakes up to discover that he’s paralyzed and mute. Bound to a wheelchair, Frankie struggles to adjust to a life where he must rely on others to complete even the simplest tasks. The only body part he can control is his right arm, which he uses obsessively to record the details of daily life in his town in Holland. But when he meets Joe—a boy who blazed into his sleepy rural town like a meteor while Frankie slept—everything changes. Joe is a centrifugal force, both magician and daredevil, and he alone sees potential strength in Frankie’s handicaps. With Joe’s help, Frankie’s arm will be used for more than just writing: as a champion arm-wrestler, Frankie will be powerful enough to win back his friends, and maybe even woo P.J., the girl who has them all in a tailspin . . . From the award-winning author of These arethe Names, Joe Speedboat is “[an] offbeat story of a group of boys searching for meaning . . .This work conjures John Irving’s A Prayer for Owen Meany but with a lighter touch” (Library Journal). “Witty, thoughtful and surprisingly tender.” —The Independent
When Frankie Hermans emerges from a coma after 200 days, he knows his life is never going to be the same again. For a start, he can't talk, he can't walk and it's a struggle even to wield a pen. And then there's Joe Speedboat -- a boy who arrived in the sleepy village of Lomark like a blazing comet and who's been stirring things up ever since. Whether setting off bombs, racing mopeds or building a bi-plane, Joe has the touch of a magician and the spirit of a daredevil. He also sees a use for Frankie's good right arm beyond writing: as a champion arm-wrestler Frankie will be strong enough to impress his friends, and maybe even win the favour of the gorgeous, golden-haired girl who has them all in a spin. Full of vitality, verve and chutzpah, Joe Speedboattells the fast-paced story of an unlikely friendship between two boys, and of their lightning dash towards adulthood.
Winner of the Hemingway Foundation/PEN Award, this is one of the defining books of the 1970s, an experimental novel about a young journalist trying to navigate life in America. When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it. A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick, Speedboat returns to enthrall a new generation of readers.
_______________ 'A biography that sparkles with enthusiastic research and empathetic writing' - Sunday Times 'A small jewel of a biography' - The New Yorker 'A fascinating, hilarious and deliciously subversive book' - Literary Review _______________ THE SUNDAY TIMES BESTSELLER Born in 1900 to a promiscuous American oil heiress and a British army captain, Marion Barbara Carstairs realised very early on that she was not like most little girls. Liberated by war work in WWI, Marion reinvented herself as Joe, and quickly went on to establish herself as a leading light of the fashionable lesbian demi-monde. She dressed in men's clothes, smoked cigars and cheroots, tattooed her arms, and became Britain's most celebrated female speed-boat racer - the 'fastest woman on water'. Yet Joe tired of the limelight in 1934, and retired to the Bahamian Island of Whale Cay. There she fashioned her own self-sufficient kingdom, where she hosted riotous parties which boasted Hollywood actresses and British royalty among their guests. Although her lovers included screen sirens such as Marlene Dietrich, the real love of Joe's life was a small boy-doll named Lord Tod Wadley, to whom she remained devoted throughout her remarkable life. She died, aged 93, in 1993.
In this intense sequel to CrossFire, Sara Connor barely escaped the ruins of the Cortez drug empire with her life. All she wants now is to figure her life out and find sanctuary in Miami. But the enemy is back and they're bringing a firestorm to the homeland. Guaranteed fiction!
A wily lady thief is groomed for mafia infamy in this “masterpiece of diabolical design” from the author of Deadman (The New York Times Book Review). Helen Sedlacek thought that when she stole millions from the mob, she’d be running for the rest of her life. So she’s more than a little surprised when mob boss Humphrey DiEbola offers her a job. DiEbola claims that he’s looking to retire. With an eye for ruthless talent, he wants to groom Helen for an executive position by putting her in charge of his illegal cigar factory and seeing what she can do. But when a poker game at DiEbola’s home turns into a shooting gallery, all bets are suddenly off in the Detroit underworld. And police detective “Fang” Mulheisen has to figure out all the angles. Is Helen gaining ground for herself and her gun-happy boyfriend Joe Service? Or is someone else trying to take the entire city for themselves—leaving the competition dead in the streets? This gutsy entry in “one of the wildest and wittiest crime series going” reaffirms Jackson’s place among the greats of thrilling police fiction (Publishers Weekly).
Mindfulness involves learning to be more aware of life as it unfolds moment by moment, even if these moments bring us difficulty, pain or suffering. This is a challenge we will all face at some time in our lives, and which health professionals face every day in their work. The Mindfulness-Based Compassionate Living programme presents a new way of learning how to face the pressures of modern living by providing an antidote which teaches us how to cultivate kindness and compassion – starting with being kind to ourselves. Compassion involves both sensitivity to our own and others’ suffering and the courage to deal with it. Integrating the work of experts in the field such as Paul Gilbert, Kristin Neff, Christopher Germer and Tara Brach, Erik van den Brink and Frits Koster have established an eight stage step-by-step compassion training programme, supported by practical exercises and free audio downloads, which builds on basic mindfulness skills. Grounded in ancient wisdom and modern science, they demonstrate how being compassionate shapes our minds and brains, and benefits our health and relationships. The programme will be helpful to many, including people with various types of chronic or recurring mental health problems, and can be an effective means of coping better with low self-esteem, self-reproach or shame, enabling participants to experience more warmth, safeness, acceptance and connection with themselves and others. Mindfulness-Based Compassionate Living will be an invaluable manual for mindfulness teachers, therapists and counsellors wishing to bring the ‘care’ back into healthcare, both for their clients and themselves. It can also be used as a self-help guide for personal practice.
Shortlisted, 2024 SHARP Book History Book Prize, Society for the History of Authorship, Reading, and Publishing In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed. Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction. Big Fiction features dazzling readings of a vast range of novelists—including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O’Brian, and Walter Mosley—as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.
From the international bestselling author of These Are the Names: “A brilliant exploration of the uneasy transition from adolescence into adulthood” (The Independent). After a decade away, gifted young pianist Ludwig Unger returns to his hometown of Kings Ness, England, where the houses are on the verge of falling into the sea. With little else but a plastic bag filled with his mother’s ashes, Ludwig hopes to make amends with his lonely past and say goodbye to the familial ghosts that still haunt him. Ludwig’s mother tried to create a normal life for him after his father abandoned them, but Ludwig grew up in her shadow, developing an obsession with her and her sensual allure. When he discovers her secret past as “the Grace Kelly of porn,” Ludwig’s world spins out of control. He soon finds himself homeless, shouldering the shame of his mother’s career, and embarking on a journey around the world in search of answers about his dysfunctional artistic family and the legacy they left behind. “Beautifully lyrical storytelling under a banner of gray skies and heavy hearts.” —Dan Kennedy, host of The Moth storytelling podcast and author of Rock On “Although perfectly charming as picaresque, the tragedy of Unger’s plight registers just as strongly as its understated oddness . . . Wieringa plays for keeps.” —Publishers Weekly, starred review “[A] beautifully realized novel about a young man seeking to understand his difficult, eccentric parents.” —Library Journal