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Jews under Moroccan Skies tells the story of Jewish life in Morocco, describing how Jews and Muslims have interwoven their lives in peace for centuries. The authors give the rich Moroccan history of Berber Jews, the tzadikim, and Jewish mysticism. They also describe the cultural differences between the Judeo-Spanish communities of the North, the Francophone urban Jews, and the Judeo-Arabic and Judeo-Berber traditions. "Jews under Moroccan Skies...shows the heritage of tolerance and coexistence between Jews and Muslims...and delivers a message of hope in a world of hatred and exclusion." Serge Berdugo Secretary-General of the Council of Moroccan Jews President of the World Assembly of Moroccan Jewry
The origins of the Jewish community of Morocco are buried in history, but they date back to ancient times, and perhaps to the biblical period. The first Jews in the country migrated there from Israel. Over the centuries, their numbers were increased by converts and then by Jews expelled from Spain and Portugal. After the Muslim conquest, Morocco's Jews, as "people of the book," had dhimmi status, which entailed many restrictions but allowed them to exercise their religion freely. In the mellahs (Jewish quarters) of Morocco's cities and towns, and in the mountainous rural areas, a distinct Jewish culture developed and thrived, unquestionably traditional and Orthodox, yet unique because of the many areas in which it assimilated elements of the local culture and lifestyle, making them its own as it did so. Most of Morocco's Jews settled in Israel after 1948, and many others went to other countries. Wherever they went, their rich cultural heritage went with them, as exemplified by the Maimuna festival, just after Passover, which is now a major occasion on the Israeli calender.
Explores the conundrum of Jewish Moroccan identity, from the earliest times to the present day.
Multiple traditions of Jewish origins in Morocco emphasize the distinctiveness of Moroccan Jewry as indigenous to the area, rooted in its earliest settlements and possessing deep connections and associations with the historic peoples of the region. The creative interaction of Moroccan Jewry with the Arab and Berber cultures was noted in the Jews’ use of Morocco’s multiple languages and dialects, characteristic poetry, and musical works as well as their shared magical rites and popular texts and proverbs. In Jews and Muslims in Morocco: Their Intersecting Worlds historians, anthropologists, musicologists, Rabbinic scholars, Arabists, and linguists analyze this culture, in all its complexity and hybridity. The volume’s collection of essays span political and social interactions throughout history, cultural commonalities, traditions, and halakhic developments. As Jewish life in Morocco has dwindled, much of what is left are traditions maintained in Moroccan ex-pat communities, and memories of those who stayed and those who left. The volume concludes with shared memories from the perspective of a Jewish intellectual from Morocco, a Moroccan Muslim scholar, an analysis of a visual memoir painted by the nineteenth-century artist, Eugène Delacroix, and a photo essay of the vanished world of Jewish life in Morocco.
"Drawn from Memory" is an important contribution to Moroccan studies, to the field of anthropology, and to academic approaches to biography. Rosen weaves the threads of his narrative together into a tapestry focused on the lives of four men: a raconteur, a teacher, an entrepreneur, and a cloth dealer, a Jew. Ordinary people have intellectual lives, Rosen tells us. They may never have written a book; they may never even have read one. But their lives are rich in ideas, constantly fashioned and revised, elaborated and rearranged. Rosen first encountered the four men he profiles in his book in the course of his academic research, and he then visited and revisited these men, and the towns in which they live, over several decades. He engaged them ina kind of continuous conversation. He spoke to members of their family, their neighbors, and the town people. Out of this wealth of material, he has constructed a narrative that takes the reader not only into four intensely observed individual lives but also, as it were, the history of Morocco s evolution across the span of many decades; he takes the reader not only into the outwardly lived lives of his subjects, but their innermost thoughts, their own perceptions of themselves and the evolving Moroccan world around them. At the same time, he manages to evoke the physical landscape, the towns in which these men live, marvelously well, so that the towns and their inhabitants come alive for the reader. Beautifully illustrated with archival and ethnographic photos, "Drawn from Memory" teaches us that that for Moroccans, and by extension Muslims in general, nothing in everyday social life is hard and fast, and the meaning and outcome of all interactions is the product of negotiation and relatedness."
"[T]he amazing story of a woman who lived through one of the worst times in human history, losing family members to the Nazis but surviving with her spirit and integrity intact.” —Publishers Weekly Marthe Cohn was a young Jewish woman living just across the German border in France when Hitler rose to power. Her family sheltered Jews fleeing the Nazis, including Jewish children sent away by their terrified parents. But soon her homeland was also under Nazi rule. As the Nazi occupation escalated, Marthe’s sister was arrested and sent to Auschwitz and the rest of her family was forced to flee to the south of France. Always a fighter, Marthe joined the French Army and became a member of the intelligence service of the French First Army. Marthe, using her perfect German accent and blond hair to pose as a young German nurse who was desperately trying to obtain word of a fictional fiancé, would slip behind enemy lines to retrieve inside information about Nazi troop movements. By traveling throughout the countryside and approaching troops sympathetic to her plight--risking death every time she did so--she learned where they were going next and was able to alert Allied commanders. When, at the age of eighty, Marthe Cohn was awarded France’s highest military honor, the Médaille Militaire, not even her children knew to what extent this modest woman had helped defeat the Nazi empire. At its heart, this remarkable memoir is the tale of an ordinary human being who, under extraordinary circumstances, became the hero her country needed her to be.
This book examines the Jewish community of Morocco in the late 18th and early 19th centuries through the life of a merchant who was the chief intermediary between the Moroccan sultans and Europe .
The Sultan's Communists uncovers the history of Jewish radical involvement in Morocco's national liberation project and examines how Moroccan Jews envisioned themselves participating as citizens in a newly-independent Morocco. Closely following the lives of five prominent Moroccan Jewish Communists (Léon René Sultan, Edmond Amran El Maleh, Abraham Serfaty, Simon Lévy, and Sion Assidon), Alma Rachel Heckman describes how Moroccan Communist Jews fit within the story of mass Jewish exodus from Morocco in the 1950s and '60s, and how they survived oppressive post-independence authoritarian rule under the Moroccan monarchy to ultimately become heroic emblems of state-sponsored Muslim-Jewish tolerance. The figures at the center of Heckman's narrative stood at the intersection of colonialism, Arab nationalism, and Zionism. Their stories unfolded in a country that, upon independence from France and Spain in 1956, allied itself with the United States (and, more quietly, Israel) during the Cold War, while attempting to claim a place for itself within the fraught politics of the post-independence Arab world. The Sultan's Communists contributes to the growing literature on Jews in the modern Middle East and provides a new history of twentieth-century Jewish Morocco.
For centuries, the artistry of the Jewish community in Morocco has flourished - as much in urban areas as in the countryside - in metalwork, manuscripts, silks, wool, leather, woodwork. Often, this creativity has given birth to exceptional works that showcase the talent and originality of artists and artisans who have nonetheless remained anonymous. Originally from Morocco, Andre Goldenberg is an ethnologist who has devoted a significant part of his life to collecting the art of the Jews of Morocco, artefacts that show a unique artistic perspective and an extremely fine artistic quality. The extraordinary collection of objects assembled in this volume reveals the multiple facets of the art of Moroccan Jews, while the meticulous research that accompanies the catalogue promises to preserve this culture for future generations. This richly illustrated book constitutes an imaginary museum, carefully detailing hundreds of masterpieces of Jewish Moroccan art gathered from public and private collections in Morocco and abroad."
Before widescale emigration in the early 1960s, North Africa's Jewish communities were among the largest in the world. Without Jewish emigrants from North Africa, Israel's dynamic growth would simply not have occured. North African Jews, also called Maghribi, strengthed the new Israeli state through their settlements, often becoming the victims of Arab-Israeli conflicts and terrorist attacks. Their contribution and struggles are, in many ways, akin to the challenges emigrants from the former Soviet Union are currently encountering in Israel. Today, these North African Jewish communities are a vital force in Israeli society and politics as well as in France and Quebec. In the first major political history of North African Jewry, Michael Laskier paints a compelling picture of three Third World Jewish communities, tracing their exposure to modernization and their relations with the Muslims and the European settlers. Perhaps the most extraordinary feature of this volume is its astonishing array of primary sources. Laskier draws on a wide range of archives in Israel, Europe, and the United States and on personal interviews with former community leaders, Maghribi Zionists, and Jewish outsiders who lived and worked among North Africa's Jews to recreate the experiences and development of these communities.Among the subjects covered: --Jewish conditions before and during colonial penetration by the French and Spanish; --anti-Semitism in North Africa, as promoted both by European settlers and Maghribi nationalists; --the precarious position of Jews amidst the struggle between colonized Muslims and European colonialists; --the impact of pogroms in the 1930s and 1940s and the Vichy/Nazi menace; --internal Jewish communal struggles due to the conflict between the proponents of integration, and of emigration to other lands, and, later, the communal self-liquidiation process;—the role of clandestine organizations, such as the Mossad, in organizing for self-defense and illegal immigration;—and, more generally, the history of the North African `aliyaand Zionist activity from the beginning of the twentieth century onward. A unique and unprecedented study, Michael Laskier's work will stand as the definitive account of North African Jewry for some time.