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In the small Palestinian farming village of Beit Daras, the women of the Baraka family inspire awe. Nazmiyeh is brazen and fiercely protective of her clairvoyant little sister, Mariam, with her mismatched eyes, and of their mother, Um Mahmoud, known for the fearsome djinni that sometimes possesses her. When the family is forced by the newly formed State of Israel to leave their ancestral home, only Nazmiyeh and her brother survive the long road to Gaza. Amidst the violence and fragility of the refugee camp, Nazmiyeh builds a family, navigates crises, and nurtures what remains of Beit Daras's community. But her brother continues his exile's journey to America, where, upon his death, his granddaughter Nur grows up alone, in a different kind of exile, the longing for family and roots eventually beckoning her to Gaza. Internationally bestselling author Susan Abulhawa's powerful new novel explores the legacy of dispossession across continents and generations. With devastatingly clear-eyed vision of political and personal trauma, The Blue Between Sky and Water is the story of flawed yet profoundly courageous women, of separation and heartache, endurance and renewal.
In her coming-of-age memoir, refugee advocate Luma Mufleh writes of her tumultuous journey to reconcile her identity as a gay Muslim woman and a proud Arab-turned-American refugee. Now in paperback. With no word for “gay” in Arabic, Luma may not have known what to call the feelings she had growing up in Jordan during the 1980s, but she knew well enough to keep them secret. It was clear that not only would her family have trouble accepting her, but trapped in a conservative religious society, she could’ve also been killed if anyone discovered her sexuality. Luma spent her teenage years increasingly desperate to find a way out, and finally found one when she was accepted into college in the United States. Once there, Luma begins the ago­nizing process of applying for political asylum, which ensures her safety—but causes her family to break ties with her. Becoming a refugee in America is a rude awakening, and Luma must rely on the grace of friends and strangers alike as she builds a new life and finally embraces her full self. Slowly, she’s able to forge a new path forward with both her biological and chosen families, eventually founding Fugees Family, a nonprofit dedicated to the education and support of refu­gee children in the United States. As hopeful as it is heartrending, From Here is a coming-of-age memoir about one young woman’s search for belonging and the many meanings of home for those who must leave theirs.
Daily Fare presents seventeen artfully crafted essays in which writers representing a broad spectrum of the American experience ponder the meaning of living in a nation of diverse and competing cultures. Consistently thought-provoking and often intensely personal, these pieces confront such themes as the question of identity, the individual's relation to culture, problems of communication, and the need to strike a balance between preserving traditions and merging them. Memories both tender and painful fill these pages. Toi Derricotte, recalling her experiences as the only black person at an artist colony, often found her sense of isolation almost unbearable: "No one can help. Only I, myself. But how can I let go? My face is a mask, like Uncle Tom's, my heart twisted in rage and fear." In "The Death of Fred Astaire," Leslie Lawrence reflects on the difficult decisions that led to her becoming a lesbian mother and the mix of emotions--apprehension, maternal longing, and, finally, joyous fulfillment--that accompanied her choices. In "Kubota," Garrett Hongo describes how his grandfather enjoined him to learn and to give witness to the injustices committed against Japanese Americans by their own government during World War II; Hongo accepts this responsibility as "a ritual payment the young owe their elders who have survived." Several bilingual essayists contemplate their relationship to the English language--a language that can empower its users or deny them access to the dominant culture. For Judith Ortiz Cofer, reading books from the public library as a child gave her a sense of freedom as well as her first intimations of the writing career she would later pursue. Alberto Alvaro Rios, however, reminds us that learning English in the first grade also meant being punished for using Spanish: "Spanish was bad. Okay. We, then, must be bad kids." Still other essays explore what it means to confront the confusions of a plural family heritage or to be a black artist from a Catholic background when so much of black culture is tied to the Protestant tradition. "Despite the current interest in multiculturalism," Kathleen Aguero observes, "the notion of culture in the United States today is too often synonymous with predominantly white, male, heterosexual, upper-class, Eurocentric interests." In bringing together writers from beyond this tradition, Daily Fare provides a valuable perspective on our current moment in history. As Jack Agueros, summing up both the dilemma and the pleasure of our society's diversity, writes, "It's hard and wasteful to be purely ethnic in America--definitely wasteful to be totally assimilated."
This is the story of a boy growing into manhood and also into the realization of the fundamental importance of individual freedom. It is set in the beautiful country of Lebanon before and during the Depression and World War II and presents a detailed and fascinating account of life in a time and place which no longer exists. We first meet Karim at his school recital, singing about the beauty of a meadowlark’s life in the forest, despite its danger, as opposed to the deadliness of a secure life in a gilded cage. We follow Karim through his daily life, meet his family and come to understand the constraints against which he must struggle to find his own freedom.
"The Arsonists' City delivers all the pleasures of a good old-fashioned saga, but in Alyan's hands, one family's tale becomes the story of a nation--Lebanon and Syria, yes, but also the United States. It's the kind of book we are lucky to have."--Rumaan Alam A rich family story, a personal look at the legacy of war in the Middle East, and an indelible rendering of how we hold on to the people and places we call home The Nasr family is spread across the globe--Beirut, Brooklyn, Austin, the California desert. A Syrian mother, a Lebanese father, and three American children: all have lived a life of migration. Still, they've always had their ancestral home in Beirut--a constant touchstone--and the complicated, messy family love that binds them. But following his father's recent death, Idris, the family's new patriarch, has decided to sell. The decision brings the family to Beirut, where everyone unites against Idris in a fight to save the house. They all have secrets--lost loves, bitter jealousies, abandoned passions, deep-set shame--that distance has helped smother. But in a city smoldering with the legacy of war, an ongoing flow of refugees, religious tension, and political protest, those secrets ignite, imperiling the fragile ties that hold this family together. In a novel teeming with wisdom, warmth, and characters born of remarkable human insight, award-winning author Hala Alyan shows us again that "fiction is often the best filter for the real world around us" (NPR).
A contemporary fantasy YA debut from Rochelle Hassan about monsters, magic, and wicked fae, perfect for fans of The Darkest Part of the Forest and The Hazel Wood. As the only hedgewitch in Blackthorn, Massachusetts—an uncommonly magical place—Aziza El-Amin has bargained with wood nymphs, rescued palm-sized fairies from house cats, banished flesh-eating shadows from the local park. But when a dark entity awakens in the forest outside of town, eroding the invisible boundary between the human world and fairyland, run-of-the-mill fae mischief turns into outright aggression, and the danger—to herself and others—becomes too great for her to handle alone. Leo Merritt is no stranger to magical catastrophes. On his sixteenth birthday, a dormant curse kicked in and ripped away all his memories of his true love. A miserable year has passed since then. He's road-tripped up and down the East Coast looking for a way to get his memories back and hit one dead end after another. He doesn't even know his true love's name, but he feels the absence in his life, and it's haunting. Desperate for answers, he makes a pact with Aziza: he’ll provide much-needed backup on her nightly patrols, and in exchange, she’ll help him break the curse. When the creature in the woods sets its sights on them, their survival depends on the aid of a mysterious young necromancer they’re not certain they can trust. But they’ll have to work together to eradicate the new threat and take back their hometown... even if it forces them to uncover deeply buried secrets and make devastating sacrifices.
Written by two authors with unparalleled first-hand experience of Darfur, this is the definitive guide. Newly updated and hugely expanded, this edition details Darfur's history in Sudan. It traces the origins, organization and ideology of the infamous Janjawiid and rebel groups, including the Sudan Liberation Army and the Justice and Equality Movement. It also analyses the brutal response of the Sudanese government. The authors investigate the responses by the African Union and the international community, including the halting peace talks and the attempts at peacekeeping. Flint and de Waal provide an authoritative and compelling account of contemporary Africa's most controversial conflict.
After Nadia is separated from her family while fleeing the civil war, she spends the next four days with a mysterious old man who helps her navigate the checkpoints and snipers of the rebel, ISIS, and Syrian armies that are littering Aleppo on her way to meeting her father at the Turkish border.
With relentless danger around every corner, Detective Alex Cross is hunting down a kidnapper . . . but only if someone powerful doesn't kill him first. The President's son and daughter are abducted, and Detective Alex Cross is one of the first on the scene. But someone very high-up is using the FBI, Secret Service, and CIA to keep him off the case and in the dark. A deadly contagion in the water supply cripples half of the capital, and Alex discovers that someone may be about to unleash the most devastating attack the United States has ever experienced. As his window for solving both crimes narrows, Alex makes a desperate decision that goes against everything he believes-one that may alter the fate of the entire country. Kill Alex Cross is fast, exciting, and tightly wound, full of "fast-and-furious action" (Washington Post).
The saffron-colored sky, laden with biting grains of sand, was beginning to yield to a more hospitable blue. Silence prevailed in the harsh desert surroundings the stranded railway coach. The dusty and the violent north wind, which had been lashing the sides of the coach was abating gradually into a fresh breeze playing with the branches of a few date trees, several meters far from the coach. Manira opened the window of the toilet and looked outside at the empty silent desert. She felt herself as an outcast, in the middle of uncharted location, with nothing to see except rugged masses of marble rocks jetting out of the sands here and there, among gigantic sand dunes that extend till the edge of the towering mountains far in the horizon. The conductor stepped down from the car followed by Baron. Both scanned the desert surrounding to explore if there is a sign of life around. But there was absolutely nothing except few rocky hills with the empty railway line coiling its way around the rocky hills till the horizon. Luckily the separated coach stopped few meters away from an area with scattered date trees, which broke the monotony of the one yellow color of sands and rocks. “We are in deep, deep trouble. The conductor said looking at Baron, then he added with a tone of anger: “It’s your fault that we are stranded here in the middle of nowhere. Had you listened to me, we would be in that traveling train. Not in this abandoned coach. Infuriated by the conductor’s belligerent redundancy, Baron shouted: “You have the audacity to twist facts? Why did you call us out of this coach? Admit it. You are part of it. Everything was preplanned, and you knew that this rear coach would be detached from the train. The plan is to get rid of the mentally ill children!.. Am I right? What kind of a brutal scheme to abandon those illusioned and indisposed children to perish in the desert? Was it because there is a deficit in the budget of the institution of the mentally ill? Is it devilish plan invented to waste and bury them in the desert and then to be declared as a train freak accident. A good pretext to get rid of them? You thought you fooled me? You think I believe your innocence?.. It is an obvious premeditated