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North Carolina fiddler and banjo player Jim Scancarelli's extensive career as a string band musician began in the early 1960s. A founding member of the Kilocycle Kowboys, one of Charlotte's longest-lived bluegrass bands, he played banjo with the Mole Hill Highlanders, and in the 1980s formed Sanitary Cafe with fiddler Tommy Malboeuf. Through the 1970s, his annual recordings at the Union Grove Fiddlers Convention captured superlative music and performer interviews. Scancarelli also had a successful career as a freelance magazine artist and collaborated on the syndicated comic strips "Mutt and Jeff" and "Gasoline Alley," eventually taking over authorship of the latter in 1986. This biography traces his creative trajectory in music, art, radio and television, and the cartooning industry.
Adopted as a child from the Masonic Home for Children at Oxford, Tommy Malboeuf grew up in Troutman, North Carolina before enlisting in the Navy in the early 1950s. After his military service, Tommy found occasional work surveying and operating heavy equipment, and he also found a personal passion in bluegrass fiddling. He performed and recorded with A.L. Wood and the Smokey Ridge Boys, Roy McMillan's High Country Boys, the Border Mountain Boys, L.W. Lambert and the Blue River Boys, C.E. Ward and his band, Garland Shuping, and Wild Country, among others. In the late 1990s, Tommy began teaching fiddle, maintaining a steady stream of students until at least the early 2000s. He continued to perform as a fiddler, filling in for a variety of local bands and recording cuts on records for bands such as Big Country Bluegrass. This text documents Tommy's life, from his humble beginnings to his lengthy fiddle career. Contextualizing Tommy's work within the Statesville-Troutman bluegrass "scene," chapters also explore the local bluegrass culture of the time. Tommy's extensive repertoire is also listed, including his spectacular fiddle contest wins, band recordings, local jam field recordings, and songs recorded for students, all of which highlight his talent and expertise as a fiddler.
The Central Blue Ridge, taking in the mountainous regions of northwestern North Carolina and southwestern Virginia, is well known for its musical traditions. Long recognized as one of the richest repositories of folksong in the United States, the Central Blue Ridge has also been a prolific source of commercial recording, starting in 1923 with Henry Whitter's "hillbilly" music and continuing into the 21st century with such chart-topping acts as James King, Ronnie Bowman and Doc Watson. Unrivaled in tradition, unequaled in acclaim and unprecedented in influence, the Central Blue Ridge can claim to have contributed to the musical landscape of Americana as much as or more than any other region in the United States. This reference work--part of McFarland's continuing series of Contributions to Southern Appalachian Studies--provides complete biographical and discographical information on more than 75 traditional recording (major commercial label) artists who are natives of or lived mostly in the northwestern North Carolina counties of Alleghany, Ashe, Avery, Surry, Watauga and Wilkes, and the southwestern Virginia counties of Carroll and Grayson. Primary recordings as well as appearances on anthologies are included in the discographies. A chronological overview of the music is provided in the Introduction, and the Foreword is by the celebrated musician Bobby Patterson, founder of the Mountain and Heritage record labels.
Cliffside was a model town, lauded and envied like few others of its kind. It was the dream of its founder, Raleigh Rutherford Haynes, a home-grown tycoon who created an entire industry along the Second Broad River in Rutherford County. More than a town, Cliffside was a way of life. It was a society shaped by Haynes's respect and concern for his workers and neighbors, by his unwavering sense of justice and fairness, and by his insatiable desire for perfection. Even now, long after his death in 1917, his legend and his principles live on in the people of this once-bustling little town. In recent decades, Cliffside, like many other mill towns in the south, has struggled to survive the decline of the textile industry. These photographs portray the gentle and loving nature of Cliffside and the generations of people who have called it home.
"Forty-plus years earlier, Walt Wallet found baby Skeezix in a basket on his doorstep and in the 1964-1966 strips reproduced in this volume. Skeezix is now middle-aged and has a family of his own. For the first time since they appeared in newspapers fifty years ago, readers can enjoy these classic strips featuring Walt and his wife Phyllis, Skeezix and his wife Nina, Corky, Clovia, Slim, Avery, Mr. Pert, Joel, Rufus, and a whole cast of familiar characters. Reproduced from syndicate proofbooks and featuring an enlightening introduction by Rick Norwood."--
Traces the evolution of the American comic strip since the creation of the Yellow Kid in 1895 through an examination of over 130 original examples of comic strip art from major public and private collections.
More than 500 strips take the reader through the comics history of the first half of the 20th century. A brief chapter on each decade gives the reader a frame of reference, and biographies of the most important artists are included.