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In recent years theatrical history has moved into the historical mainstream. Social, intellectual and, increasingly, political historians have come to take note of the theatre while scholars of all forms of dramatic presentation have become more concerned with the full range of historical relationships.
"Tennessee's Partner" by Bret Harte is set in Sandy Bar, an Old West town, and focuses on two men, nicknamed "Tennessee" and "Tennessee's Partner." While Tennessee is a reckless gambler, his partner is humorless and practical. Despite their disparate personalities, they share a strong friendship that did not fail even when Tennessee was responsible for his partner's bride estranging him. When Tennessee blatantly tries to steal from a stranger, he is arrested and put on trial. Tennessee's Partner tries to stick up for his friend, saying that he might not agree with everything Tennessee does, but he still supports him.
In her diary, Mary Boykin Chesnut, the wife of a Confederate general and aid to president Jefferson Davis, James Chestnut, Jr., presents an eyewitness account of the Civil War.
Winner of the 1964 Pulitzer Prize in Nonfiction Anti-Intellectualism in American Life is a book which throws light on many features of the American character. Its concern is not merely to portray the scorners of intellect in American life, but to say something about what the intellectual is, and can be, as a force in a democratic society. "As Mr. Hofstadter unfolds the fascinating story, it is no crude battle of eggheads and fatheads. It is a rich, complex, shifting picture of the life of the mind in a society dominated by the ideal of practical success." —Robert Peel in the Christian Science Monitor
The Deerslayer, or The First War-Path (1841) was the last of James Fenimore Cooper's Leatherstocking Tales to be written. Its 1740-1745 time period makes it the first installment chronologically and in the lifetime of the hero of the Leatherstocking tales, Natty Bumppo. The novel's setting on Otsego Lake in central, upstate New York, is the same as that of The Pioneers, the first of the Leatherstocking Tales to be published (1823). The Deerslayer is considered to be the prequel to the rest of the series. Fenimore Cooper begins his work by relating the astonishing advance of civilization in New York State, which is the setting of four of his five Leatherstocking Tales.
From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analysed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture.