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This is the story of Suryaprakash Singh, newly-elected Minister of Administrative Affairs, and his comically heroic efforts to come to terms with the vagaries of his office, in which he is aided as well as impeded by Rajnath Mathur, Secretary of the Department, and S.K. Kaul, his Private Secretary. Based on the television series Ji Mantriji, this is a sharply perceptive glimpse into the farcically incompetent system of Indian politics, and the bureaucratic red tape that appears to hold it together. An uproariously funny, brilliantly satirical look at the downside of Indian politics. Based on the original Yes Minister by Jonathan Lynn and Anthony Jay.
Shanti Kumar's Gandhi Meets Primetime examines how cultural imaginations of national identity have been transformed by the rapid growth of satellite and cable television in postcolonial India. To evaluate the growing influence of foreign and domestic satellite and cable channels since 1991, the book considers a wide range of materials including contemporary television programming, historical archives, legal documents, policy statements, academic writings and journalistic accounts. Kumar argues that India's hybrid national identity is manifested in the discourses found in this variety of empirical sources. He deconstructs representations of Mahatma Gandhi as the Father of the Nation on the state-sponsored network Doordarshan and those found on Rupert Murdoch's STAR TV network. The book closely analyzes print advertisements to trace the changing status of the television set as a cultural commodity in postcolonial India and examines publicity brochures, promotional materials and programming schedules of Indian-language networks to outline the role of vernacular media in the discourse of electronic capitalism. The empirical evidence is illuminated by theoretical analyses that combine diverse approaches such as cultural studies, poststructuralism and postcolonial criticism.
A behind-the-scenes history of one of the most successful and admired British sitcoms of the 1980s. In 1977 the BBC commissioned a new satirical sitcom set in Whitehall. Production of its first series was stalled, however, by the death throes of Jim Callaghan’s Labour government and the ‘Winter of Discontent’; Auntie being unwilling to broadcast such an overtly political comedy until after the general election of 1979. That Yes Minister should have been delayed by the very events that helped bring Margaret Thatcher to power is, perhaps, fitting. Over three series from 1980—and two more as Yes, Prime Minister until 1988—the show mercilessly lampooned the vanity, self-interest and incompetence of our so-called public servants, making its hapless minister Jim Hacker and his scheming Permanent Secretary Sir Humphrey two of the most memorable characters British comedy has ever produced. The new prime minister professed it her favourite television programme—a ‘textbook’ on the State in inaction—and millions of British viewers agreed. In the years since Yes Minister has become a national treasure: Sir Humphrey’s slippery circumlocutions have entered the lexicon, regularly quoted by political commentators, and the series’ cynical vision of government seems as credible now as it did thirty years ago. Much of this success can be credited to its writers, Antony Jay and Jonathan Lynn, who drew on their contacts in Westminster to rework genuine political folly as situation comedy. Storylines that seemed absurd to the public were often rooted in actual events—so much so that they occasionally attracted the scrutiny of Whitehall mandarins. In A Very Courageous Decision acclaimed entertainment historian Graham McCann goes in search of the real political fiascos that inspired Yes Minister. Drawing on fresh interviews with cast, crew, politicians and admirers, he reveals how a subversive satire captured the mood of its time to become one of the most cherished sitcoms of Thatcher’s Britain.
With crisp dialog, outrageous characters, and an absurd sense of humor, it's no wonder British sitcoms are so well-loved! Best of the Britcoms covers the most noteworthy situation comedies ever to cross the pond. Each entry combines a show summary with descriptions of standout episodes and behind-the-scenes details, plus gives you production data and full cast listings. And now, the revised edition of this Britcom classic contains seven new chapters on programs that have aired in the U.S. since the original edition was published, such as The Office, Extras, and My Family. Fans of old-school Britcoms won't be disappointed either, as the revised edition also includes the later developments of older series' storylines and detailed information on specials and cast reunions that have occurred in the intervening years. Pick up this book, kick back, and get to know a Britcom!
Armed with a fistful of memories, Jayant Kripalani weaves nostalgia into these short stories about the inhabitants of New Market. A sprawling landscape that houses both enterprise and extraordinary people, New Market continues to be something of an institution in Calcutta. And any time is a good time to revisit it by taking a trip down Kripalanis memory lane and meeting Francis the jewellery maker, Ganguly Gainjeewallah and his activist-daughter Gopa, and a cast of characters who excite you, exasperate you but still win you over.
Author Gangadhar Bhadani was once described by Jimmy Wales, cofounder of Wikipedia, as the most prolific Indian Wikipedian. He was in the top ten worldwide contributors for months. In Choice in Chaos, Bhadani shares his life story, a tale spanning the six decades of his life so far. It features several streams that flow concurrently: autobiographical accounts and anecdotes, along with a number of select books that passed through his life with a golden streakhis activities, his contributions, and his experience as a Wikipedian. In colorful and candid language, Bhadani describes his childhood, adolescence, and multidimensional adulthood, painting a vivid picture of India along the way. At the age of fifty-five, he began to engage seriously with the English version of Wikipedia, and that connection has profoundly changed his life. This unusual memoir presents the personal narrative of an Indian bank officer who has made extensive contributions to Wikipedia since 2005.
In Once Upon A Prime Time, Ananth Mahadevan pens the memoirs of his journey on Indian television. From first hand experiences with film makers who were the founding fathers of television serials, to today's consumerism driven shows, he has tasted them all. The book reads like an autobiography yet covers virtually every major player who was responsible for the nostalgia that Indian television now evokes. It incorporates exclusive moments with many celebrities and award winning directors. Join the actors on their sets as they perform for television and learn about the stories that made the shows come to life. Covering artistes and makers who impacted our world, such as Amitabh Bachchan, Hrishikesh Mukherjee, Sai Paranjpye, Basu Chatterjee, Kundan Shah, Ravi Chopra, Ramesh Sippy , Farooque Shaikh, Aziz Mirza, Gulzar and Govind Nihalani. The book is in all probability, the first ever story of Indian television. Besides taking one down memory lane, this could be a throwback for all those connected with the medium, past and present. It gives you a feeling of travelling through time and watching history being made – behind the scenes. "The book reads like an autobiography, but covers every major player who was responsible for the nostalgia that Indian television now evokes." - Hema Malini