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A rare opportunity to appreciate the incomparable beauty of Brazils women in the equally striking environs of this tropical paradise. Photographer Joaquim Nabucos collection of nude art photos creates a lush, whimsical, and sensual landscape that revolves around the feminine, exotic, and vibrant character of these women. From beaches, forests, mountains, and rivers to Brazils big cities and historical sites, Nabuco masterfully frames his subjects, while eliciting a rich and radiant response from them before capturing his images. The themes revealed by these art nudes tells a story of Brazils culture and the angels who grace its natural beauty.
Head back to paradise with another tantalizing collection of images from Brazilian photographer Joaquim Nabuco. In more than 150 color and black and white images, the stunning women of Brazil grace equally beautiful tropical landscapes, including locations with mountains, jungles, beaches, and historical sites. There are even photographs that couple models with Brazil's indigenous wildlife like jaguars and macaws. By eliciting rich and radiant responses from these "Braziliangels," Nabuco is able to introduce the diverse characteristics of women from different regions of Brazil. From the mysterious beauties of the south to the spicy women of the north, this collection makes it very clear why Brazil is known as the home of supermodels. Quotes from Brazilian artists and poets about the beauty of their nation's fairer sex confirm this. But Nabuco's models come from all walks of life, some are actresses, TV personalities, journalists, biologists, and fashion designers, and all celebrate the paradise that is Brazil.
"Joaquin Nabuco has found art in the architecture, interiors, and landscapes designed by his fellow Brazilians. ... Featured designers include the painterly and ardent recycler, Hélio Pellegrino; impressionistic landscape and golf course designers, Sonia Infante and Antônio Azeredo, and the global modernist giant, Oscar Niemeyer. ..."--Book jacket.
Capturing the scope of this country's rich diversity--with over 100 entries from a wealth of perspectives--"The Brazil Reader" offers a fascinating guide to Brazilian life, culture, and history. 52 photos. Map & illustrations.
From the first encounters between the Portuguese and indigenous peoples in 1500 to the current political turmoil, the history of Brazil is much more complex and dynamic than the usual representations of it as the home of Carnival, soccer, the Amazon, and samba would suggest. This extensively revised and expanded second edition of the best-selling Brazil Reader dives deep into the past and present of a country marked by its geographical vastness and cultural, ethnic, and environmental diversity. Containing over one hundred selections—many of which appear in English for the first time and which range from sermons by Jesuit missionaries and poetry to political speeches and biographical portraits of famous public figures, intellectuals, and artists—this collection presents the lived experience of Brazilians from all social and economic classes, racial backgrounds, genders, and political perspectives over the past half millennium. Whether outlining the legacy of slavery, the roles of women in Brazilian public life, or the importance of political and social movements, The Brazil Reader provides an unparalleled look at Brazil’s history, culture, and politics.
Hailed as a classic in the Portuguese language, this remarkable intellectual biography of the campaigner who fought to abolish slavery in Brazil is published for the first time in English.
Celso Thomas Castilho offers original perspectives on the political upheaval surrounding the process of slave emancipation in postcolonial Brazil. He shows how the abolition debates in Pernambuco transformed the practices of political citizenship and marked the first instance of a mass national political mobilization. In addition, he presents new findings on the scope and scale of the opposing abolitionist and sugar planters' mobilizations in the Brazilian northeast. The book highlights the extensive interactions between enslaved and free people in the construction of abolitionism, and reveals how Brazil's first social movement reinvented discourses about race and nation, leading to the passage of the abolition law in 1888. It also documents the previously ignored counter-mobilizations led by the landed elite, who saw the rise of abolitionism as a political contestation and threat to their livelihood. Overall, this study illuminates how disputes over control of emancipation also entailed disputes over the boundaries of the political arena and connects the history of abolition to the history of Brazilian democracy. It offers fresh perspectives on Brazilian political history and on Brazil's place within comparative discussions on slavery and emancipation.
Seamlessly entwining archival research and sociological debates, The Last Abolition is a lively and engaging historical narrative that uncovers the broad history of Brazilian anti-slavery activists and the trajectory of their work, from earnest beginnings to eventual abolition. In detailing their principles, alliances and conflicts, Angela Alonso offers a new interpretation of the Brazilian anti-slavery network which, combined, forged a national movement to challenge the entrenched pro-slavery status quo. While placing Brazil within the abolitionist political mobilization of the nineteenth century, the book explores the relationships between Brazilian and foreign abolitionists, demonstrating how ideas and strategies transcended borders. Available for the first time in an English language edition, with a new introduction, this award-winning volume is a major contribution to the scholarship on abolition and abolitionists.
The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants--Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil's most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as "the poet of the slaves"; and da Cunha is known for the masterpiece Os Sertões (The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery. Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luís Gonzaga Pinto da Gama and Joaquim Nabuco. The Black Butterfly is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention.