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When Mum asks Jim to rid their garden of snails, he has an idea. Using the white glove from Dad's study, Jim is going to give each snail a swift and painless death. But can he go through with it? When Mr Darcy the cat gets involved, Jim loses the glove and trouble breaks loose. The third story in the deadly funny JIM REAPER series, perfect for fans of Dahl, Walliams and Lemony Snicket.
Another fast and fun adventure about life, death and all the hilarity in between . . . Jim is getting to grips with his father's rather unusual job at the Dead End Office and is keeping the truth secret as a promise to Dad. But when Jim sees that Will's grandma is next on the list of Death Dates, he springs into action. Even though Granny Maggot is smelly, mean-spirited and VERY unfriendly, his best friend Will adores her. Jim has to do something! If the boys can keep Will's granny safe until midnight, can they save her life?
You might have heard how the universe began with the Big Bang? Well, the universe as Jim Wimple knows it is about to end. With a Bazoom! Not only are Bazoom! scooters super fast and deadly cool, but fierce (and swoonsome) older girl Fiona has just started riding hers to and from school, and possibly out of Jim's life forever. Disaster! Jim Wimple needs a Bazoom!, and fast. So he and his best friend Will devise a clever scheme, which involves having to sneak into Dad's workplace. But when the boys break into the Mallet & Mullet 'accountancy' office they find that the walls are lined with ancient portraits, the staff are highly secretive, and Jim's dad's office bears the sign 'G Reaper'. . . And then all hell really breaks loose. What would YOU do if you thought your dad might be . . . Death?! Illustrated with cool art by artist Jamie Littler.
This book is a compilation of obituaries and death notices transcribed from issues of the Crittenden Record-Press dating from 03 January 1918 through 29 August 1918 and issues of The Crittenden Press dating from 07 August 1919 through 22 December 1922. An Addendum is located at the end of this volume and includes issues of The Crittenden Record dating from 15 July 1904 through 08 February 1907 which were made available after Volume II and Volume III were published.
THE PASSING SCENE THE RESEARCHES OF THE ROYAL SOCIETY OF LONDON ON CARRIAGE SPRINGS, by Max Terrier TANDEM A L'AMERICAINE, by T. Suffern Teiler THE DEVON HORSE SHOW COBURN WHIP CO LETTERS TO THE EDITOR THE KIMBALLS OF NEW ENGLAND by Susan Greene NOTES ON COACH TRIMMING QUESTIONS AND ANSWERS BOOK REVIEWS . HORSES OF CHARACTER
MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.
"The Man Book" is an essential life-skills handbook--a manual for everything a modern man needs to know, such as Things Never to Say During Sex, Hottest Animated Women, Fly Fishing, and much more.
In Little Green, Walter Mosley’s acclaimed detective Easy Rawlins returns from the brink of death to investigate the dark side of that haven for Los Angeles hippies, the Sunset Strip. He’s soon back in top form, cruising the gloriously psychedelic mean streets of L.A. with his murderous sidekick, Mouse. They’ve been hired to look for a young black man, Evander “Little Green” Noon, who disappeared during an acid trip. Fueled by an elixir called Gator’s Blood, Easy experiences a physical, spiritual, and emotional resurrection, but peace and love soon give way to murder and mayhem.
James Joyce's near blindness, his peculiar gait, and his death from perforated ulcers are commonplace knowledge to most of his readers. But until now, most Joyce scholars have not recognized that these symptoms point to a diagnosis of syphilis. Kathleen Ferris traces Joyce's medical history as described in his correspondence, in the diaries of his brother Stanislaus, and in the memoirs of his acquaintances, to show that many of his symptoms match those of tabes dorsalis, a form of neurosyphilis which, untreated, eventually leads to paralysis. Combining literary analysis and medical detection, Ferris builds a convincing case that this dread disease is the subject of much of Joyce's autobiographical writing. Many of this characters, most notably Stephen Dedalus and Leopold Bloom, exhibit the same symptoms as their creator: stiffness of gait, digestive problems, hallucinations, and impaired vision. Ferris also demonstrates that the themes of sin, guilt, and retribution so prevalent in Joyce's works are almost certainly a consequence of his having contracted venereal disease as a young man while frequenting the brothels of Dublin and Paris. By tracing the images, puns, and metaphors in Ulysses and Finnegans Wake, and by demonstrating their relationship to Joyce's experiences, Ferris shows the extent to which, for Joyce, art did indeed mirror life.