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How did a coloring book spend 14 weeks on the New York Times Non-Fiction Best Sellers list The year was 1962. America was in love with the young family in the White House, speaking of them with awe and reverence. Then the JFK Coloring Book was released, and punctured all that. Conceived by publisher Alexander A. Roman, with drawings by Mad Magazine's master caricaturist Mort Drucker and text by his Mad cohort Paul Laikin and Ratfink Room comedian Jackie Kannon, the book used the form of a coloring book supposedly crafted by four year old Caroline Kennedy to poke fun at the whole Kennedy clan, their friends and their fellow players on the political scene, including every one from Frank Sinatra to Jimmy Hoffa. The publication of this unique volume lead off a whole Kennedy comedy stampede, with things like Vaughn Meader's First Family albums coming in its wake. Comedy was replaced by tragedy with JFK's assassination, and the Coloring Book which had once had print runs in the hundreds of thousands disappeared from bookstore shelves, not to return for over half a century. Now the time has come to remember Kennedy and his family not just as tragic figures, but as the way they were and the way we saw them then. As an added bonus, this edition also includes Political Wind-ups, another book full of Drucker caricatures, with text by Roman and Rochelle Davis, taking a look at the political figures of the day (Kennedy, Martin Luther King, Jr., Richard Nixon, and many more) and asking a vital question: if this person were a wind-up toy, what would it do when you wound it up? Annotations have been included for both of the books, to educate those who are too young to have lived through the times and to remind those who may no longer remember the details.
A talented artist with a thirst for music and literature, Tom Crites self-published zines and contributed to the small press for over two decades. He designed album covers and t-shirts, but also created art simply because he loved to do it, often leaving his work in public places for others to find. Throughout all of this, Tom struggled with mental health issues. In August 2013, at the age of forty-five, he committed suicide. The artworks collected here were produced by Tom over many years and are representative of his unique and largely unsung talent. Some pieces were drawn at home in his apartment, watching films he would later review for zines or online; others he sketched whilst in hospital. All are suitable for framing. Be forewarned: There are no 'mindfulness mandalas' here, no kitsch exotic flowers to relieve the stresses of your desk job. Here is a darker beauty: macabre mysticism, human-animal hybrids, hallucinatory patterns, a melding of the sublime and the horrific. The works contained in this book are evidence of a symbolic anthropology and they embody the creative spirit that carried Tom through much of his life. Do not colour them lightly.
We live in a time much like the postwar era. A time of arch political conservatism and vast social conformity. A time in which our nation’s leaders question and challenge the patriotism of those who oppose their policies. But before there was Jon Stewart, Al Franken, or Bill Maher, there were Mort Sahl, Stan Freberg, and Lenny Bruce—liberal satirists who, through their wry and scabrous comedic routines, waged war against the political ironies, contradictions, and hypocrisies of their times. Revel with a Cause is their story. Stephen Kercher here provides the first comprehensive look at the satiric humor that flourished in the United States during the 1950s and early 1960s. Focusing on an impressive range of comedy—not just standup comedians of the day but also satirical publications like MAD magazine, improvisational theater groups such asSecond City, the motion picture Dr. Strangelove, and TV shows like That Was the Week That Was—Kercher reminds us that the postwar era saw varieties of comic expression that were more challenging and nonconformist than we commonly remember. His history of these comedic luminaries shows that for a sizeable audience of educated, middle-class Americans who shared such liberal views, the period’s satire was a crucial mode of cultural dissent. For such individuals, satire was a vehicle through which concerns over the suppression of civil liberties, Cold War foreign policies, blind social conformity, and our heated racial crisis could be productively addressed. A vibrant and probing look at some of the most influential comedy of mid-twentieth-century America, Revel with a Cause belongs on the short list of essential books for anyone interested in the relationship between American politics and popular culture.
Focusing exclusively on Kennedy family life in the White House, Carl Sferrazza Anthony illuminates in words and pictures the domestic details, special events, private celebrations, and personal tragedies that marked John F. Kennedy's term from Inauguration Day to the final departure of Jackie and the children in December 1963. 337 photos, many in color.
Rebellious Laughter changes the way we think about the ordinary joke. Claiming that humor in America is a primary cultural weapon, Boskin surveys the multitude of joke cycles that have swept the country during the last fifty years. Dumb Blonde jokes. Elephant jokes. Jewish-American Princess jokes. Lightbulb jokes. Readers will enjoy humor from many diverse sources: whites, blacks, women, and Hispanics; conservatives and liberals; public workers and university students; the powerless and power brokers. Boskin argues that jokes provide a cultural barometer of concerns and anxieties, frequently appearing in our day-to-day language long before these issues become grist for stand-up comics.
This is a story about cold war soldiers/warriors using intellect rather than arms to confront the enemy. The enemy being the soviet union and their eastern european subordinates who intended to occupy and rule all of europe. These are the recollections and memories of one of those cold war warriors. He reminisces, as he awaits aboard a troop ship docked in new yorkharbor to muster out of the united states army. He is returning from germany where he served as a signals intelligence analyst assigned to an intelligence gathering and processing unit. It encompasses the time from the latter part of world war ii through the height of the cold war in the early 1960s. In this book you will learn: • High-resolution illustrations of key events, people and places focused on the numerous battles and conflicts during the cold war. • In-depth backstory of each illustration, allowing you to increase your knowledge while coloring and become familiar with facts that will leave you speechless! • Fascinating “did you know?” Trivia lists that will amaze you with surprising information about nato, soviet union, nuclear triad, and more! • Challenging quizzes that will put you to the test all your recently acquired knowledge. The cold war was the dominant global conflict of the twentieth century. This volume begins with a discussion of the war’s roots, both deep and recent. It analyzes the early years of the war, immediately following world war ii. It looks at the major events of the war and considers some of the themes that defined it as a military, economic, and cultural phenomenon. It closes with an examination of the collapse of the soviet union in 1991 and a detailed timeline of the war.
Gail Godwin was twenty-four years old and working as a waitress in the North Carolina mountains when she wrote: “I want to be everybody who is great; I want to create everything that has ever been created.” It is a declaration that only a wildly ambitious young writer would make in the privacy of her journal. In the heady days of her literary apprenticeship, Godwin kept a daily chronicle of her dreams and desires, her travels, love affairs, struggles, and breakthroughs. Now, at the urging of her friend Joyce Carol Oates, Godwin has distilled these early journals, which run from 1961 to 1963, to their brilliant and charming essence. The Making of a Writer opens during the feverish period following the breakup of Godwin’s first marriage and her stint as a reporter for The Miami Herald. Aware that she is entering one of the great turning points of her life as she prepares to move to Europe, Godwin writes of the “100 different hungers” that consume her on the eve of departure. A whirlwind trip to New York, the passengers and their stories on board the SS Oklahoma, the shock of her first encounters with Danish customs (and Danish men)–Godwin wonderfully conveys the excitement of a writer embracing a welter of new experience. After a long, dark Scandinavian winter and a gloriously romantic interlude in the Canary Islands, Godwin moves to London and embarks on the passionate engagements that will inspire some of her finest stories. She records the pleasures of soaking in the human drama on long rambles through the London streets–and the torment of lonely Sundays spent wrestling these impressions into prose. She shares her passion for Henry James, Marcel Proust, Lawrence Durrell, Thomas Wolfe–and her terror of facing twenty-six with nothing to show but a rejected novel and a stack of debts. “I do not feel like a failure,” Godwin insists as she sits down yet again to the empty page. “I will keep writing, harder than ever.” Like Virginia Woolf’s A Writer’s Diary, Gail Godwin’s journals brim with the urgency and wit of a brilliant literary mind meeting the world head on. An inspired and inspiring volume, The Making of a Writer opens a shining window into the life and craft of a great writer just coming into her own.