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The exceptionally dramatic and previously unchronicled life of the medieval queen Joanna I. On 15 March 1348, Joanna I, Queen of Naples, stood trial for her life before the pope and his court in Avignon. She was 22 years old. Her cousin and husband, Prince Andrew of Hungary, had recently been murdered, and Joanna was the chief suspect. Determined to defend herself, Joanna won her acquittal against enormous odds. Returning to Naples, she ruled over one of Europe's most prestigious and enlightened courts for more than thirty years - until she was herself murdered. As courageous as Eleanor of Aquitaine, as astute and determined as Elizabeth I, Joanna was the only female monarch in her time to rule in her own right. The taint of her husband's death never quite left her, but she was also widely admired. Dedicated to the welfare of her subjects and her realm, she reduced crime, built hospitals and churches, and encouraged the licensing of women physicians. But the turmoil of her times swirled around her: war, plague, intrigue and the treachery that would ultimately bring her down. Nancy Goldstone brings one of history's most remarkable women to life in this impeccably researched and captivating portrait of medieval royalty.
On March 15, 1348, Joanna I, the queen of Naples, stood trial for her life before the Pope and his court in Avignon. She was 20, and accused of murdering her cousin and husband, Hungarian prince Andrew. That she won her acquittal--arguing her own case in Latin--was remarkable in its own right; that she would go on to rule over one of Europe's most glittering courts for more than 30 years was extraordinary. For the first time, Nancy Goldstone tells the full story of one of the most courageous and accomplished women in history, who challenged the powers of her time, and whose life highlights the dynastic rivalries and alliances across Europe in the dramatic 14th century. She was the only woman in her time to rule in her own name. Dedicated to the welfare of her subjects and realm, Joanna reduced crime, built hospitals and churches, encouraged the licensing of women physicians, and lured some of the most important writers and artists of the century to her glamorous, elegant court, which rivaled that of Elizabeth I of England in power and scope. Around her also swirled war, plague, and the intrigue and treachery that would ultimately be her downfall. As Nancy Goldstone reveals, in Joanna's legacy are found the seeds of both the Renaissance and the Reformation. For anyone who has enjoyed the works of Alison Weir, Amanda Foreman, and Antonia Fraser,The Lady Queen will be must reading.
“Attention, ‘Game of Thrones’ fans: The most enjoyably sensational aspects of medieval politics—double-crosses, ambushes, bizarre personal obsessions, lunacy and naked self-interest—are in abundant evidence in Nancy Goldstone's The Maid and the Queen.” (Laura Miller, Salon.com) Politically astute, ambitious, and beautiful, Yolande of Aragon, queen of Sicily, was one of the most powerful women of the Middle Ages. Caught in the complex dynastic battle of the Hundred Years War, Yolande championed the dauphin's cause against the forces of England and Burgundy, drawing on her savvy, her statecraft, and her intimate network of spies. But the enemy seemed invincible. Just as French hopes dimmed, an astonishingly courageous young woman named Joan of Arc arrived from the farthest recesses of the kingdom, claiming she carried a divine message-a message that would change the course of history and ultimately lead to the coronation of Charles VII and the triumph of France. Now, on the six hundredth anniversary of the birth of Joan of Arc, this fascinating book explores the relationship between these two remarkable women, and deepens our understanding of this dramatic period in history. How did an illiterate peasant girl gain access to the future king of France, earn his trust, and ultimately lead his forces into battle? Was it only the hand of God that moved Joan of Arc-or was it also Yolande of Aragon?
In The Monstrous Regiment of Women , Sharon Jansen explores the case for and against female rule by examining the arguments made by theorists from Sir John Fortescue (1461) through Bishop Bossuet (1680) interweaving their arguments with references to the most well-known early modern queens. The 'story' of early modern European political history looks very different if, instead of focusing on kings and their sons, we see successive generations of powerful women and the shifting political alliances of the period from a very different, and revealing, perspective.
Alexandre Dumas is a prominent French novelist best known for his historical fiction and adventure stories. His historical book "Joan of Naples" is set in past times. In "Joan of Naples," Dumas vividly depicts Queen Joan's turbulent reign as a strong and divisive figure in medieval Italy. Joan's life and the future of the Kingdom of Naples are both subject to the intricate web of politics, power plays, and interpersonal interactions that are explored in the book. Dumas expertly combines historical facts with fictional elements to create a compelling story. He dives into Queen Joan's personal and political intrigues, including her interactions with her husbands, lovers, and powerful people of the day. The story traces Joan's development from a young, innocent princess to a strong monarch who must contend with countless obstacles, betrayals, and plots. Dumas captures the bright atmosphere of Naples and its neighboring areas while painting a realistic vision of the medieval court, its grandeur, and its perils. Dumas successfully conveys both the complexity of Joan's character and the feel of the time via his engrossing narrative approach. He examines topics like authority, love, loyalty, and self-sacrifice while providing readers with an engrossing fusion of fact and fiction.
It also deals with numerous issues important for any semiotics of gesture, such as the question of the relationship between physical forms and meaning, the problem of how to present a description of the gestural repertoire of a community in a consistent manner, the importance of context for the interpretation of gesture, how gestures may be combined, and how they develop as metaphorical expressions."--Jacket.
"In the tradition of M.F.K. Fisher and Peter Mayle, this ... memoir follows American-born Katherine Wilson on her adventures abroad, where a three-month rite of passage in Naples turns into a permanent embrace of this boisterous city on the Mediterranean. It is all thanks to a surprising romance, a new passion for food, and a spirited woman who will become her mother-in-law--and teach her to laugh, to seize joy, and to love"--
A much-needed contribution to the expanding interest in the history of travel and travel writing, Voyages and Visions is the first attempt to sketch a cultural history of travel from the sixteenth century to the present day. The essays address the theme of travel as a historical, literary and imaginative process, focusing on significant episodes and encounters in world history. The contributors to this collection include historians of art and of science, anthropologists, literary critics and mainstream cultural historians. Their essays encompass a challenging range of subjects, including the explorations of South America, India and Mexico; mountaineering in the Himalayas; space travel; science fiction; and American post-war travel fiction. Voyages and Visions is truly interdisciplinary, and essential reading for anyone interested in travel writing. With essays by Kasia Boddy, Michael Bravo, Peter Burke, Melissa Calaresu, Jesus Maria Carillo Castillo, Peter Hansen, Edward James, Nigel Leask, Joan-Pau Rubies and Wes Williams.
The story of the exiled Queen of Naples, Maria Sophia, as the title page of this little volume sets forth, is the story of a "forgotten heroine." In many respects, it recalls the story of her sister, Elizabeth of Hungary, though her fate was not so tragic. She was saved from the fury of the assassin; but she revealed many of her sister's attributes—the same courage, the same beauty, the same gayety of disposition, clouded in much the same manner, the same love of nature and of animals, the same love of the people, and the same domestic misfortunes.